At first it only manifests itself as an unexplained ability to know when the bald man is nearby, and to have access to information he shouldn't know. But gradually he becomes more and more in tune with the other two parts of the triangle and the endless sorrow that has been theirs to play for millennia.

For those of you familiar with Kay's earlier work, you'll notice some big differences between this book and pretty much anything that he's written before. First there's the fact that it is set primarily in our world. Only once before has our world ever entered into his books, and then only to set the stage for what was to come.

He's never, that I recall, given one character's viewpoint this much focus before. There have been central characters that we've followed around, but there have also been other perspectives of events aside from theirs that have coloured the narrative. Not only does he not do that in Ysabel, he's also made the world so that is seen through the eyes of a 15-year-old male.

This is a decidedly risky thing to do, because it would be very easy to take a wrong step and jar the reader's ear. But Kay knows what he's doing and doesn't slip once in his creation of the character. Neil's reactions to circumstances are spot-on and Kay has captured that bizarre mixture of bravado and fear that characterizes so many teenage males.

What makes this odd choice for a lead character work so well in this book is the contrast Kay is able to construct using a young person from today who takes things like text messaging, computers and digital cameras for granted. To have him be forced to deal with the spirit world, particularly the spirit world that our lovers come from, both increases the tension caused by such circumstances and makes the confusion felt by the character become more than just that of trying to sort out two worlds.

There's a point in the book when one of the spirit characters comments that a 15-year-old would have been considered a man in his time, that he could have been married and had children or even be a war leader for his tribe. In our world the same person spends the majority of his or her time rejecting responsibility while wondering why nobody takes him seriously.

As the story progresses and Ned gets drawn further and further into events, the level of his responsibility increases to the point where he is the only one who is able to accomplish what needs to be done. Being cool becomes far less important as the stakes rise, until they include the fight for the survival of one of his dad's assistants. You learn a lot about yourself and your inner resources when a person's survival is dependent on your abilities.