Book Review: Trance by Jorge Luis Alvarez Pupo
Published June 05, 2007
Alvarez Pupo starts off the series of photos dealing directly with ceremony with pictures of their beginnings — an individual lighting a candle in front of an alter, a woman slipping into a trance state, and a man caught in mid-step while dancing and drumming. While not much preparation, they do give us sufficient warning that something unusual is about to ensue.
It's not until the midpoint of the book that explanatory notes are offered. Written by Mabel Llevat Soy, they give us an explanation of what we have just experienced and what is to come. The second half of the book features photographs which in some ways are even more potent than those in the first.
While the earlier work has some shock element to it, and its power is genuine enough, the second half offers an interpretation of how a believer of Santeria sees the world. These works are therefore the creation solely of the artist, not pictures of actual events. In my mind that makes them more powerful.
According to the notes in the book, the creation story for Santeria has men and women being pulled from the shadows and crawling out from the earth to be first brought to life. So there is life in the shadows of their world, lurking just outside of our vision.
Alvarez Pupo has made phenomenal use of light and shadow to give us a taste of what that must feel like in the mind's eye of a believer. One image that especially stands out for me is just a hand pushing up through grains of sand, but somehow he has made it so that the sand is slowly falling away from the hand and fingers slowly exposing them to the light.
Trance is a unique view of a world few of us have ever experienced. Normally the only time we see Afro-Caribbean religions are the twisted exploitive verions used in movies and sensationalistic novels. Jorge Luis Alvarez Pupo is able to make the real thing far less scary and twice as fascinating, meaning he's a photographer of some talent through his ability to overcome those rather large preconceptions.
As with all titles available through Perceval Press, Trance is half price until June 17, 2007.
- Book Review: Trance by Jorge Luis Alvarez Pupo
- Published: June 05, 2007
- Type: Review
- Section: Books
- Filed Under: Culture: Photography, Books: Spirituality, Books: Nonfiction, Books: History, Books: Arts
- Writer: Richard Marcus
- Richard Marcus's BC Writer page
- Richard Marcus's personal site
- Spread the Word
- Like this article?
- Email this
Save to del.icio.us
Comments
Father Loves Me:
Thank you for your letter and I appologise if I misrepresented or misunderstood aspects of the history and belief system of Santeria. Thank you for supplying readers with those corrections, I appreciate it anyway if nobody else does.
I'm glad that you did understand that I wasn't passing judgement and was doing my best to describe the religion(s) as neutrally as possible. I only brought the religion up because of the subject matter of the photographs in the book which are truly amazing.
I believe you can see samples of some of the work in this book at the link to his web site that I included in the article. As you appear to know quite a bit about the religion you will probably appreciate the photos far more than an unintiated person like me.
Thanks again
Richard Marcus


Richard Marcus is a long-haired Canadian iconoclast who writes reviews and opines on the world as he sees it at 








I appreciate the tone of the article. Media in general tends to portray the religion negatively. My comment centers around the following passage:
"Regla de Ocho - the Kingdom of Ocho. Ocho was the primary deity of the religion, which chose the name Santeria - way of the Saints - in order to disguise their traditional practices of worship."
The religion is actually referred to as Regla de Ocha. Ocha isn't the primary deity; rather Orichas are primary to the religion. Oricha is a word for a group rather than a single entity.
Also, the name Santeria wasn't chosen to disguise anything. The slave owners in Cuba actually used Santeria as a derogatory term because they believed the slaves were worshiping saints in an extreme fashion.