Music DVD Review: Joe Satriani - Satriani Live!
Published January 01, 2007
The show begins as the stage lights are dimmed and an array of blue spotlights slowly circle the stage, creating a deep blue hue which sets the mood for the show's opening number. At this point, Satriani slowly strolls out on stage, dressed in his trademark stage attire - black jeans, skin-tight, plain black tee-shirt, and black sunglasses, which contrast with his shiny bald head. He is already playing some cool guitar riff, which eventually transitions into the haunting opening chords to "Flying In A Blue Dream."
I have not picked up Satriani's Super Colossal album yet, so this DVD offered up a good opportunity to evaluate most of that album as well. My first impression is that the songs are more melodic and straightforward than on his previous few releases, and is more reminiscent of his earliest material. The highlights for me were the relaxed, jazzy vibe of "A Cool New Way," the funky, atmospheric "One Robot's Dream," and the epic, multi-mooded "Made Of Tears," which featured some of the most inspired Satriani guitar solos I have heard in a while - including one played with his mouth.
Satriani balances out all of the brand new material with a very healthy dose of songs from his legendary second album, Surfing With The Alien. All of the required songs are here: "Satch Boogie," "Ice 9," "Circles," "Always With Me, Always With You," as well as the title track. I have seen each of these songs performed a million times before, but this night Joe played them much looser and with more improvisation than I have seen before, and his fiery extended ending of "Always With Me" transformed this so called ballad into one of the evenings fiercest jams.
After a smoking performance of "The Mystical Potato Head Groove Thing," Joe gives one of his best lines of the night: "Now I know your thinking, he's just doing songs about mystical potato heads, and robots, and ice nine, and stuff like that, and you're thinking Joe's pretty weird right?...but, I've got to play a love song once in a while," and then he kicks off the second Super Colossal ballad, appropriately titled "The Meaning of Love." During this stunning song, Satriani gives a virtual clinic on how to gracefully control a guitar's whammy bar.
- Music DVD Review: Joe Satriani - Satriani Live!
- Published: January 01, 2007
- Type: Review
- Section: Music
- Filed Under: Music: Hard Rock, Music: Instrumental, Music: Metal, Music: Progressive Rock, Music: Rock, Music: Video
- Writer: Paul Roy
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Comments
Thanks Duane, I figured the headphones were for timing purposes, or to just hear yourself play better over all the other noise, but why can 99% of the other live drummers do just fine without them? I agree with you about Vai, I am a bigger fan of his playing style, but, just like with Satriani, I'd love to see him work with a singer/songwriter. Neither guy can carry a whole album with their songwriting.
You are certainly correct about Eddie Van Halen squandering his guitar talent during the last 15 years. The guy is still in his prime, so let's home he comes back with a vengeance this year. Don't even get me started on Jimmy Page!
Thanks for a great review. Satriani is an all time favorite.
Gotta love Satch. I don't think he is a bad song writter.
Yeah, have you heard that Eddy Van Halen is now doing the music for pornos?
Jimmy Page, hah, I laugh at that tool.
Congrats! This article has been forwarded to the Advance.net websites.
Thank you very much for this review! And for the link. I will definitely buy it!





Nice review, Paul. I'm not sure, but I think the drummer wears headphones to keep right with the metronome, because there may be pre-programmed sounds coming out somewhere. I haven't seen the concert, and I don't know if Joe uses programming during his shows, but if he does, then timing is everything, and someone needs to keep track of it. Otherwise, yeah, who needs 'em? Listening to the big game during the show?
I'm a guitar fan, and Satch is technically near the top as far as rockish electric guitar playing goes (God forbid I should get into another Rolling Stone Top 100 debate, but Vai is better), but the reason I really enjoy listening to his playing is his superb tone, his precision, his control of sustain and feedback, and his tasteful use of effects. I own a JS1000 Ibanez (one of his signature series - he uses a bunch of JS1200s, which are a little hotter pickupwise), and I just love the thing.
Unfortunately, I don't think he's much of a songwriter, and I wish he would team up with someone who is fer chrissakes. I had the same problem with van Halen/Hagar -- what a waste of guitar talent. But I'm sure Joe has it just the way he wants it -- total control.