REVIEW

Bootleg Country: Pete Seeger And Big Bill Broonzy - 10/25/56

Written by Mat Brewster
Published March 25, 2007

There are many thoughts that come to mind when I hear the name Pete Seeger: Socialist, outspoken folkie, encyclopedic knowledge of music worldwide, compatriot to Woody Guthrie, Pinko-Commie, and axe-wielding madman running after an electrified Bob Dylan. It is his love and gift for folk music from around the globe, though, that I hope he will always be remembered.

Listening to Pete Seeger, in concert, is like being with a historian and archaeologist of the world’s music. He seems to know every song ever sung, and to be friends with their writers and singers. He is the soul of America, a true treasure trove of song.

I have a handful of concerts by Seeger, some official, others not, and in every one is a historical road map of folk. Though he often plays by himself, with banjo for accompaniment, he is never short of musicians, for he makes everyone in the audience part of the band. No, Pete Seeger concerts are not Holy Places where the music is sacred, and the audience mere worshipers. We are part of the song, singers and clappers and performers one and all. In nearly every song, he points out a chorus, or a repeating line that he encourages the audience to sing. Where they can’t sing, he says they can clap and hum.

To be honest, I was not at all familiar with Big Bill Broonzy before I listened to this concert. I’m not particularly well versed in the blues, and Broonzy is a name that circumvented my musical heritage.

To be even more honest, I’m not one to particularly care for the blues. For the most part, I just don’t *get* it. For his part, Broonzy makes me wish I did. He is of the acoustic blues school, and his tunes are jaunty, even happy at times, and it is a simple pleasure to listen to him sing.

As for positioning, each performer takes turns singing his tunes, song for song for the most part, while the other one sits in the back ground listening. They do perform together on a couple of songs, and they spend a lot of time conversing, talking about music and telling jokes. But mostly it is a solo show, split between two people.

Seeger likes to talk, and I for one, could listen to him talk for days on end. He tells stories about the songs, about the writers of the songs, and of his life. And what a life! He’s been everywhere, done everything. Most people talk in hushed tones about the night Bob Dylan went electric at a folk festival. For Pete, that’s personal history. He was there. He’s the exciting part!

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Mat Brewster is an American stumbling as an ex-pat through the streets of Shanghai. He is helped by his lovely wife and an enormous piles of bootleg DVDs. He is chronicling his adventures in the Shanghai Diaries and musing on pop culture at The Midnight Cafe.
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Bootleg Country: Pete Seeger And Big Bill Broonzy - 10/25/56
Published: March 25, 2007
Type: Review
Section: Music
Filed Under: Music: Blues, Music: Children, Music: Folk, Music: Live Concerts
Part of a feature: Bootleg Country
Writer: Mat Brewster
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