The resurgence of The Black Crowes continues with the release of The Lost Crowes, a two-CD set of some slightly new rock ‘n’ roll by The Robinson brothers and their cohorts: guitarist Marc Ford, keyboardist Eddie Harsch, bassist Johnny Colt and drummer Steve Gorman. The discs are divided into The Tall Sessions and The Band Sessions, already well known by devout followers of The Crowes. Thankfully, this isn’t the usual purge of tracks undeserving to see the light of day by an artist trying to fulfill a contract or a record company emptying out the shelves. Recently remixed by Paul Stacey, these are both strong, worthy albums to add to the Crowes discography.

The Tall Sessions were recorded in Los Angeles in 1993. In the liner notes, Rich Robinson described the time as “one long experience…wrought with bullshit and everyone fighting.” The band created more than 30 tunes, eight of which, “A Conspiracy,” “Cursed Diamond,” “London P25,” “Hi-Head Blues,” “Nonfiction,” “Wiser Time,” “Descending” and “Lowdown” (as “Ballad In Urgency”) were reworked for Amorica, released the following year. Two songs, the acoustic instrumental “Sunday Night Buttermilk Waltz” and “Song of the Flesh,” were released as bonus tracks on the remastered version of the album in 1998's box set Sho’ Nuff; however, Lost Crowes features new mixes.

As for the rest of the disc, “Evil Eye” has a different chorus here than in its appearance on 1996’s Three Snakes & One Charm. The remaining songs, though they may have been performed in concert, are new and show the band expanding their sound. “Dirty Hair Halo” delivers the Crowes standard rockin’ boogie and blues with a twist of psychedelia on the chorus vocal. “Feathers” is a slow, smoldering blues that rises and repeats, bringing to mind Led Zeppelin’s “Since I’ve Been Loving You” with Chris’ strong voice and great keyboard accompaniment.

“Tied Up and Swallow” is a big, sexy rocker with soaring guitars. Chris wails so hard it’s surprising he didn’t damage his voice. “Tornado” is an acoustic number with just Chris and a guitar. Most likely a demo track for the band to work up, but it sounds good as a simple country tune. Rich went on to say, “The Tall record is cool to see the blueprint – compared to what Amorica turned into.” I wholeheartedly agree.