OPINION

The Rockologist: Getting Deep With Uriah Heep

Written by Glen Boyd
Published January 13, 2007
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The following year Uriah Heep released two records. The Uriah Heep Live album fulfilled their contract with Mercury Records and basically documents the same tour we saw in a great show from Birmingham, England. This record faithfully captures all of the thunderous power of a Uriah Heep concert. But again, it is Gary Thain's bass playing that really stands out. The mix puts it much more out in front than on most concert recordings, and on songs like "July Morning," he is simply all over the place. Thain plays bass runs here that rival the best solos of lead guitarist Mick Box.

Though live footage of Uriah Heep from this period is somewhat rare, I did find a great clip from that period (roughly 1973) from a show in Budokan, Japan. It can be viewed immediately below:

Later that year, Uriah Heep signed with Warner Bros. Records and released it's last great album Sweet Freedom. Although his drinking had reportedly become a problem by this time, David Byron is in fine form on vocals here on songs like "If I Had The Time" and "Stealin," which scored the band it's second bonafide radio hit. Here again, Uriah Heep combine heavier tracks like "Pilgrim," with the more refined sound of the title track and "One Day" (with those choir vocals again!).

The album's followup, Wonderworld was however not nearly as good, and bassist Gary Thain died soon after. By the time of Return To Fantasy, an album where King Crimson/Roxy Music bassist John Wetton did his best to fill the gaping hole left by Thain's death, the magic was pretty much gone.

David Byron who was by this time a full on alcoholic would later try to front his own band Rough Diamond. Sadly, he too would soon be gone. Kerslake went on to become the original drummer for Ozzy Osbourne's Blizzard Of Ozz. He also had one more modest hit with a new version of Uriah Heep in the much more metallic sounding "comeback" Heep album Abominog.

These days, Box and Kerslake alone remain from the original glory days and actually enjoy a devoted cult sort of following fronting a new version of Uriah Heep.

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GlenSoprano

You'll find Blogcritics assistant music editor Glen Boyd sharing his Thoughtmares on his personal blogs The World Wide Glen, and The Rockologist, as well as at Cinema Blend Music. In a previous life, Glen was a music professional and journalist whose work has appeared in The Rocket, SPIN, Pulse!, and The Source. Glen is also seeking an active full-time writing gig. Will somebody please hire this man?
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The Rockologist: Getting Deep With Uriah Heep
Published: January 13, 2007
Type: Opinion
Section: Music
Filed Under: Music: Classic Rock and Oldies, Music: Hard Rock, Music: Live Concerts, Music: Metal, Music: Rock
Part of a feature: The Rockologist
Writer: Glen Boyd
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Comments

#1 — January 13, 2007 @ 10:12AM — Mark Saleski

great stuff glen. i just may have to pull out my old Uriah Heep records. after not listening to music like that for a while, it's really fun to hear such keyboard-heavy rock.

also, didn't know that Wetton had been involved with them. that's kinda strange!

#2 — January 13, 2007 @ 11:48AM — Glen Boyd [URL]

Thanx Mark. As you can probably tell, Writing this one really took me back. Wetton basically really got around back then trying to make a buck before finally settling down for a quick minute with Asia, where of course is where he finally was able to do so.

Great technician that he was/is though, Wetton's style just never quite matched the more flamboyant theatrics of the late, great Mr. Thain in Uriah Heep.

Thanx again for the comment.

-Glen

#3 — January 13, 2007 @ 12:51PM — Tim Hall [URL]

Did you know Heep recording a new album later this year?

BTW, they replaced Wetton with Trevor Bolder (ex Spiders from Mars), who's still with the band 30 years later.

#4 — January 13, 2007 @ 18:02PM — Glen Boyd [URL]

Hey Tim,

Yes I knew that Trevor Bolder from The Spiders From Mars was part of the current lineup, who I also understand are quite good from a musicians standpoint.

My focus in this article however was the so-called "classic lineup." My editor tells me someone from their official website has been in contact about this article, so hopefully we will be able to get something up about the bands current activities sometime in the future.

In the meantime, I thank you for the comment.

-Glen

#5 — January 13, 2007 @ 18:38PM — Tim Hall [URL]

Depends when you consider the 'classic era' ended; when they sacked Byron in 1976, or Ken Hensley's departure four years (and four albums) later. Bolder joined (along with John Lawton on vocals) immediately after Byron's departure. That lineup may not have made much on an impact in the US, but had some hits in Europe.

I'm not quite old enough to have seen the classic lineup, but I've seen the current incarnation several times. They still rock, and they clearly enjoy being on stage; Mick Box always has a great big grin on his face.

BTW, your article implies that David Byron joined the band at some point after they started ("which by now also included vocalist David Byron"). Byron was a founder member along with Box and Hensley; the photo on the debut album is him covered in cobwebs.

#6 — January 13, 2007 @ 18:57PM — Glen Boyd [URL]

Tim Hall wrote:

I'm not quite old enough to have seen the classic lineup..

Way to make a guy feel really old Tim. Nice job there pal. Perhaps the truth is that I am not "young" enough to have seen the current incarnation. Either way, to my knowledge at least its been decades since Uriah Heep played a show in Seattle (where I live).

Anyway, I wrote this article pretty much strictly off my memories and for some reason had thought Byron joined around the time of "Look At Yourself" as the band went through a lot of members before stabilizing somewhat with "Demons And Wizards."

So if I was wrong about that detail, I stand corrected. And I thank you for pointing it out.

-Glen

#7 — January 14, 2007 @ 16:00PM — JR

To my mind, Abominog is one of the great unsung albums of the early-eighties metal revival. That album was solid from beginning to end. I picked up some of the earlier albums like Magician's Birthday after that, but I wasn't nearly as impressed with those. That was in the LP era and I haven't heard them in years, so I don't what I'd think now. I did pick up Abominog on CD and somehow it didn't sound as good; I think it got a lousy transfer on the first go 'round. (I also seem to remember the tracks being in a different order, but I'm a bit fuzzy on that.)

Uriah Heep even got some airplay out of Abominog, particularly with "That's the Way That It Is". Which, by the way, is a guitar part that I still play all the time in my noodling-in-front-of-the-TV moments. It's also fun to play for friends, who are sure they know the song but always seem to confuse it with something else.

#8 — January 14, 2007 @ 16:36PM — Vern Halen

Demons & Wizards, MAgician's B'day. Look at Yourself - when I was a kid, the Heep was right up there with Zeppelin, Sabbath, Grand Funk & Deep Purple. My friends and I weren't able to sort those bands for quality for many years - no one knew Heep was kind of a second tier rock act. ButI'm beginning to think that success in any aritstic field is kinda hit and miss - there's no telling why Sabbath has enjoyed mega sucess while Uriah Heep just gets rememberedin occasional blogs.

Hey, Glen - maybe that's another thing the Rockolgist can look at - why do some deserving bands flounder while other dimwits make it big?

Great article - my appreciation for the li'l ol' band named after a Charles Dickens' character went up a notch!

V.

#9 — January 15, 2007 @ 01:20AM — Glen Boyd [URL]

Hey, Glen - maybe that's another thing the Rockolgist can look at - why do some deserving bands flounder while other dimwits make it big?

Well thats the million dollar question innit? Sabbath's reviews in the aerly days were as bad as Heeps were (well almost). I think the point where Sabbath began to get respect was basically when a lot of the rock writers got younger -- basically people who grew up with them became writers themselves. Abominog aside -- the original Uriah Heep didnt stay together long enough to witness their band (possibly)eventually get some respect.

Interesting idea for a future column though Vern. I'll definitely give it some thought.

Glad you guys are liking these though. Many thanks.

-Glen

#10 — January 31, 2007 @ 12:45PM — Manfred Blank [URL]

Sad news came today from Heep: Lee Kerslake had to quit due to health problems. Now they are auditioning drummers for the new album they are about to record in spring.
Hope, he gets well soon. Lee is such a nice person. I met him several times and he always likes a good joke (there is a picture on my homepage where he talks to my drummer and apparently is making jokes about his weight!

Mani

#11 — January 31, 2007 @ 12:52PM — Glen Boyd [URL]

I got news about this myself yesterday from Dave White at Uriah-Heep.com

Yes Lee was a very nice, very funny guy. I only met him once (see my story above about wanting to keep a mudshark alive by putting salt in bathtub water)--but I have very vivid memories of him as a super nice, down to earth guy. Hell of a drummer too.

Hopefully Lee gets his health issues sorted (whatever those might be) and wishing both him and the rest of Heep all the best.

-Glen

#12 — February 15, 2007 @ 20:01PM — Scott

Excellent article Glen. I saw Uriah Heep in 1976 at my first "real" concert. They opened for Kiss in the old Hollywood Sportatorium. I remember that they were by and large ignored by the crowd, even tho they rocked pretty hard. Never been a big fan...but they did rock hard and I enjoyed the show!

#13 — February 16, 2007 @ 03:05AM — Glen Boyd [URL]

Glad you enjoyed the article Scott. 1976 was a bit past their prime, which I put at about roughly 72-74. I think Gary Thain would've probably been gone from the lineup around then. Also, the Kiss spectacle was also going full-tilt back then so I imagine Heep may've been a little bit tame for an audience hungry for explosions and fire breathing bat lizards (sorry Gene). Heeps time in the spotlight was very short, but I think they made some decent, if really underrated records, while they were on top.

Thanx for the comment Scott.

-Glen

#14 — February 22, 2007 @ 17:39PM — Bryan Barbee

Good lord Uriah Heep, it makes me sad to hear some of them have died. I remember handing the bass player some herbs and spices at the Salem armory during the show,when they opened for Savoy Brown, terrific band. The next year they were the headliner. The thing about the Armory was you were right there, up close. Thanks for the look back. Need to do some Easy Live live livin..

#15 — February 22, 2007 @ 17:54PM — Glen Boyd [URL]

You probably saw them within a night or two of the show I describe here Bryan (Savoy brown headlined -- Heep was back the following the year as the headliner).

What a trip!

Thanx for the comment.

-Glen

#16 — July 19, 2007 @ 17:20PM — wes [URL]

Your article suggests Mr. Byron joined the band on Demons and Wizards. This is completely incorrect, as David sang on every album from the first through "High and Mighty". By the end one gets the feeling they were quite dead as an act from "Return to Fantasy" on. This is beyond misleading, as Heep continued with amazing mettle and has played before more people than most bands could ever dream of, all over the world. Mick Box
deserves as much respect for his determination as he does his wonderful noise, and while Ken certainly had his ass kicked many times by critics no one really recalls, in fact he is one the nicest and most genuine people I have ever met. His liner notes for the Heep re-issues are brutally honest, and I found myself defending him more than he did as I read them. I believe the Heeps story is an important one in rocks crazy history and a hell of a lot of people that have listened, witnessed and played with them would agree. In that spirit, I'm happy to see your article, and hope you don't imagine my comments aren't appreciative. Thanks. TheOuterBoogie

#17 — September 26, 2008 @ 14:26PM — Kevin

Heep -- great band!
there's even a new Byron Band CD out titled "One Minute More" via Robin George. check out
damagecontrolmusic.co.uk

I would love to hear from anyone who saw HEEP way back. have been trying to catalogue their live history for eons.

Kevin

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