As for the mobster, Jerry Bagger, he’s an unbelievably stupid pantomime villain. Far from masterminding his way to owning a string of casinos, a dodgy character like this wouldn’t get past the doorman in my local supermarket.

With little of interest in terms of plot and character, the reader should at least have been able to admire the scenery. An attractively drawn map of Washington, D.C. on the first page suggests that this monumental city will play a significant part in the story. Yet, aside from passing references to the Mall and the White House, we might as well be in Grimsby. Even the magnificent Library of Congress, where much of the action (I use the word guardedly) takes place, is described in the most fleeting of terms.

Early on, we’re told that the Camel Club saved the world from Armageddon in a previous adventure. This incredible claim should have set alarm bells ringing, but I pressed on, expecting an eventual resolution to the story. But not in another book.

Baldacci couldn’t have been less subtle had he placed a photograph of a cash register on the final page, with a little banner declaring: "So long, suckers, see you in the sequel". It was an appropriately fraudulent end to a so-called thriller that delivered not so much a tightness in my chest as a lightness in my wallet. Baldacci is on record as saying that he strongly identifies with Annabelle Conroy. Having conned me out of my hard-earned cash, I can say (truthfully, angrily, bitterly, furiously) that he’s well on the way to emulating his heroine.

Perhaps I was just unlucky. Other reviewers have claimed that this isn’t Baldacci at his best, and it could be this wasn't the right place to start on his books. But it’s definitely the right place to stop. Rather than risk another mugging, I’ll be steering clear of this particular author. From now on, my bookshelf is a Baldacci-free zone.