The Listening Room March 12, 2007: Watermelon Slim & The Workers, In Theory, Ryan Adams & The Cardinals, Dwight Yoakam
Published March 12, 2007
On this track from the Dre produced debut album from Above The Law, rapper Cold187um rhymes about his hustling skills comparing himself and his crew to the "Untouchables" of the original Chicago gangster era, backed by this great jazz version of "Light my Fire" by ---? And that's the question. I've been racking my brain trying to figure out where this jazzy version of "Light My Fire" used by Dre and ATL came from ever since I pulled it out of the CD rack earlier this week. It's also been used as a music bed during bits on the Howard Stern Show.
So this is as much of a query as it is a recommendation. Can someone help me identify this? This one's for all you BC jazz buffs. Saleski?
Pico: “Strange Meadowlark” from Pink Elephant Magic by Joanne Brackeen
My ears perked up at the opening notes of this song: it's long been my favorite composition from the Dave Brubeck Quartet's all-world Time Out lp and it's probably the most overlooked. Brackeen goes solo piano on it (which is what Dave did for the first minute or so on the original, anyway) and gives the beautifully lilting waltz a heartfelt rendering.
Brackeen herself has been inexplicably unnoticed. Her note-perfect interpretation of “Strange Meadowlark” is the kind of reward awaiting the curious for digging just a little bit beyond the big names and the big songs in jazz.
Michael Jones: "Hourglass" from Internal Revolution by Diecast.
Until seeing them open for Sevendust last Friday I'd never heard of Diecast. After seeing them tear up the stage, though, I found myself rushing to the merchandise booth in order to pick up their cd. By the time it took me to work through the line, amazingly, Paul Stoddard (the lead singer) was there signing autographs. Very cool, right?
Even cooler is the fact that I've been spinning my autographed copy of Internal Revolution nearly non-stop since that night. For a band relatively new to the spotlight that opening for Sevendust will shine upon them, Diecast is an amazingly tight and talented band. Stoddard's voice screams and soars over the dual guitar attack of Jonathan Kita and Kirk Kolaitis while Dennis Pavla (drums) and Brad Horion (bass) hold down a fierce rhythm section.
Of all the songs on the album, however, "Hourglass" has become my favorite. Fueled by a chugging guitar attack, Stoddard's lyrical assault on the idea of how living forever and watching the world decay is not such a good thing, is flat-out wonderful rock and roll thriving out on the metal edge. Great song on a great album, period.
- The Listening Room March 12, 2007: Watermelon Slim & The Workers, In Theory, Ryan Adams & The Cardinals, Dwight Yoakam
- Published: March 12, 2007
- Type: Opinion
- Section: Music
- Filed Under: Music: Acoustic, Music: Adult Alternative, Music: Alternative Rock, Music: Blues, Music: Classic Rock and Oldies, Music: Country and Americana, Music: Hard Rock, Music: Jam Band, Music: Jazz, Music: Rock
- Part of a feature: The Listening Room
- Writer: Josh Hathaway
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Comments
...this nearly unpronouncable Polish trio
oh come on! those are easy polish names!
;-)
Thank God for blues musicians. Their names are nothing but physical maladies and fruits. Watermelon Slim, Blind Lemon Jefferson, Blind Willie McTell... easy.
"Easy Plateau" is not my favorite cut from Cold Roses, but it is one of the good ones. I wanted to go see them when they played Ryman awhile back.
what, you've never heard of Blind Melon Kurkiewicz?
I saw Yoakam in concert about a year ago - his VOICE is so commanding it can carry the band.
His albums always have some shining moments - I really liked his last studio album, which for a change wasn't produced by Pete Anderson. It had a bit more of an edge to it, almost like he was getting back to Hillbilly Deluxe.
i've gotta get some more Yoakam cds. i think's i've only got Dwight Live which is a big loada fun.
In some ways Yoakam is country for people who don't like what's coming out of Nashville these days. It's closer to the source; and the closer you get to the source, the more country, blues and rock sound alike.
yep, he's definitely more than pop tunes with big hats.
He's even got a couple albums of covers - ZZ Top's I'm Bad, I'm Nationwide and tthe Dead's Truckin' are particularly hot numbers.
Thanks for the comment zingzing, you're right about this being Yoakam's peak as a pure country singer/songwriter.
I remember when the whole "New Country" thing (the 80's version, I'm sure there have been others since) that included Lyle Lovett, Steve Earle and Nanci Griffith, started. A BBC documentary about these new artists was my introduction to Dwight and I've been a fan ever since.
Mark, I'd recommend the new expanded version of Dwight's first album, Guitars, Cadillacs etc. etc. As well as the 10 tracks that were on the original album you get 10 demos from 1981 and 12 songs recorded live at The Roxy in 1986.
oh my. trying to imagine a bbc doc on "new country." wasn't it called "new traditionalism" over here? or at least yoakam was described as such, if i remember, which i don't.
Some of Steve Earle's most recent stuff is far from traditional. The Revolution Starts Now sure sounds pretty rock to me. And he rhymes Grenada with Noriega, which I believe is a first in pop music history.
I can't think of any jazz versions of "Light My Fire" except by Stanley Turrentine for Blue Note. He did a kinda pop/rock abum like so many jazz guys did in the late 60s. I once made a "jazz versions of rock songs" tape for someone, and I put this on it, and also Stanley's "Stoned Soul Picnic." What a gas.
(For non-jazz fans, ST was a secondary but still great 60s post-bop tenor sax man. Associated with the soul-jazz side of hard bop.)
Shirley Bassey did one, and Astrud Gilberto did a bossa one, but it sounds like this is instrumental.
Not jazz exactly, but Booker T and the MGs did a version too, and maybe Charles White? There's another familiar R&B version out there... Any of these work?
George Winston did a version of "Light My Fire" on his Night Divides The Day album.
Mark, wasn't that only about ten years ago? Too recent for the late 80's sample, or did misunderstand? I know nothing about rap.
i'm seeing quincy jones listed (with the doors and the mc) as one of the songwriters of "untouchable," which suggests that he arranged whatever version of "light my fire" was sampled... unfortunately, jones produced and arranged a shit-ton of albums, and it didn't necessarily come out under his own name.
Glen, I think the version you're looking for is by Young Holt Unlimited from the late sixties/early seventies.There's an instrumental version and also a version with Erma Franklin (Aretha's big sis) on vocals.
Well one thing for sure, I know it wasn't George Winston. This has an up-beat, borderline cheesy sort of seventies vibe, so I'm guessing Young Holt Unltd based on the responses (or possibly Turrentine with an arrangement by Q Jones, which would explain the writing credit). I'm going digging now -- thanx for the responses.
-Glen


Josh Hathaway is 







ian, when i saw dwight yoakam listed, i had to check it out, the fact being that dwight is THE BEST COUNTRY ARTIST OF THE LAST 20+ YEARS. and then, i was delighted that you picked one of his crowning achievements.
buenos noches, side one, is the best 25 minutes of dwight's career. fucking perfect music. so deadly. gives me chills, that song.
that said, i think he has a couple of albums that even top buenos noches, (this time--pefect pop, and if there was a way--his most concentrated effort to make a complete country masterpiece, no matter how far out there,) but if i want to show someone why dwight is fucking awesome, i just pop on those first five songs and say, "listen and learn, you fucking heathen." and it all culminates in "she wore red dresses" and that neon light.