INTERVIEW

An Interview with Author Yasmina Khadra

Written by Richard Marcus
Published February 18, 2007

At the beginning of January 2007 I was introduced to a writer whose work I had not only never read but had never heard of before. I just naturally assumed that Yasmina Kahdra was a woman until I received the first books from his publisher in North America for me to review. Yasmina Kahdra is the pen name of Mohammed Moulessehoul, an Algerian now living in France.

I have to confess that Yasmina was the first writer I had ever read from the Arab world, and even though the 1988 Nobel Prize for literature went to an Arab, I have made little or no effort to educate myself. But since reading five of his books and conducting this interview, my interest has been piqued.

This was a bit of an awkward interview to conduct, because Med Kahdra only reads and writes in French and Arabic, while I can only handle those duties in English. I must say that Google translation performed admirably well with only one question causing confusion. I utilized three separate translation programs, to bring his answers back into to English and to try and capture the word and the spirit of his answer.

Med Kahdra is a fascinating man who provides us in the West with a different perspective on life in Arab countries to the one being presented in our media on an almost daily basis.

I would like to thank him for taking the time to participate in this interview and I hope you are as fascinated with his responses as I was.

yasmina_khadra.jpg1) Tell us a little about yourself, where you were born and other biographical details.

I was born, 52 years ago, in the Algerian Sahara. My father was a male nurse and my mother a settled nomad. My tribe has occupied Kenadsa (the village where I was born) for eight centuries. She is known for her poetry and her wisdom. She has always welcomed, without regard to race or religion, all the travellers who knocked on her door: the writer and explorer Isabelle Eberhardt, the Minister Charles de Foucauld, as well as the missionaries who crossed the desert in the direction of Tombouctou and Africa.

I was born in a tribe of poets and warriors. This is why I never felt out of place in the army as a novelist. It is my tribe which taught me how to me to share myself between the two.

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Copy02-11-Richard portrait-72-4x4.jpgRichard Marcus is a long-haired Canadian iconoclast who writes reviews and opines on the world as he sees it at Leap In The Dark and Epic India Magazine.
Keep reading for information and comments on this article, and add some feedback of your own!
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An Interview with Author Yasmina Khadra
Published: February 18, 2007
Type: Interview
Section: Books
Filed Under: Books: Literature and Fiction, Culture: Arts, Culture: Society, Interviews, Politics: War and Terrorism
Writer: Richard Marcus
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Comments

#1 — February 20, 2007 @ 16:41PM — Natalie Bennett [URL]

Fascinating Richard, and must have been a huge amount of work - thanks!

#2 — January 3, 2008 @ 00:51AM — Nasra [URL]

Thank you for this interview... Its helpful for us to know more about Arab writers who writes in other languges... it give us hope that we can also stand and present our art

#3 — April 13, 2008 @ 13:08PM — Barbara

I've just read The Swallows of Kabul - an exceptional book. Although I was a bit put off by Si Mohamed's dismissive generalisation about the West's ignorance, he is right that the book is not at all about terrorism. It is the truest-sounding description of the tragedy of sexist extremism for the Muslim male mind (he is not so good with the female mind, but that's fine, we have that from enough others) that I have ever read. The other Muslim male authors I know - Mahfouz and Ben Jelloun - have never dared explore this, AFAIK.

#4 — April 13, 2008 @ 15:17PM — Richard Marcus [URL]

The question your refer to where M. Khadra makes his comments about the Western mind came about because of misunderstanding caused by my translation of the question into French from English.
So please don't judge his opinions on the West by his answer to that question.

Richard Marcus

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