The Rockologist: Getting Deep With Uriah Heep
Published January 13, 2007
For every blistering rocker like "Easy Livin" or "Traveller In Time," Demons And Wizards also featured songs like "Paradise/The Spell" which featured a gorgeous middle section powered by Hawaiian sounding guitar parts and an angelic sounding vocal choir. For The Magician's Birthday's part, the title track was a tour de force which went from a kazoo humming the "Happy Birthday" song to a thunderous duel between Kerslake's drums and Mick Box's distorted, fuzzed-out guitar. Through it all, Gary Thain played some of the most intricate bass parts I had ever heard on a rock and roll album.
So, true story here...
By the time Uriah Heep returned to Seattle for it's first sold out show as a headliner, I was not only well immersed in their records — I was also determined to meet what was by now my favorite band. And guess what? I succeeded.
Earlier that day, my friends and I had staked out the Edgewater Inn in Seattle, which was well known at the time as the hotel of choice among visiting rock bands. Because you can fish out your window there, Seattle's Edgewater over the years has proved an irresistible draw for touring rock bands. You may have heard some of the stories about the place, forever immortalized in songs like Frank Zappa's "The Mudshark." Perhaps you have heard the one particularly infamous tale involving a mudshark; a groupie; and the group Led Zeppelin.
Anyway, sure enough Uriah Heep showed up like clockwork at about three that afternoon. Lee Kerslake came in first. When me and my friends introduced ourselves, Lee was not only quick to return our greeting, but to invite us back after the show for a post-concert party. For a group of star struck sixteen year old rock fans like us, this was just too incredible for words. In retrospect, I think Uriah Heep may have been as dumbstruck as we were to find they actually had devoted fans, after the critical drubbing they had become accustomed to for years.
So after a great concert where Uriah Heep proved they'd grown into their newfound status as headliners quite nicely (Thain in particular sounded amazing that night), we went back to the Edgewater. As promised, Lee showed up soon after with some beer and we headed back to the group's room for a long and memorable night of partying with our rock heroes. Much of that night is a blur more than thirty years later.
What I do remember vividly was that Uriah Heep's "party contingent" consisted of Kerslake, Thain, and David Byron, while Ken Hensley and Mick Box chose to retire to their rooms to sleep. Thain spent most of the night rolling those newspaper sized joints you see in reggae videos.
At various points that night, we were throwing karate stars into the hotel room door; tossing lamps out the window into Puget Sound below; and we even caught a mudshark. I have one very distinct memory of Lee Kerslake sending me to the front desk for a salt shaker in the hopes that adding salt to the bathtub where the shark was being kept would help keep it alive.
- The Rockologist: Getting Deep With Uriah Heep
- Published: January 13, 2007
- Type: Opinion
- Section: Music
- Filed Under: Music: Classic Rock and Oldies, Music: Hard Rock, Music: Live Concerts, Music: Metal, Music: Rock
- Part of a feature: The Rockologist
- Writer: Glen Boyd
- Glen Boyd's BC Writer page
- Glen Boyd's personal site
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Thanx Mark. As you can probably tell, Writing this one really took me back. Wetton basically really got around back then trying to make a buck before finally settling down for a quick minute with Asia, where of course is where he finally was able to do so.
Great technician that he was/is though, Wetton's style just never quite matched the more flamboyant theatrics of the late, great Mr. Thain in Uriah Heep.
Thanx again for the comment.
-Glen
Did you know Heep recording a new album later this year?
BTW, they replaced Wetton with Trevor Bolder (ex Spiders from Mars), who's still with the band 30 years later.
Hey Tim,
Yes I knew that Trevor Bolder from The Spiders From Mars was part of the current lineup, who I also understand are quite good from a musicians standpoint.
My focus in this article however was the so-called "classic lineup." My editor tells me someone from their official website has been in contact about this article, so hopefully we will be able to get something up about the bands current activities sometime in the future.
In the meantime, I thank you for the comment.
-Glen
Depends when you consider the 'classic era' ended; when they sacked Byron in 1976, or Ken Hensley's departure four years (and four albums) later. Bolder joined (along with John Lawton on vocals) immediately after Byron's departure. That lineup may not have made much on an impact in the US, but had some hits in Europe.
I'm not quite old enough to have seen the classic lineup, but I've seen the current incarnation several times. They still rock, and they clearly enjoy being on stage; Mick Box always has a great big grin on his face.
BTW, your article implies that David Byron joined the band at some point after they started ("which by now also included vocalist David Byron"). Byron was a founder member along with Box and Hensley; the photo on the debut album is him covered in cobwebs.
Tim Hall wrote:
I'm not quite old enough to have seen the classic lineup..
Way to make a guy feel really old Tim. Nice job there pal. Perhaps the truth is that I am not "young" enough to have seen the current incarnation. Either way, to my knowledge at least its been decades since Uriah Heep played a show in Seattle (where I live).
Anyway, I wrote this article pretty much strictly off my memories and for some reason had thought Byron joined around the time of "Look At Yourself" as the band went through a lot of members before stabilizing somewhat with "Demons And Wizards."
So if I was wrong about that detail, I stand corrected. And I thank you for pointing it out.
-Glen
To my mind, Abominog is one of the great unsung albums of the early-eighties metal revival. That album was solid from beginning to end. I picked up some of the earlier albums like Magician's Birthday after that, but I wasn't nearly as impressed with those. That was in the LP era and I haven't heard them in years, so I don't what I'd think now. I did pick up Abominog on CD and somehow it didn't sound as good; I think it got a lousy transfer on the first go 'round. (I also seem to remember the tracks being in a different order, but I'm a bit fuzzy on that.)
Uriah Heep even got some airplay out of Abominog, particularly with "That's the Way That It Is". Which, by the way, is a guitar part that I still play all the time in my noodling-in-front-of-the-TV moments. It's also fun to play for friends, who are sure they know the song but always seem to confuse it with something else.
Demons & Wizards, MAgician's B'day. Look at Yourself - when I was a kid, the Heep was right up there with Zeppelin, Sabbath, Grand Funk & Deep Purple. My friends and I weren't able to sort those bands for quality for many years - no one knew Heep was kind of a second tier rock act. ButI'm beginning to think that success in any aritstic field is kinda hit and miss - there's no telling why Sabbath has enjoyed mega sucess while Uriah Heep just gets rememberedin occasional blogs.
Hey, Glen - maybe that's another thing the Rockolgist can look at - why do some deserving bands flounder while other dimwits make it big?
Great article - my appreciation for the li'l ol' band named after a Charles Dickens' character went up a notch!
V.
Hey, Glen - maybe that's another thing the Rockolgist can look at - why do some deserving bands flounder while other dimwits make it big?
Well thats the million dollar question innit? Sabbath's reviews in the aerly days were as bad as Heeps were (well almost). I think the point where Sabbath began to get respect was basically when a lot of the rock writers got younger -- basically people who grew up with them became writers themselves. Abominog aside -- the original Uriah Heep didnt stay together long enough to witness their band (possibly)eventually get some respect.
Interesting idea for a future column though Vern. I'll definitely give it some thought.
Glad you guys are liking these though. Many thanks.
-Glen
Sad news came today from Heep: Lee Kerslake had to quit due to health problems. Now they are auditioning drummers for the new album they are about to record in spring.
Hope, he gets well soon. Lee is such a nice person. I met him several times and he always likes a good joke (there is a picture on my homepage where he talks to my drummer and apparently is making jokes about his weight!
Mani
I got news about this myself yesterday from Dave White at Uriah-Heep.com
Yes Lee was a very nice, very funny guy. I only met him once (see my story above about wanting to keep a mudshark alive by putting salt in bathtub water)--but I have very vivid memories of him as a super nice, down to earth guy. Hell of a drummer too.
Hopefully Lee gets his health issues sorted (whatever those might be) and wishing both him and the rest of Heep all the best.
-Glen
Excellent article Glen. I saw Uriah Heep in 1976 at my first "real" concert. They opened for Kiss in the old Hollywood Sportatorium. I remember that they were by and large ignored by the crowd, even tho they rocked pretty hard. Never been a big fan...but they did rock hard and I enjoyed the show!
Glad you enjoyed the article Scott. 1976 was a bit past their prime, which I put at about roughly 72-74. I think Gary Thain would've probably been gone from the lineup around then. Also, the Kiss spectacle was also going full-tilt back then so I imagine Heep may've been a little bit tame for an audience hungry for explosions and fire breathing bat lizards (sorry Gene). Heeps time in the spotlight was very short, but I think they made some decent, if really underrated records, while they were on top.
Thanx for the comment Scott.
-Glen
Good lord Uriah Heep, it makes me sad to hear some of them have died. I remember handing the bass player some herbs and spices at the Salem armory during the show,when they opened for Savoy Brown, terrific band. The next year they were the headliner. The thing about the Armory was you were right there, up close. Thanks for the look back. Need to do some Easy Live live livin..
You probably saw them within a night or two of the show I describe here Bryan (Savoy brown headlined -- Heep was back the following the year as the headliner).
What a trip!
Thanx for the comment.
-Glen
Your article suggests Mr. Byron joined the band on Demons and Wizards. This is completely incorrect, as David sang on every album from the first through "High and Mighty". By the end one gets the feeling they were quite dead as an act from "Return to Fantasy" on. This is beyond misleading, as Heep continued with amazing mettle and has played before more people than most bands could ever dream of, all over the world. Mick Box
deserves as much respect for his determination as he does his wonderful noise, and while Ken certainly had his ass kicked many times by critics no one really recalls, in fact he is one the nicest and most genuine people I have ever met. His liner notes for the Heep re-issues are brutally honest, and I found myself defending him more than he did as I read them. I believe the Heeps story is an important one in rocks crazy history and a hell of a lot of people that have listened, witnessed and played with them would agree. In that spirit, I'm happy to see your article, and hope you don't imagine my comments aren't appreciative. Thanks. TheOuterBoogie
Heep -- great band!
there's even a new Byron Band CD out titled "One Minute More" via Robin George. check out
damagecontrolmusic.co.uk
I would love to hear from anyone who saw HEEP way back. have been trying to catalogue their live history for eons.
Kevin
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great stuff glen. i just may have to pull out my old Uriah Heep records. after not listening to music like that for a while, it's really fun to hear such keyboard-heavy rock.
also, didn't know that Wetton had been involved with them. that's kinda strange!