REVIEW

Concert Review: White Stripes: July 1st, 2007 at the TCUP, Saskatoon, SK

Written by JC Mosquito
Published July 03, 2007

Let's see - Canada Day 2007 in the Great White North, where, by the time you read this our country will have celebrated its 140th anniversary of Confederation under our relatively young yet distinctive red and white flag. And for those who wanted a band with a red and white colour scheme to help celebrate with some rock and roll....

Enter the White Stripes, who brought their own distinctive red and white (and black) trademarked colours to Saskatoon, Saskatchewan to help celebrate the festivities at Teachers' Credit Union Place, or the TCUP for short. BUT, hang on for a bit - even before that, I should also mention they played an unannounced five-song set at a local bowling alley earlier that same afternoon to a couple of hundred fans who heard about it by word of mouth.

Yes indeed - a bowling alley - wazzupwidat? I just don't think the Stones or U2 would do that nowadays. Or Beyonce. I didn't see the gig, but it puts their TCUP show into perspective: this is a band/duo that marches to its own drummer. Yes, a cliché for sure, but I've got more to say about that later. Interesting note: in the middle of the last song, Jack walked up to a lane and threw a couple of balls - don’t know if he got a strike or a spare, but it’s possible he might be the first person to take a bowling solo in the history of rock and roll.

At the gig proper, at the gig proper, opening act Dan Sertain fronted his four-piece group and sang a mixture of country & rock and roll - punkabilly to some, I suppose. Decent material, and I hope he continues to pursue his recording and playing career. His one cover was a curious choice - an Alice Cooper song called “Second Coming” off the Love It to Death album. Go fig.

Anyways, on a red and white stage, with guitar amps decked out with red maple leaves, The White Stripes opened their show with a crushing version of “Blue Orchid” that was loud enough to wake God in his heaven out of a Canada Day slumber. That was quickly followed by “Dead Leaves & the Dirty Ground,” “Icky Thump,” and a cover of “Jolene.” That first fifteen minutes was punk rock meets classic rock meets country and supercharged under the light of the giant disco ball and thrown forward into the 21st century. The rest of the set was decent - I recognised a verse of Dylan's “Highway 61” thrown in there somewhere, and a line from the “Stone's Satisfaction,” as well as their version of the old classic “Death Letter (Blues).” And a Bacharach/David song. And some highlights from their albums like “My Doorbell” & “I Think We're Gonna be Friends.” And during the encore Meg came out & sang “In the Cold Cold Night.”

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JC Mosquito spends most of his day keeping the wolves from the door. When he's not occupied with this pasttime, he's interested in all things rock and roll, which may or may not have died back in the late '50's, the late '70's, or the early '90's depending on who you believe.
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Concert Review: White Stripes: July 1st, 2007 at the TCUP, Saskatoon, SK
Published: July 03, 2007
Type: Review
Section: Music
Filed Under: Music: Blues, Music: Live Concerts, Music: Rock
Writer: JC Mosquito
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Comments

#1 — July 4, 2007 @ 03:18AM — Glen Boyd [URL]

I've been on the fence about seeing Meg and Jack here, but if they are covering Alice Cooper circa Love It To Death, that alone makes it worth checking out. Nice piece Skeeter.

-Glen

#2 — July 4, 2007 @ 08:29AM — JC Mosquito

Sorry, Glen, it was the opener, Dan Sartain (I think I spelled it right this time) covering the Coop. But you should check out the White Stripes anyway. I think the jury's still out as to what it is exactly they're doing. I had another revelation last night, too - the lack of a bassist means they have less bottom end than traditonal rock bands, giving them a sound closer to a tinny 60s audio production, although I wouldn't say they were tinny in the least. And the lack of a bassist also removes any vestige of movement & fluidity in their one (wo)man rhythm section, and so despite their penchant for covering the blues, they're closer to a 60's garage band more than anything.

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