Movie Review: Yet Another 300 Review (aka I Didn't Like 300!)
Published March 23, 2007
Let me shout this from the very top of the review, as the doomed king Leonidas and his Spartans are so fond of doing: I DIDN'T ENJOY 300!
There, I've said it. I can hide my controversial opinion no longer. An army of fans - enough to put the fear of God in old Xerxes himself - is no doubt marching this way even as I write this. My review comes a little late to the party thanks to my location (why does the UK get everything last?), and it's easy to attack something that's met with success in order to court controversy, or do something different; but I can't help the fact that, for me, a large part of Zack Snyder's creation doesn't make for very entertaining cinema.
For the record: I'm a fan of the original graphic novel, and a fan of Frank Miller in general. I'm also a fan of Zack Snyder, given that he took on a terribly unpopular idea - remaking Dawn of the Dead - and produced a damn fine movie as a result. There are moments in Snyder's zombie apocalypse that throb with a visceral ferocity, and I had high hopes for 300. But that's always my curse: high hopes = low opinion.
A note to the reader: at this point things get a bit spoilery. I'm assuming that, by now, pretty much everyone's seen 300. If you've not, I'd recommend stopping at this point and coming back when you've been to your local multiplex and made your own mind up. And with that out of the way...
There are so many things wrong with 300; so many irritating elements that detract from what could have been a glorious whole. The ferocity that existed within Dawn is, despite all the violence, missing from 300. Limbs are severed, blood is spilled, and many a beefcake is pierced by a Persian arrow. The problem is: none of it seems real, none of it makes an impact. It's the overuse of CGI that's largely to blame: you can't make computer generated blood look the same way as real blood, it doesn't stain the clothes and skin, it doesn't splatter, it just sprays unenthusiastically, unsubstantially. It's the same with severed limbs; prosthetics give a real sense of ouch when blade meets flesh, but the lightweight CGI limb removal in 300 just doesn't hurt.
It seems that the battle sequences are supposed to evoke emotion and feel powerful simply because they're sped up and slowed down at will by Snyder. While the choreography is at times impressive - one particular sequence sees Leonidas dispatching numerous identikit Persian assailants in a single take - the insistence on messing with the speed robs these scenes of any power. Stylistically they do their job - show slow-mo Spartan violence like never before - but I found myself unable to be enthralled by it.
Much has been written about 300's use of colour, its striking visual style, and the fact that it looks nothing like anything else. And that's true. I'd argue that, most of the time, it just doesn't look very exciting. I found Miller's original art style far more interesting to look at than its cinematic equivalent. Maybe I have a difficult time appreciating cinematography that's been created on a computer - that's something I never thought I'd hear myself think - but at times I was indescribably bored by 300. If the film had been produced using real sets, real terrain, and real environments I might be more impressed by it.
Style aside, I have issues with the performances. Androgyny is a difficult thing to do convincingly on film. More importantly, it's a difficult thing to do seriously - Xerxes is neither. The God-king looks more like a Priscilla Queen of the Desert reject, than the almost-God he's supposed to be. The problem is, how do you convey that on film? Couple that with a voice-over that sounds too much like a camp Michael Clarke Duncan to take seriously, and Xerxes lacks the awe-inspiring qualities every self-respecting God-King should possess.
Xerxes' faults would be forgivable were the Spartans an impressive bunch, but even they let the side down badly. To give credit where it's due, Butler impressed me: at times he conveys a surprising depth of emotion, and seems to have enjoyed making the film. Sadly, at other times he's either bellowing orders (which he admittedly does quite well) or being witty. Butler is the best thing about the film, and my overall dislike isn't his fault.
I also liked Andrew Tiernan as Ephialtes, the horribly disfigured man-beast that so desperately wants to be a Spartan. I actually had more sympathy for this deformed monstrosity than most other characters, Leonidas excepted. But that's pretty much where I stop being impressed.
After seeing Lena Headey in The Brothers Grimm - God knows she was one of the few decent things in that particular feature - I was quite impressed, but she doesn't perform very well here. As Queen Gorgo she's still undoubtedly attractive, and there's much of her on display - I'd argue far more than was really necessary, as king and queen perform a little mini Spartan Karma Sutra before the bold king heads off to meet his doom. Still, better give the adolescents some tits to swoon over, eh? Headey is saddled with a sub-plot we don't need, and some of the worst dialogue in the film, so she's not entirely to blame here.
Of the other assembled Spartans, only a few actually have speaking parts. Most just shout "HOI!" every now and then, and get impaled by something spiky when called upon to do so. Dilios (David Wenham) provides a voice-over that's straight out of the novel, but at times totally surplus to requirements. More often than not his commentary is totally uninteresting. We don't need to be told that someone is angry, as he helpfully points out at one point. There is so much silent aggressive shoutyness - an oxymoron that Snyder is way too fond of - to be in any doubt as to when someone's a bit cross. Other "featured Spartans" include Captain, Stelios, and Astinos, each of which have problems of their own, thanks to "added depth" that didn't exist in Miller's original story.
Which strikes me as odd; at times Snyder has a seemingly desperate need to reuse many of Miller's original frames. Flicking back through the novel upon returning to the comfort of my writer's chair, it's striking just how accurately the film reproduces the novel's look. And, much like Sin City, you wonder "why bother?"
Snyder and co. have added some nonsensical and nauseating new elements that go above and beyond Miller's original. The most obvious of these is the previously mentioned sub-plot during which the queen attempts to convince Sparta's council to help Leonidas. There's some ludicrously heavy-handed dialogue about "going to war illegally" and "sending this country's sons off to war" which must have sounded very clever when the writing team dreamt it up. This particular sub-plot wraps itself up with the queen impaling pantomime villain Theron - shortly after he's given her an impaling of another kind - and exposing his corruption thanks to the large bag of limited edition Xerxes gold coins he had secreted on his person. How neat and tidy.
Then there's the thinly veiled homo-erotic buddy elements between Stelios (Michael Fassbender) and Astinos (Tom Wisdom). Not since Ice and Maverick have two hunks been so desperate for a little man-love. Things just aren't meant to be for our star-crossed lovers though; quite early on in the film we're told that Astinos is the Captain's son, and from this point forward his card is marked. Admittedly, every member of Leonidas' 300 strong party's card is ultimately marked, but singling out this particular character so early on means that when Astinos does finally, and quite literally, lose his head, it comes as no surprise. It lacks any emotional impact. Worse: as the Captain, Vincent Regan isn't capable of producing any real emotional reaction when he's asked to, nor is he as convincing during the subsequent butt-kicking as Butler.
The battle sequences themselves have some additions, seemingly for the sake of eye candy. It appears that there were a few left-over War Elephants from The Lord of the Rings, and Snyder saw fit to include them here. There's also a War Rhino, and a large, angry War Mutant. These new enemies only serve to make things seem less real, and subsequently everything seems less engaging. The Spartans are also assailed by a team of grenade tossing, Monty Pythonesque monk-types later in the film, resulting in much diving and rolling to avoid explosions and the resulting shrapnel. As with many other scenes, this all looks very silly.
Speaking of silly (and Python), the Ephors are more reminiscent of The Holy Grail's Knights of Ni than Miller's original creature. I half expected Leonidas to be tasked with locating a shrubbery. One, almost throwaway, addition that is visually simulating is Xerxes' executioner - a bloated, blade-armed grotesque that's more Clive Barker than Frank Miller. Sadly, the creature never appears again.
The final straw is an unnecessary final sequence showing Dilios returning to Queen Gorgo. Leonidas' last thoughts - "My Queen. My life. My love. Be strong. Goodbye." - are enough of an ending, and demonstrate, if we needed a further demonstration at this stage, that he's sacrificing everything for his wife and son. We don't need to see Dilios returning to Sparta; it's an indulgence that Miller resisted, and Snyder should have followed suit.
It's no wonder Miller is now thinking of directing. Snyder's additions and directorial style are precisely the reasons that 300 doesn't work as a meaningful piece of cinema, and I can't help but think that he's missed the point a little. It's too long, thanks to the unneeded additions, and contains too many jarring styles, both in terms of dialogue and cinematography. Had the film been truer to the source material, and yet conversely had the confidence to define its own style, it would have been far more interesting.
Regardless of its lack of cinematic worth, 300 has pushed many of the right buttons with audiences. I can't help but feel a sense of impending dread as a horde of similar comic-book adaptations march over the hill. I just hope Snyder's Watchmen adaptation isn't one of them.
- Movie Review: Yet Another 300 Review (aka I Didn't Like 300!)
- Published: March 23, 2007
- Type: Review
- Section: Video
- Filed Under: Video: Action, Video: Adventure, Video: Fantasy
- Writer: Daniel Woolstencroft
- Daniel Woolstencroft's BC Writer page
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Comments
I loved the movie, but I also love your review. Nicely written.
Here's a question re: "Thanks for having the balls to say this movie was utterly forgetable."
What exactly does not liking the movie have to do with balls? Are you suggesting those who liked the movie lack them?
Chris, I think that Libby meant that Daniel was brave enough to admit that he didn't like the film and possibly encounter the wrath of fanboys of the comic and fans of the film.
Please, voicing an opinion of a film requires no bravery. What's brave is casting your own homo-eroticism onto the film.
Thanks all. As you may have guessed, this one just didn't do it for me.
And Bicho - there should always be room for a little homo-eroticism, do you not think?
Now you mention it, I did make a little more of the man-love than Headey's boobs...
Bit harsh I think. I thought the only dud Spartan performance was from Wenham, whose delivery was stultifying. And large parts of it were absolutely stunning to watch, in particular the oracle scene.
Personally I'm looking forward to the sequel starring Jim Carrey....The 23 Spartans.
Movie "300" is based on Frank Miller's fiction about the battle between Persians and the Greeks. However this movie is not based on true events, "300" is insulting Persian culture and it is outragously racist.That movie was not accurate at all , not one percent by any chance, I have studied history for five years now and by studying I cliam I am a member of National Institue Of World History and that's why it matters to me so much, that movie is racist and ethnical and humiliates Iran and Iranians. It's simply insulting our nation, Pride, culture, history and everything Cyrus fought for. He said : " I will not rule who does not want me to rule them and I'm not the King of who doesn't want me to be their king." He fought for justice all his life and suddenly Warner Brothers Production makes a movie and creates a Violent, brutal, cruel killer out of him. Mr. Frank Miller should be ashamed of himself. The story has changed entirely. I refuse to let a unscientific movie insult me, my ancestors and my country. That movie was a source of evidence for the people who do not have historical knowledge. Did you know even some of the American historians have submitted that the movie is not factual and is not based on the events of the history. And are you aware that how most of the Americans are picturing Persians as violent and brutal Killers now? This is the strategy of United States government and administration to humiliate Iranian and Persians in order to achieve their goals. The stroy, however is entirely different in the movie than what scientists and historians believe, proved and submitted to The National Institute Of World History. "300" is giving the wrong impression to those who do not know about Persians and it pictures Persians as violent and brutal people and mostly uneducated with a hunger to shed innocent blood. "300" is extremely insulting and condescending to anyone non-caucasian. May I remind you that Iran was the first country to define human rights? There are many out there who will not be fooled by such garbage. Those who know about culture and history know better than that to consider a Warner Brothers production as a source of evidence for any historical facts. This movie is a total disgrace and it will only damage the Warner Brothers reputation. Iran who is of direct attack in this movie was long civilized before even America came to an existance. To me this movie seemed to pit the poor undermanned Westerners against the evil Middle Easterners. It was simplistic and, most often, ridiculous. I kept asking myself throughout the movie if it was meant to be a ninja turtles cartoon or was it meant to be factual. At a time where the bashing of Iran is an all time high, and the U.S. is looking for every means possible to get everyone on its side while preparing to face its "greatest" enemy, it is ironic that this moive be made. It's completely political, they make a hollywood movie and suddenly Persians are evil exactly at the time the two countries are having a conflict.It is a proven scholarly fact that the Persian Empire in 480 B.C was the most magnificent and civilized empire. Established by the Cyrus the great, the writer of the first human right declaration, Persians ruled over significant portions of Greater Iran, the east modern Afghanistan and beyond into central Asia; in the north and west all of Asia Minor (modern Turkey), the upper Balkans peninsula (Thrace), and most of the Black Sea coastal regions; in the west and southwest the territories of modern Iraq, northern Saudi-Arabia, Jordan, Israel, Lebanon, Syria, all significant population centers of ancient Egypt and as far west as portions of Libya. Having twenty nations under control, encompassing approximately 7.5 million square kilometers, unquestionably the Achaemenid Empire was territorially the largest empire of classical antiquity. Based on the Zoroastrian doctrine, it was the strong emphasis on honesty and integrity that gave the ancient Persians credibility to rule the world, even in the eyes of the people belonging to the conquered nations (Herodotus, mid 5th century B.C). Truth for the sake of truth, was the universal motto and the very core of the Persian culture that was followed not only by the great kings, but even the ordinary Persians made it a point to adhere to this code of conduct. It is clear that this motion picture is not a reflection of reality.
Since its opening, 300 has attracted controversy over its portrayal of ancient Persians, and various critics, journalists, and officials of the Iranian government have denounced the film. As in the graphic novel, the Persians are depicted as a barbaric and demonic horde, and King Xerxes is portrayed as androgynous. This is designed to stand in stark contrast to the masculinity of the Spartan army. Greek movie critic Dimitris Danikas has suggested that the film portrays Persians as "bloodthirsty, underdeveloped zombies," writing that the filmmakers "are stroking [sic] racist instincts in Europe and America." American critics, including Steven Rea, have argued that the Persians are a vehicle for an anachronistic cross-section of Western stereotypes of Asian and African cultures. Dana Stevens points out that the Persians, as the "bad guys", are depicted as black people, brown people, handicapped and/or deformed people.
The film's portrayal of ancient Persians sparked a particularly strong reaction in Iran.Azadeh Moaveni of Time reports that Tehranis were "outraged" following the film's release. Moaveni identifies two factors which may have contributed to the intense reaction: its release on the eve of Norouz, the Persian New Year, and a common Iranian view of the Achaemenid Empire as "a particularly noble page in their history." Various Iranian officials, including the president of Iran's Art Affairs Advisory, Javad Shamqadri, government spokesman and four Iranian Members of Parliament condemned the film.
A Warner Bros. spokesman said: "The film 300 is a work of fiction inspired by the Frank Miller graphic novel and loosely based on an historical event. The studio developed this film purely as a fictional work with the sole purpose of entertaining audiences; it is not meant to disparage an ethnicity or culture or make any sort of political statement."
Cyrus (580-529 BC) was the first Achaemenian Emperor. He founded Persia by uniting the two original Iranian Tribes- the Medes and the Persians. Although he was known to be a great conqueror, who at one point controlled one of the greatest Empires ever seen, he is best remembered for his unprecedented tolerance and magnanimous attitude towards those he defeated.
Upon his victory over the Medes, he founded a government for his new kingdom, incorporating both Median and Persian nobles as civilian officials. The conquest of Asia Minor completed, he led his armies to the eastern frontiers. Hyrcania and Parthia were already part of the Median Kingdom. Further east, he conquered Drangiana, Arachosia, Margiana and Bactria. After crossing the Oxus, he reached the Jaxartes, where he built fortified towns with the object of defending the farthest frontier of his kingdom against nomadic tribes of Central Asia. The victories to the east led him again to the west and sounded the hour for attack on Babylon and Egypt. When he conquered Babylon, he did so to cheers from the Jewish Community, who welcomed him as a liberator- he allowed the Jews to return to the promised Land. He showed great forbearance and respect towards the religious beliefs and cultural traditions of other races. These qualities earned him the respect and homage of all the people over whom he ruled.
As Prof. Richard Frye of Harvard said (in The Heritage of Persia, p10-151):
"In the victories of the Persians... what was different was the new policy of reconciliation and together with this was the prime aim of Cyrus to establish a pax Achaemenica..... If one were to assess the achievements of the Achaemenid Persians, surely the concept of One World, .... the fusion of peoples and cultures in one 'Oecumen' was one of their important legacies"
The victory over Babylonia expressed all the facets of the policy of conciliation which Cyrus had followed until then. He presented himself not as a conqueror, but a liberator and the legitimate successor to the crown. He took the title of "King of Babylon_ King of the Land". Cyrus had no thought of forcing conquered people into a single mould, and had the wisdom to leave unchanged the institution of each kingdom he attached to the Persian Crown. In 537 BC he allowed more than 40,000 Jews to leave Babylon and return to Palestine. This step was in line with his policy to bring peace to Mankind. A new wind was blowing from the east, carrying away the cries and humility of defeated and murdered victims, extinguishing the fires of sacked cities, and liberating nations from slavery.
Cyrus was upright, a great leader of men, generous and benelovent. The Hellenes, whom he conquered regarded him as 'Law-giver' and the Jews as 'the annointed of the Lord'.
Prior to his death, he founded a new capital city at Pasargade in Fars. and had established a government for his Empire. He appointed a governor (satrap) to represent him in each province, however the administration, legistlation, and cultural activities of each province was the responsibility of the Satraps. Accoding to Xenophon Cyrus is also reputed to have devised the first postal system, (Achaemenide achievements).
His doctrines were adopted by the future emperors of the Achaemenian dynasty. Darius I (521-486 BC) brought together skills and craftsmen from all over the empire in building the city of Persepolis.
559-530 BC -- Cyrus the Great established the Persian Empire in 550 BC, the first world empire. His respect for local traditions, laws, languages, and religions set the foundation of a relatively benevolent empire.
539 BC -- Babylonia surrendered peacefully to Cyrus the Great. Welcomed as a liberator because of his compassionate policies, Cyrus freed the Jews from captivity and assisted them to migrate to their homeland and to reconstruct their temple in Jerusalem. In the Old Testament, in the Book of Isaiah, Cyrus is hailed as the Shepherd of the Lord. I am Cyrus, King of the World. When I entered Babylon I did not allow anyone to terrorize the land. I kept in view the needs of its people and all its sanctuaries to promote their well being. I put an end to their misfortune. The great God has delivered all lands into my hand, the lands that I have made to dwell in peaceful habitation.
522-486 BC -- The reign of Darius the Great marked the zenith of the Persian Empire. Upholding the tradition established by Cyrus, Darius valued the rights of all people under his rule. The following inscription appears on his tomb: By the favor of the great God I believe in justice and abhor inequity. It is not my desire that the weak man should have wrong done to him by the mighty....Darius' goal was to be a great law-giver and organizer. He structured the empire under the satrapy system (similar to national and local governments). He built many roads, ports, banking houses (the word "check" comes from Old Persian), elaborate underground irrigation systems and a canal to link the Nile to the Red Sea (an early precursor of the Suez Canal). In the 19th century, archeologists in Egypt discovered an inscription by Darius commemorating the completion of the canal: I am a Persian. I commanded to dig this canal from a river by name of Nile which flows in Egypt....After this canal was dug, ships went from Egypt through this canal to Persia, thus as was my desire.
Darius revolutionized mankind's economic activities by introducing one of the earliest (certainly the first on such a massive scale) forms of common coinage in history, the darik. This initiative, along with the standardization of weights and measures and the codification of commercial laws, stimulated world trade and elevated the Persian Empire's economy to new levels of prosperity.
Reflecting the wealth and the multi-cultural dimension of the Persian Empire, Darius initiated the building of the Persepolis palace. For its construction, artisans and materials were gathered from different corners of the empire. Another project undertaken by Darius was the royal road, the world's longest, extending 1,500 miles (see map). Due to an extensive network of relays, postmen could travel the road in six to nine days, whereas normal travel time was three months. The motto of the Persian postal service became memorable: stopped by neither snow, rain, heat or gloom of night. The US postal service also adopted this motto and the famous Pony Express mail delivery resembled the original Persian design. The origins of polo date back to this time. Persian nobility played an early form of polo for both sport and combat training.
490-479 BC -- In their wars with Persia, the Greek city-states were never a threat to the Persian heartland. What Persia did not achieve through war, it obtained through diplomacy. After the
Persian-Greek wars ended, Persian kings successfully played the Athenians and Spartans against each other for 150 years. Persia's financial and naval assistance was instrumental in Sparta's victory over Athens in the Great Peloponnesian War. Afterwards, Persia began supporting the Athenians. The Persian influence over the two Greek city-states was such that the Persian King Artaxerxes II was asked to mediate between them, leading to the King's Peace of 387 BC.
550-334 BC -- The Persian Empire became the dominant world power for over two centuries. It made possible the first significant and continuous contact between East and West. It was the world's first religiously tolerant empire and consisted of a multitude of different languages, races, religions and cultures. Prior to the rise of the Roman Empire, it set a precedent for the importance of the rule of law, a powerful centralized army and an efficient and systematic state administration. However, the greatest legacy of the Persian Empire was that it demonstrated for the first time how diverse peoples can culturally flourish and economically prosper under one central government.
I will do my best to stop this movie. this is the URL address for the petition against this movie, sign it and pass it to all your friends in yahoo, orkut, myspace, send this URL to everybody.
Best regards
Defender.
WOW...desenters. After so many friends and co-workers swore by this movie my wife and I went to see it. We made it about two-thirds through before we couldn't roll our eyes any more and we left.
sheeesh...crazy?!? Artsy-Fartsy...NO WAY!
Look, I'm not preaching ANYTHING here. I'm a U.S. Combat Veteran who loves many genre's of movies but...this movie played like an extended orgy of style EMPTINESS. Style has it's place but have you heard the phrase,"would you like some coffee with your sugar?" Before people start throwing rocks, I'll finish. The slow motion footage seemed "over-done" and became very tiring. I felt like I was sitting at a dinner where "CHEEZY" cheesiness was the main course.
Defender do the world a favour and pull your head out of the Arabian desert. You need to chill the fuck out. There are way too many Persian people taking this film personally. The film was in fact "reasonably" accurate. Costumes and physical appearance being the main fakes, much of it however was reviewed by a few historians working with the director in order to take a little fact and embellish it with fantasy. 300 was also produced that way so as to give the viewer a Spartan perspective, after all it is called 300 SPARTANS not 250,000 Persians! The Spartans saw these persians as mystical, weak and pathetic, and who wouldn't when there are only 300 of you against 200,000 of them? It's simply dramatized so we get a clear understanding of their point of view. Of how THEY view the Persians. Why do you think they made the Ephors so ugly? The narrator constantly commented on the fact that they were "inbred swine" because they lacked common sense and rationality and relied on the old ignorant ways, not to mention they were corrupt and selfish and cared more about their beliefs than their own country. Again it is being viewed in the eyes of a Spartan however it is dramatized rather than being subtle. It would be interesting if there is a movie out there made by a middle eastern director glorifying the Persians or the Turks for example.
Finally no one gives two shits about the Persians with respect to the movie because IT IS NOT A PERSIAN MOVIE WITH A PERSIAN PERSPECTIVE. You wan't a persian film? Direct one yourself. You want historically accurate? Watch a documentary or read a book. Plain and simple. What your saying is as stupid as calling a history book, crap, because it does not contain "fantasy" and has too much fact and therefore lacks any entertainment value. The whole point of the film is NOT to educate but to entertain. Even IF it is a stab at Persian or Eastern culture, so what? Are you or the rest of Persia that thin skinned and lack confidence in Persian culture so much so that you feel you have to defend your wonderous civilization from a half assed "potshot" at putting down Persian civilization?
By the way if the tables were turned and someone made a movie depicting Greeks as being big time gay lovers with skirts I couldn't care less (yes I'm Greek). Whether the Greek populace generally had gay leanings or not makes no difference to me and doesn't make me feel ashamed of my background.
And you can sit there and crap on and on and on about what Persia did or didn't do for the world, we know that already. You don't need to write a thesis up for us to try to defend Persian culture. If Persian culture and history is as glorious and wonderful as it is then no movie is going to change that and the history of Persia will stand.
Hey Daniel,
Can you spell...
J.E.A.L.O.U.S.Y??
I thought this movie was the best movie ever made... I think anyone who doesn't enjoy this must be some super bookworm who reads up on EVERYTHING just to critisize on how they hate it... and that's just sad! the spartans don't deserve this kind of mistreatment. ok?
-GLORIFIED-SPARTAN
{(haters go hate somewhere else)}
After reading Defender's post, i thought he was loony. Then about 2 weeks ago, several of my mentees asked me questions about Sparta's history. When I told them the facts, they refused to listen because it clashed with their view via the movie. This was surprising to me, and these youths still believe the Spartans went to war in self defense. Rewriting history and calling it "action" does not magically exempt the movie from being historically accurate. To go to an extreme, if i were to rewrite Rape of Nanking or the Holocaust or the enslavement of blacks that sympathized with the attackers while vehemently barbarise the victims while still using all the stylizations similar to that of 300, there would be a large and noticeable outrage all over the world. It is only because we are ignorant of Persian history and culture that people like poster #9 would say crap like "pull your head out of the Arabian Desert" and "Chill the fuck out." Defender's point is completely valid and relevant, and it is unfortunate you people do not see that. Perhaps it is us who should take our head out our asses.







The best part of The 300 was when Xerxes intoned, "I am a generous king," at which point my friend/fellow Sin City dweeb Mike leaned over and whispered, "He is generous"
"You never should have picked on him like that," I replied.
Lines which are, of course, from Frank Miller's The Big Fat Kill. :)
Thanks for having the balls to say this movie was utterly forgetable.
Best,
Libby