NEWS

Writers, Readers and Self-Publishing

Written by Ambrose Musiyiwa
Published January 26, 2007
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Wikipedia contributors support Karchmar’s views when they observe that self-published works that find large audiences tend to be rare exceptions, and are usually the result of self-promotion. As modern-day examples of successful self-published books they offer The Celestine Prophecy by James Redfield; The Joy of Cooking by Irma Rombauer; What Color is Your Parachute by Richard Nelson Bolles; In Search of Excellence by Tom Peters; Photoshop Efx: What Side You're On? by Dhanang Rah Wibowo and Eragon by Christopher Paolini.

Another example is Graham P. Taylor who earned a publishing deal worth 3.5 million pounds after he had self-published his first novel, Shadowmancer. Taylor’s books have since been translated into over twenty different languages and are also going to be turned into movies.

Irving Karchmar says, “It can be done! It just takes work, like anything else in life.”

Writers who are contemplating self-publishing need to investigate the industry thoroughly and make sure their work has been sufficiently edited and critiqued before they take it to the printers. They should also be prepared to market and promote their books aggressively.

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Ambrose Musiyiwa has worked as a freelance journalist, book reviewer, and a teacher. One of his short stories has been featured in an anthology of contemporary Zimbabwean writing, Writing Now: More Stories from Zimbabwe (Weaver Press, 2005.) He is a regular contributor to OhmyNews International. Currently he is working on a series of interviews with published and self-published authors on the work that they are doing.
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Writers, Readers and Self-Publishing
Published: January 26, 2007
Type: News
Section: Books
Filed Under: Books: The Writing Life, Books: The Reading Life, Books: Self-Help, Books: Nonfiction, Books: Literature and Fiction
Writer: Ambrose Musiyiwa
Ambrose Musiyiwa's BC Writer page
Ambrose Musiyiwa's personal site
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Comments

#1 — January 26, 2007 @ 11:03AM — Troped [URL]

This is all very helpful information, but I can't help but wonder if it's all quickly becoming moot. It may take a long while but paper is eventually going to go away. After that transition what will be the point of traditional (as in paper) publishing at all? I publish all my fiction on the web and even though I'm not making any money off of it, the project has its own rewards for allowing me to talk to the readers, and constantly update, edit, and change storylines as I see fit. Hopefully someday someone will come along and explain to me how I can make a career of it, but in the meantime doing it for love is worth it. So why publish? Just put it on a blog! Boom! Published.

#2 — February 4, 2007 @ 17:42PM — Julia [URL]

You should investigate Publishamerica more before just printing what one of their employee says. If you go to absolutewrite.com you will see the reasons no one should go with Publishamerica.

They are a vanity in reverse. Unlike standard self publishing, the author only gets a small royalty with Publishamerica. The books are overpriced and bookstores will not stock them because of the low discount rate.

Publishamerica is NOT self publishing.

#3 — February 9, 2007 @ 17:11PM — Sarah

The statement about not being able to make much money is not true for all self-publishing Web sites, especially not for Lulu.com (www.lulu.com). By creating content with an ISBN on Lulu.com, your books are automatically available for purchase on their Web site as well as on Amazon. Plus, authors can set their own royalties with a revenue split of 80/20, with 80% going to the authors. Lulu.com doesn't make any money unless the authors do. With their services marketplace, authors are provided with the tools to market and sell their works.

#4 — February 10, 2007 @ 06:17AM — The Editors [URL]

Regardless of the quality of the content, self-published books will always have one major impediment: publicity. If the author doesn't have a well-established platform (or isn't staggeringly wealthy) and if the book isn't available in bookstores to snag the browser, how will the average consumer ever hear about the book? The marketing that one person outside the traditional book publishing industry, particularly for fiction, 999,999 times out of 1,000,000 won't have any kind of impact, no matter how much the internet may have helped distribution.

P.S. Publish America blows.

#5 — February 11, 2007 @ 06:16AM — John Kremer [URL]

Self-publishing is a long-time and even nobel pursuit. Just see my Self-Publishing Hall of Fame to see what an incredible library you could build just using self-published books.

The librarian who says she won't read self-published books has probably read dozens of well-edited wonderful self-published books without knowint they were self-published. I wonder if she has cooked using The Joy of Cooking. Or read Leaves of Grass? Or enjoyed The Celestine Prophecy? Or watched Oprah's latest show about The Secret?

Publicity for a self-published author is not as impossible as you make it out to be. It takes work. It takes creating relationships with the media, but it can be done. Many self-published authors and smaller publishers have done it.

#6 — February 19, 2007 @ 22:21PM — robin d gill [URL]

The word "author-publisher" appears nowhere in your article or others I have seen on "self-publishing." While "self-publishing" is better than "vanity publishing," it still hints of vanity where vanity may have nothing to do with the decision to do it yourself. Yes, I am an author-publisher and see no reason to apologize for the freedom this gives me. With p.o.d. printing so inexpensive today, the only thing standing between good self-published books and and the readership such books deserve is the review establishment.

The advantages of being self-produced in music, where it is now common and accepted by the mass media, are more than matched in publishing. If you are unsure what I mean by that, please look at my books and see what I can get away with(Mixing two and even three-column clusters of poems within a basically single column text, special headers on every page, using "sous rature" (crossed-out words left in place for instructive or entertaining reasons) and odd Japanese fonts here and there for aesthetic effect, and even daring to put a different title on the spine, the cover and the title page, etc...).

"Rise, Ye Sea Slugs!"

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