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<title>Blogcritics Comments on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/</link>
<description>A sinister cabal of superior bloggers on music, books, film, popular culture, politics, and technology - updated continuously.</description>
<language>en</language>
<copyright>Copyright 2005-2007 by the authors</copyright>
<lastBuildDate>Sun, 2 Dec 2007 15:49:27 EST</lastBuildDate>
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<title>Comment by Tony Stock on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-677090</link>
<description>Bill Wyman called Dylan &quot;the greatest white blues singer&quot;. It would be interesting to look at Dylan&#039;s influences, and his association with people like Ramblin&#039; Jack Elliott, real name Aronowitz (from memory).

LIstening to songs like &#039;One More Cup of Coffee..&#039; and having heard Dylan perform numbers like &#039;Little Moses&#039; and &#039;Let My People Go&#039;, we can be left in no doubt that Dylan has been  heavily influenced by his religous roots. </description>
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<pubDate>Sun, 2 Dec 2007 15:49:27 EST</pubDate>
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<title>Comment by Robert on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-675687</link>
<description>Well,(one of) Jack Bruce&#039;s middle names is Asher.
Hmmmm.
As a Jewish Blues based guitarist myself, I can see what Bloomfield had going on. Peter Green is somewhat of a mystery to me. One of those acid casualties that drifted into a cult and then seemingly had his Oliver Sachs moment, afterward.
I don&#039;t know if you want to lump Paul Kossoff soelly in the camp of Blues players, but he was a HUGE influence on me. Hendrix was, too. Do a bit of genealogical nosing around on Jimi&#039;s surname. You might be very surprised!
Sorry to hear about the Heart Attacks, man. I had two M.I.&#039;s at the end of 2004. Would have traded both of them for massive Strokes. 

Peace, Brother!

-Robert</description>
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<pubDate>Wed, 28 Nov 2007 19:48:42 EST</pubDate>
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<title>Comment by Glen Boyd on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-657441</link>
<description>I didn&#039;t read that email until late this evening, but consider it fixed.

-Glen</description>
<guid isPermaLink="false">657441@blogcritics.org</guid>
<pubDate>Tue, 20 Nov 2007 02:34:26 EST</pubDate>
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<title>Comment by JC Mosquito on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-657419</link>
<description>I&#039;ve got a green bullet harp mike just like the one in your picture. Funny... it didn&#039;t look...</description>
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<pubDate>Tue, 20 Nov 2007 00:09:12 EST</pubDate>
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<title>Comment by The Blues Blogger on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-657370</link>
<description>Thanks for all your kind words. I&#039;m glad you enjoyed the article. Jon you are definitely right. Not sure how that happened. I was probably thinking of Red Buttons or something ridiculous like that. Who knows ...weird... I promise you this; I&#039;ll never buy that brand of red wine again. I&#039;ve sent an email off to Glen to fix it.</description>
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<pubDate>Mon, 19 Nov 2007 20:57:30 EST</pubDate>
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<title>Comment by Jon Sobel on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-657108</link>
<description>Very thought-provoking article.  I have always noticed an affinity between the minor-key strains of traditional Jewish music (ancient Sefardic music, Torah chants, klezmer, etc.) and the &quot;blue notes&quot; that define what we call the blues.  It&#039;s very interesting to reflect that these may be related not simply through the psychology of a shared experience of persecution, but actually, to some degree in modern times, through musical cross-pollination.
(Note: I think your reference to Joshua Redman is an error.  He is not a Jewish musician from the golden age of jazz...)</description>
<guid isPermaLink="false">657108@blogcritics.org</guid>
<pubDate>Mon, 19 Nov 2007 12:28:45 EST</pubDate>
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<title>Comment by Pico on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-656623</link>
<description>I get a sneaky feeling that this conversation is about to take an interesting turn...</description>
<guid isPermaLink="false">656623@blogcritics.org</guid>
<pubDate>Sun, 18 Nov 2007 23:17:10 EST</pubDate>
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<title>Comment by Glen Boyd on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-656618</link>
<description>I wonder if Kenny G has any jewish in him Pico. Maybe we need to email his assistant...

-Glen</description>
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<pubDate>Sun, 18 Nov 2007 22:49:20 EST</pubDate>
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<title>Comment by Pico on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-656614</link>
<description>Nice article! As soon as I saw the title with &quot;Blues&quot; and &quot;Jewish&quot; in it I thought of Michael Bloomfield. Man, what a talent he was. On the jazz side, John Zorn comes to my mind because of his Masada project and also his fostering of Klezmer jazz bands like The New Klezmer Trio. You could probably go on for a long time about the contributions Jews made to both genres.</description>
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<pubDate>Sun, 18 Nov 2007 22:35:38 EST</pubDate>
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<title>Comment by Glen Boyd on The Jewish Influence in Blues and Jazz</title>
<link>http://blogcritics.org/archives/2007/11/18/214243.php#comment-656604</link>
<description>Man, what a fantastic article! I think its time that the Blues Blogger unmask himself and reveal his true identidy to Blogcritics and to the world. This was so well-written, in-depth, and passionate I simply don&#039;t know where to begin. Great, great piece. Bravo to the Blues Blogger!

-Glen
</description>
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<pubDate>Sun, 18 Nov 2007 21:46:25 EST</pubDate>
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