REVIEW

Movie Review: Fight Club and The Modern Male

Written by George Dvorsky
Published January 21, 2007

David Fincher's Fight Club is one of my all-time favorite movies. And like any great film it is open to a wide spectrum of interpretation and analysis. Various themes that run throughout Fight Club include anti-modernism, Buddhism, societal alienation, nihilism, and non-conformism - just to name a few.

There's one theme in particular I'd like to flesh out, and that is Fincher's interpretation of the modern male condition. If you've seen Fight Club you know he doesn't paint a rosy picture, largely portraying men as fish out of water. Very violent fish out of water. The film suggests that men no longer have a proper outlet to vent their latent aggression, and to make matters worse, they have been conditioned by society to suppress their instincts.

Fincher goes on to assert that men have become feminized by society. This idea shouldn't be any great surprise to anyone; it's a commonly held in-joke that women work to domesticate their wild men. And given the propensity for male aggression and violence, this shouldn't be unexpected. It's been said that testosterone kills.

This domestication and feminization of men is conveyed by Fincher a number of ways. The main character, as portrayed by Ed Norton, obsesses about the decor of his condo and religiously pours over the latest IKEA catalogue. Men are no longer hunters, says Tyler, they have become gatherers. Society has made them into consumers where their sense of self-identity is wrapped around their possessions. As Tyler says, "the things you own end up owning you." Men have become the bi-products of the life style obsession.

Our protagonist starts to suffer from insomnia and eventually discovers a cure: support meetings. He finds that letting out his emotions helps him sleep like a baby. In one memorable scene, he attends a support group for men recovering from testicular cancer. One of the attendees, Bob, has developed large breasts as a result of the treatment. Tyler buries his face in Bob's breasts and has a good cry; the room is filled with men who have had their testicles removed, some have breasts, and they hug and cry. They've been completely stripped of their masculinity.

Eventually all this repression leads to a rather extreme bi-polar counter-reaction: the ultra-violent Fight Club where two men battle it out with their fists in the basement of a bar. It's an opportunity to return to the jungle where men can enjoy a cathartic, testosterone delivered release. Males have been stunted by society; and it is through the Fight Club that they can retain their physicality and feel alive. It may be a negative sensation, but at least it's something.

The Fight Club also provides an outlet for non-conformism. Men are the middle children of history, says Tyler, with no purpose and no place. "Our great war is a spiritual war, our great depression is our lives," he says. Men, raised by television to believe they'll be great superstars, have seen through the myth and have become "very, very pissed off."

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George Dvorsky serves on the Board of Directors for the Institute for Ethics and Emerging Technologies. George is the Deputy-Editor of Betterhumans, co-founder and president of the Toronto Transhumanist Association , and the producer of Sentient Developments blog and podcast. Mr. Dvorsky served on the Board of the World Transhumanist Association from 2004-06 and as conference chair for TransVision 2004, the WTA’s annual conference.
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Movie Review: Fight Club and The Modern Male
Published: January 21, 2007
Type: Review
Section: Video
Writer: George Dvorsky
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