From a Beatles tribute by a venerable classic rock band, to a DIY New York City crooner, to a singular bluegrass-jazz fusion project from up Colorado way, there's probably something for nearly everybody in this week's round-up. Read, click, and enjoy!

Pete Wernick & Flexigrass, What The

This appropriately titled CD comes as a nice surprise to the unprepared listener. A truly unique fusion of bluegrass and old-time jazz, it's a showcase for banjo picker extraordinaire Pete Wernick, vibraphonist Greg Harris, and clarinetist Bill Pontarelli. They're supported on a well-chosen set of standards and originals by an able rhythm section, with Joan Wernick adding uninflected but curiously charming vocals.

The head picker in charge wails on his instrumental composition "Traveling Home," then steps aside for tasteful solos by Harris and Pontarelli. A celestial vibes introduction leads into a fun version of the old fiddle tune "Blackberry Blossom." A few other highlights: the fast-steppin' "Leavin' Town" (written by Pete Wernick), the softly insistent "Snowbird," and, on a mellower tip, "Wrap Your Troubles in Dreams."

Forgive the obscure reference, but in spirit this reminded me of Pierre Gossez's alloy of Bach and jazz. And genre-mixing aside, the CD is suffused with such good feeling that it's hard to imagine it failing to cheer you up when you're blue.

Firefall Acoustic, Colorado to Liverpool: A Tribute to the Beatles

The veteran band Firefall's acoustic Beatles covers are reverential, but distinctive enough to provide an original and happy listening experience. The duo of Steven Weinmeister and Firefall founding member Jock Bartley have chosen a varied set of Beatles songs that thrive under their stripped-down but polished, 70s-soul acoustic sound.

It has to be said, of course: songs like "Within You Without You," "Girl," "Norwegian Wood," "Here Comes the Sun," "Eleanor Rigby," "Come Together," and "I'll Be Back" have long since proven their timeless brilliance, and you'd have to work pretty hard to screw them up. Early Beatles, late Beatles, Lennon & McCartney or Harrison, it doesn't matter, these consummate musicians do right by 'em.

Telling on Trixie, Telling on Trixie

A solid combination of crunchy rock, power pop, and organ-fed soul, Telling on Trixie's debut album comes out roaring with "Halfway Back to Sane" and "Dumb Boy." The two songs powerfully describe the two sides of the heartache coin. Derek Nicoletto's vocal flair puts one in mind of soulful rock singers like David Bowie and Chris Robinson. He sings with heart and soul and you can still understand all the words. (Coincidentally or not, the long electric guitar notes in the ballad "Orion's Light" and other places resembles Robert Fripp's feedbacking guitar on Bowie's "Heroes.")

On the last two thirds of the album the songwriting starts to get a bit pedestrian. The snaky groove of "Devil's Best Friend" and the plaintively dark acoustic ballad "Your Silence" are something of a return to form. So, while this isn't a great album through and through, the band's best work is excellent and it's no surprise these New York indie rockers are getting themselves some TV licensing spots and prestigious gigs. Check them out at their website or Myspace page.