OPINION

Real Horror: It's What You Don't See

Written by Brad Schader
Published January 29, 2007

The Hitcher was by no means a classic of horror. It was well made and well acted and original for the most part, but it never grabbed the following of a Texas Chainsaw Massacre or Friday the 13th, which is a shame to be honest. It was one of my favorite horror movies of all time mainly because it is one of the few that actually got to me. It scared me; it kept me literally on the edge of my seat with no clue as to what will happen next. That is rare for me and movies.

The Hitcher stars C. Thomas Howell as a guy whose name is unimportant to me. He had a name, I guarantee, but I cannot remember it for the life of me and am too lazy to IMDb it. Anyway, he plays a guy who is being paid to drive a car across country. It is a long and boring drive and he was told not to take riders, but it is a long and boring drive and he notices a hitchhiker (Rutger Hauer) out in the rain. He should have listened to his boss. The hitcher quickly reveals himself to be a psycho who has thus far murdered everyone who has picked him up and plans the same for poor C. Tommy, but C. Tommy has a will to live, kicks Rutger out of a moving car, and the chase is on.

While the plot of the movie is by no means deep, it does serve as the vehicle we are strapped into for the rest of the ride. This is not a movie made for the story, it was made for those moments that make up the story. What this movie does so well is take us back to an era where special effects were special and not constant. Never does a killing take place on screen, and that is where this movie gets its power. We never know exactly just how insane Rutger is until the famous truck scene near the end. The rest is told to us through the actors' faces and not on-screen gore.

I have not seen the new one and am basing every word of this on reviews of the remake. I have read numerous accounts of the “police station” scene and I can tell you that the original is done with much more style.

C. Thomas Howell is suspected of the murders that the hitcher has committed due to the latter’s very clever frame up. C. Tommy gets arrested and falls asleep in his jail cell. The scene is reassuring because the hitcher cannot get to Tommy while in police custody, right? Tommy wakes up and his cell door is open. He slowly leaves his cell and wanders through a police station filled with dead cops, but we do not see the cops. We see Tommy seeing the cops. We see blood on the walls and desks and phones, but no cops. The scene is amazing in its strength because somehow this psycho killed an entire station and C. Tommy is supposed to beat that.

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I have been told by my friends that I am a politics junkie with a Ph.D. in Pop Culture, specializing in conspiracy and film. I have always felt that, much like we study old plays and poems, that the meaning of life can be found in movies and song lyrics. They are just the plays and poems of the day.
Keep reading for information and comments on this article, and add some feedback of your own!
Real Horror: It's What You Don't See
Published: January 29, 2007
Type: Opinion
Section: Video
Filed Under: Culture: History, Culture: Media, Video: Horror
Writer: Brad Schader
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Comments

#1 — January 29, 2007 @ 11:14AM — Eric Berlin [URL]

I'm a huge fan of the original Hitcher as well, Brad. More than anything the film just works on a high level, telling a simple and engaging and scary story, and Howell's and Hauer's performances are outstanding.

And the finger scene will stay with me always!

Whatever happened to C. Thomas Howell by the way? He was a big star for a while there in the '80s, great in movies like Soul Man.

#2 — January 29, 2007 @ 12:02PM — Brad Schader [URL]

Soulman killed his career I think. It was viewed as a racist movie. He never recovered.

#3 — January 29, 2007 @ 17:12PM — Aaron Dorling [URL]

Re: Brad re Eric re CTH. I second that. He was killed by a 98 minute racist joke. Soul Man was his rise and fall from fame. The unjustified box office of the movie itself came on the strength of one funny site gag in its much hyped trailer, the lynching of a cabbage patch doll.

The disappointment. Once that gag was done with in the movie I started to wonder why I was still watching.

Nowadays theres no shortage of movies that edit down all 3 minutes of humor into a trailer perpetuating to be 98 minutes of rolling-in-the-aisle hilarity.

Nice blog though Brad. The first Alien movie also succeeded using a similar style (though not short on gore). One of the crew is killed in the air ducts while we, through the eyes of crew, are horrified watching two converging blips on a screen.

I did take the IMDB challenge though, and saw this:

The Hitcher II: I've Been Waiting (2003)

I am going to try really hard not to slow down at that car wreck.

#4 — October 27, 2007 @ 13:17PM — Dean Madonia [URL]

actually, the gore started out after the original version of the movie "The Omen." came out. That was the first movie to show all of the gore including the rediculous severed head in slow motion, bouncing on a pane of glass. After that box-office smash, Hollywood decided to show all. This has been a mistake in my opinion. There is no suspense if you show it all. It's like if everyone walked around naked all of the time. There is no mystery. no expectation.
A 'Blood and guts" or "Hack and slash" movie is not horror. it's only gore and the audiences are mostly immune to the shock value at this point. the only way to reach someone and really scare them is psycologically - with suspense. There is no suspense when you know that a bunch of bad, teen actors are going to be slowly killed by an unstoppable force one by one.
When will hollywood learn this? never. Now that pandora's box of gore has been opened, I am afraid movies will never be made for mature audiences - ie: adults.

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