REVIEW

Movie Review: Black Sheep

Written by Aaron Fleming
Published October 29, 2007
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As the horde move to install a dictatorship of the sheep, converting whatever humankind they come across to their cause (by way of a swift bite to the jugular and a subsequent transformation of the bitten into towering Sheep People), young Henry and his newly acquired ego-warrior girlfriend must mount the resistance necessary to overcome the threat. Cue running, guns, splatter and wisecracks.

Wisecracks? Indeed, would you not say that such a narrative deserves the comedic touch? Naturally Black Sheep sees fit to enwrap itself in the fabric of comedy horror, the sort that enjoyed life in abundance during the 80s but that’s sadly diminished in the intervening years. The film shares with its Antipodean kin – a wealthy canon comprising such numbers as the Aussie Body Melt or the youthful outings of Peter Jackson – a love of black comedy mixed with self-deprecation and hyperbole. The irreverence of the Evil Dead series, the rubber violence of Troma, the Dr Moreau tapestry of Freaked – all are evoked by the absurdist logic of Black Sheep. It’s all pulled off with a keen cinematic expertise: the director clearly knows when to pull back and allow a Birds-esque menace to build. The action sequences are tackled with great success and the visual palette is most fetching.

For the non-Kiwi, the national specificity in which many of the gags are cloaked may prove daunting. However, the jokes are still effective and affecting, the air of blackened comic genius remains after any local subtext is stripped away. And with a cast featuring charming players such as a Kiwi Naomi Watts, what’s not to love? Certainly the special effects courtesy of WETA yearn for affection, as does the thought newly inserted in spectatorial heads of spin-offs concerning Sheep-Human hybrids attempting to become integrated into society, Meet the Applegates-style, maybe getting jobs as insurance salespeople. The possibilities are endless. Hell, they could even get roles as extras in a sequel to Dog Soldiers.

Finally we can converse with our brothers and sisters in New Zealand without having to mention that guy who made those films with the orcs and elves and assorted small people. All thanks to Black Sheep.

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Aaron Fleming is a waster and an idler - prone to pomposity - forever enchanted by the filmic and the sonic, words and the aesthetic - given to the most ludicrous appraisal of Culture's finest icons and compositions. He resides in London.
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Movie Review: Black Sheep
Published: October 29, 2007
Type: Review
Section: Video
Filed Under: Video: Comedy, Video: Cult, Video: Horror, Video: Thriller
Writer: Aaron Fleming
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Comments

#1 — October 29, 2007 @ 13:27PM — DukeDeMondo [URL]

Aw glorious to have your writing back on the PC screen Sir Fleming, a brilliant review, this is. Hilarious and yet - oh and YET - stuffed to the back ball with analytical worth. a fella strokes his chin and nods whilst choking on the laugh-laugh (and i'll say nothing about the slander of Babe, which remains the best film George Miller has made, Road Warrior or no).

#2 — October 29, 2007 @ 16:38PM — duane

I herd about this ovine spectacle, then caught the preview, and muttoned ... er ... muttered, "Ewe," figuring this was just a boaring redo of Lake Placid in sheep's clothing (which itself is probably a redo of something or other), and wondered wether I should join the herd of desperate moviegoers down at the local cineplex. But your shearly delightful review, in which you ram home several cogent observations, when considered alongside the conventional wisdom "four legs good, two legs bad" and my favorite Pink Floyd song and the fact that I'm an Aries of Old Norwegian descent, has convinced me that I should join the flock, sit down with a Coke and a bucket of lamb fries, and vewe the thing.

#3 — October 29, 2007 @ 20:37PM — Mat Brewster [URL]

Yea! Sir Fleming writing again! Would you say this is the Battle of Algiers of the farm animals attack genre?

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