Their self-titled debut launched them as one of the smartest and most innovative acts in latin urban music, and earned them three Latin Grammy's. Merely 14 months later, Calle 13 is back with Residente o Visitante, the Puerto Rican rappers' sophomore album. The release was one of the most eagerly anticipated Latin albums this year, and now we can safely say: it was worth it.

Rapper Residente (René Perez) has found his style in clever, satirical lyrics, and they're the first thing you'll notice on the album. He will make you laugh with his witty wordplay, and even if you don't understand Spanish you must feel the playfulness of his texts. DJ Visitante (Eduardo Cabra) still provides the most innovative beats in Latin urban music, experimenting with sounds from all across Latin America ("Tango del Pecado", "La Cumbia de los Aburridos"). But on this album, Calle 13 sounds more mature - sometimes they'll even move you ("Llegale a mi Guarida", "Beso de Desayuno") or incite you to start thinking ("Pal Norte", "Algo Con-Sentido", "La Era de la Copiaera").

Residente o Visitante has an impressive guest list: Tego Calderón (our other favorite reggaetonero) joins in on "Sin Exagerar", clearly having the time of his life while Residente makes fun of hiphop-style bragging:

Tengo cuatrocientos carros, cuatrocientas motoras
Un caballo que vuela a cien milas por hora
Tengo comprada a todas las emisoras
Y pa' lavar el dinero, treinta lavadoras
Yo consigo lo que sea
Mujeres con dos, tres, cuatro, cinco t*tas

Translation:
I've got four hundred cars, four hundred motorbikes
A horse that flies one hundred miles per hour
I bought all the radio stations
And for laundering money, I got thirty washing machines
I can get whatever I want
Women with two, three, four, five t*ts

On "Llegale a mi Guarida", the characterful voice of Vincentico (former lead singer of Argentinean ska band Los Fabulosos Cadillacs) gives the song a serene feel, like an indigenous ritual dance. A greasy rock riff spices things up a little. And "Pal Norte" features the distinctly Cuban voices of Orishas. It's a socially conscious song on migration, a key theme on the album - the title, Residente o Visitante, not only refers to the two half-brothers' pseudonyms, but also to the status of Latino immigrants in the USA).

Language is another key issue on the album: you'll find both poetical ballads and shocking profanities. The "Intro", for example, starts by saying "We promise you no bad words on this record", followed by an endless litany of Spanish swearing, performed by a church choir. Excuse me if I find this hilarious - kinda reminds me of what mock-rockers Molotov used to do.