Film Scores: A Growing Addiction
Published August 12, 2006
For some reason, my interest in film scores has greatly increased. I don't know why. Recently, I have found myself sitting at my desk at work, and, having the ability to be my own DJ, I have been turning to film scores.
I always enjoyed some movie music, but there were only a few that I found myself listening to for any length of time, and they usually began with the words Star Wars. These original three John Williams compositions stand as my favorite film scores of all time. There was actually a time when I could listen to them and watch the film in my head, I could tell you where we were in the movie just by listening to the music. I can't quite do that anymore, but I still love listening to the music.
Back to the matter at hand, I have found them to be the perfect music to work to. They work beautifully as background music while you go about your business, and when those familiar themes and motifs arise, my mood gets better and I am transported into the films they represent.
I have always been, and will probably always be, a metal guy when it comes to my music tastes, but this respect and admiration that I have for film scores is growing fast. Perhaps it is the next extension of my maturation progress as a film lover. The music can stand on its own as a beautiful work that can inspire any variety of emotions and can be just as engaging as the film itself.
I admit to not having that many scores in my collection, and that fact has urged me to look for sites to gain recommendations. Outside of the films that have made a big impact on me, I needed a place to turn to for reviews. The reviews help remind me of the films that I had forgotten, and also lead me towards the works that stand as complete works in and of themselves, there are those out there that need the movie to listen to and I would like to avoid them.
In my searches for the right site, I came across Film Tracks. The site has thus far proven to be a wonderful resource for film score reviews and has helped me find some that I would like to add to my collection. Film Tracks allows me to see lists by year and cross-reference composers so I can find other works that may interest me. So, if you are interested in film scores, it is definitely a site to look into.
As for what I have been listening to recently, here are a few that have grabbed me:
- Star Wars. Like I mentioned earlier, these make up the current Holy Grail for film music for this listener. John Williams' work is magical and has truly stood the test of time, not to mention his most recent works, notably his great work on Revenge of the Sith.
- Superman Returns. John Ottman's score is a beautiful piece of work, especially in the way he has incorporated John Williams' original themes from the 1979 film.
- Pirates of the Caribbean: Dead Man's Chest. Hans Zimmer's work here is a lot of fun, from the familiar themes from the first film to the new works for the Kraken and Davy Jones. It is at times playful and rousing, and I like the use of the organ.
- Music for a Darkened Theatre: Volumes 1 and 2. This comprises a three-disc collection of Danny Elfman's work, covering both film and television. There are some great themes and cues included here, like Batman, Edward Scissorhands, Sommersby, Pee-Wee's Big Adventure, as well as The Simpsons, and Amazing Stories.
- House of Flying Daggers. I really like the Asian music sounds. They have a certain elegance to them, and they are vastly different from the music I am used to. Shigeru Umebayashi has crafted a sensual score that has many fine adrenaline pumping moments.
- Halloween. John Carpenter, besides directing, was also behind the simple, yet highly effective music which goes a long way to creating the mood of menace that pulses through this movie.
- Film Scores: A Growing Addiction
- Published: August 12, 2006
- Type: Opinion
- Section: Music
- Filed Under: Music: Soundtracks
- Writer: Chris Beaumont
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Comments
Good to see someone else has started to get into film scores. I've been a huge fan of film music every since I was six years old, trying to pound out the theme from Jurassic Park on a Casio keyboard.
You should get into James Newton Howard. This is the guy who, among other things, has done the scores for all of the M. Night Shyamalan films (the cue "The Hand of Fate" from Signs is fantastic), King Kong, and Batman Begins. My favorite score of his is actually from Disney's Dinosaur. Not a great film, but an absolutely rich and amazing score.
Also, for straight-up fun, Michael Giacchino, who has mostly done game and TV stuff, has put out two fantastic brassy/jazzy action film scores in the last two years: The Incredibles and Mission: Impossible III.


Christopher Beaumont spends much of his time writing about entertainment when he isn't sitting in a movie theater. He is known around the office as the "Movie Guy" and is always ready to talk about his favorite form of entertainment and offer up recommendations. Interests include science fiction, horror, and metal music. His writings can be found at 





Chris, I was in the same head back in the early 1970's when I was getting into soundtracks. My suggestion is to seriously check out the best scores from Jerry Goldsmith, John Williams, and the amazing Bernard Herrmann. Herrmann's music for Hitchcock films is classic, so are his scores for science fiction and fantasy films, and so is Jerry Goldsmith's music for Planet of the Apes, Patton, and for Star Trek: the Motion Picture. Any John Williams score for the mid-Seveties on has something good on it, but his work with Spielberg and Lucas is the best. John Barry did terrific work on the James Bond films with Sean Connery, too.