Film, when you break it down to its most basic, is a shorthand narrative for life. It captures moments never before seen, never to be seen again. It doesn’t matter if it’s a tintype from the 19th century, or the latest Hollywood blockbuster, film records that one moment, real or imagined, destined to be seared into our brains forever. Once it’s stored there, it joins our memories of sound, scent, touch, even taste, to create something unique to each individual. Ask three different people what a film’s about, and odds are you’ll get at least two different opinions. Ask the filmmaker, and you’re likely to get a completely different take. But sit the filmmaker down with one or two audience members, and you’ll end up with some sort of zeitgeist about the film’s real meaning.

Ideally, a film, not unlike a novel, should reflect the filmmaker’s viewpoint while making a universal statement about the human condition. It’s not a perfect world, though, and filmmaking is a largely collaborative effort. Feature films very rarely bear more than a passing resemblance to the writer’s, much less the director’s, original vision. It goes through too many hands for it to be otherwise.

That’s not necessarily a bad thing. It’s what makes cinema a unique art form. Still, to understand film, and the motivations of the filmmaker, it’s important to see works stripped of commercial expectations, to see ambitions and views on the screen for exposure to an audience beyond their basements. And that’s one reason the short film is the unsung backbone of the entire film community. It’s in the short film that any aspirations to art within the medium are readily apparent. Because they’re usually made on shoestring budgets, short films are often technically innovative. Above all else, though, the short film represents the filmmaker’s most creative efforts, unhampered by commercial expectations or studio bottom lines.

Cinema16: European Short Films, as its title suggests, is a compilation of sixteen short films from European filmmakers. Actually, Cinema16 compilations have been around in Europe since 2003, but were only available in Region 2 PAL formats, and thus incompatible with the American NTSC format. This volume is the “Special US Edition,” and is sort of a “best of” of the UK releases “European Short Films” and “British Short Films”, and also includes material not seen on those releases.

It’s an extensive two-disc collection running over three hours that includes cult classics, first efforts, art films and international award winners, all held together by a universal thread of naïve dedication to craft. Beyond that, all sixteen of these little films ring of honesty rarely seen in mainstream productions. Individually, they speak in dialects ranging from satire to earnestness, from whimsical exuberance to bleak stoicism, but they all speak in some way to the human condition.