While his project embraces a style that decidedly parallels Napoleon Dynamite, Waititi says that film wasn’t an inspiration for his. The script for Eagle vs. Shark was written before becoming acquainted with its smash-hit brethren, which has grossed $46 million in worldwide receipts on a $400,000 production budget.

While Clement’s expressionless character is strikingly akin to Napoleon Dynamite, it was Horsley’s that really took the cake from this critic. The magnetic eccentricity in her eyes, the gawky facial expressions, and her innocently peculiar mannerisms were distinctly charming. She’s someone you’d want to befriend.

Jarrod, on the other hand, isn’t. Waititi added: “He’s all the very worst traits of every male you’ve ever known – including myself – all plonked into one package.”

“He represents danger and adventure. She represents peace, compassion, and acceptance,” Waititi said. “He’s fighting to get out of his circumstances to be better than what he is. It’s a relationship built on those conflicting ideas. They cross over, she becomes more confident and the powers shift.”

To Waititi and Horsley, telling such a story inspires people to reflect upon what it does to them emotionally. They speak of intense disappointment with many films Hollywood has been pooping out over the years and find themselves yearning back to 1970s films in particular.

“In the 1970s, Hollywood was making really good, smart films about human behavior. Then someone realized you can make hundreds of millions of dollars,” Waititi said. “I’m sure McDonald’s was a pretty good restaurant when it had one. Now it’s like a hideous beast no one wants to touch. That’s what has happened to Hollywood.”

Echoing the perks realized today by many indie filmmakers across the globe, Waititi craves the freedom, creativity, and control achieved through independent film.

“A small film can be your film. The studio can really muddy your vision,” Waititi said. “Our actors know they’re not going to get paid much money. They do it for the love of filmmaking, the story, and the chance to work with creative people. That’s why so many movie stars these days are dying to get into indie films.”