CD Review: Colin Scot
Published August 09, 2006
For every Al Stewart or Roy Harper back treading the boards and breaking out of obscurity, there were legions of unknown troubadours pounding the UK’s provincial folk circuit back in the 60s.
This was a time when the demarcation lines between folk and rock were well drawn though one or two brave souls would occasionally pop their heads above the parapet.
Colin Scot was one of them and his tactic of covering Buddy Holly songs in his live set might have caused frowns from the folkie purists but probably stood him in good stead when it came to supporting rock bands such as Van der Graaf Generator or King Crimson in the bigger venues in the early 70s. The graveyard support slot was always a tough spot, and Scot was better at it than many of his more famous contemporaries.
Scot died in 1999 having only released three albums none of which attracted much in the way of sales or critical acclaim. Though long forgotten now, Scot was well plugged into the rock circuit rather than the folk scene, having the kind of juice that attracted various members of Genesis, Lindisfarne, Van der Graaf Generator, Yes, Rare Bird, and Robert Fripp from King Crimson to populate his 1971 debut.
That he could count on such distinguished company was due in no small measure to producer John Anthony - the behind the desk for albums such as progressive rock classics such as Nursery Cryme and Pawn Hearts.
Hardly surprising then that given the roster of heavy muso friends, Scot’s debut album acquired cult status amongst those forever on the look out for a glimpse of the prog-rock holy grail.
Well, Colin Scot isn’t that by a long chalk but this lovingly restored and freshly remastered album (with bonus tracks aplenty) shows that Scot was a cut above the crowd of earnest folkies then doing the rounds.
Scot’s yearning and muscular voice (reminiscent at times of an early Elton John or Alan Hull) is gritty and full-blooded and used to best effect on the elegiac, "Do The Dance Now, Davey." Featuring Robert Fripp, who adds chiming harmonics and volume-controlled shadings; it’s an impressive opening.
- CD Review: Colin Scot
- Published: August 09, 2006
- Type: Opinion
- Section: Music
- Filed Under: Music: Folk, Music: Progressive Rock
- Writer: Sid Smith
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Comments on this articleComments
How nice to hear of Colin Scot. I still have in mind numerous occasions when I listened to his Just Another Clown album
that brought me so much joy.
As far as I am concerned that album should already be on CD format. It is truly a forgotten gem.
sincerly from Québec
Normand Achim
Scottie was a larger than life folkie of the 1970's era and I well remember him packing out the Long Lounge at Exeter Uni Folk Club ( with Phil Beer a floor singer in those days ),seeing him in the room above the bar at The Friary in Plymouth or supporting the Strawbs in Torquay's Palace Theatre.Variously supported by Little Joe and Mox Gowland ( now in Paris )his live act would be both blistering and sensitive.Titanic loves on Analine and the beauty of Do the Dance Now Davey - does any one know where Martin Hall has gone to ? And his agent Peter Rice ? And who does a better version of Dave Cousin's The Man Who Called Himself Jesus ? Scottie and his 12 string Gibson guitar are paid a handsome tribute by his long time friend ,Allan Taylor, in his poem set to music by Allan's son Barnaby plus Alan's song Crazy in Amsterdam. [Personal contact info deleted]
Normand Achim is spot on - Just Another Clown should be on CD by now. And Out Of The Blue. I still have the vinyl but, for the moment, nothing to play it on. My Colin Scot memories are as Joe Whittaker's but from his sets at Scarborough Penthouse in the early Seventes. Sadly missed.
I was so sad to see mention of Scot's death, but so happy to see him properly remembered and admired. I am a musician and played the piano with Scot on banjo & guitar at Coke Corner in Disneyland, Anaheim, for many years. I'm looking forward to finding out much more about his life & music, as we lost contact after he went to Europe & the UK.
I'm still trying to get a CD of Just another clown. I t was a big part of my student life and I was beginning to think it was a figment of my imagination
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It's a pretty fair review except for your questioning the inclusion of two songs -Baby in my lady and Hey Sandy. If you were around at the time you would know that without any doubt these two were the most requested and best received songs. With Scot alone with his 12 string Biml is beautiful and hey sandy had more energy than most contempory rock bands could have mustered.