The Lost Mind: The Sophomore Slump and Adventure on the Horizon
Published August 09, 2006
Guys... listen...
We need to talk.
You may not like this, but I think we all need to come to terms with a certain reality.
Now, before you accuse me of blasphemy and stop reading, know this: I still think that it was the best show on television last season. I love Lost. I'm never going to stop loving Lost. But I don't think anyone would deny that the show suffered something of a sophomore slump. Let's face it: the second season was, overall, not as good as the first.
I mean, yes, it started off great, with the whole mystery of the hatch and all. And it finished strong what with Michael killing people and the electromagnets and all that. But you have to admit that the middle chunk was kinda, well, slow.
Maybe you disagree, and that's fine. I know it's sort of a big deal to think of the show in negative terms. Maybe you just need some time to digest it. In the end, though, I think it's better for both us and the show if we're honest with each other.
Why am I mentioning this now? It's not that I think we should start seeing other shows on Wednesdays. Hell, I love our Wednesdays together. I'm saying this now because I have reason to believe that it's only going to get better from here. What makes me say that? The Comic-Con panel.
Unless you've been living in a cave for the last few weeks, you probably heard something about a Lost panel at Comic-Con on July 22. And while the internet Lost fanbase has been buzzing about how the Q&A session — featuring executive producers Damon Lindelof (who did nearly all of the talking), Bryan Burk, Carlton Cuse, and actors Jorge Garcia and Daniel Dae Kim — was interrupted by the "star" of the online mystery game, Rachel Blake, what I found most interesting was the way the shows creators hinted at a return to the character-centric, adventure storytelling that made the first season such compelling entertainment. Throughout the entire Q&A (which you can listen to here) there was a subtext of change on the horizon. These guys knew that there was a bit of restlessness in the fanbase. They weren't going to be okay with it.
One of the many things that fascinates me about the show is the dialogue between the creative forces and the fans. Rather than lock themselves up in a Hollywood version of the ivory tower, the writers seem to keep in touch with audience reaction and respond to viewer feedback. Whether face-to-face by means of a Comic-Con Q&A session, or through the more informal podcasts, the series' head writers and executive producers Damon Lindelof and Carlton Cuse reveal themselves to be down-to-earth, fan-conscious writers. No other major network drama's creative team would put itself in a position where they could be confronted, as the CC Panel was, by someone asking about the show's less-than-stellar number of Emmy nominations, "Were you surprised? Because I wasn't."
- The Lost Mind: The Sophomore Slump and Adventure on the Horizon
- Published: August 09, 2006
- Type: Opinion
- Section: Video
- Filed Under: Video: Adventure, Video: Television, Video: SF
- Part of a feature: The Lost Mind
- Writer: Boxclocke
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Comments
Thanks for the comment!
And I know what you mean about the references. Fortunately I've managed to get most of my friends just as hooked as I am.
... well, maybe not just as hooked. I don't see any of them writing 1700-word articles about the show during the hiatus. But still. ;)
The best show on television, HANDS DOWN, is the new Battlestar Galactica (and I love Lost though), but I agree, shows with sci-fi elements get no emmy love.
Ty:
I actually can't bring myself to watch Battlestar Galactica for more than a few minutes at a time. Not because it isn't good -- it's VERY good. It's just that the first time I started watching it I noticed that about two-thirds of the way through the duration of every shot, there is a dramatic, sudden zoom in. And this passes for directing. It's not a bad thing, it's just so distracting that it makes it hard for me to watch the show. Next time it's on, pay attention to it. You'll see what I mean.
And while it may be true that sci-fi gets no Emmy love, my point was that had the show maintained it's first-season quality (drastic change to Emmy nomination procedure notwithstanding), the addition of the sci-fi stuff wouldn't have been a problem.
But then, that wasn't my main point either, regarding the Emmys. I think that the low number of nominations from the show which had just won the Best Drama award probably came as a wake-up call of sorts that the writers can't rest on their laurels. Not to say that they were. But now that they didn't get it, they probably want it even more.
I am that girl Don't believe me? Click here.
I was the one that actually had enough nerve to ask the question that everyone wanted to ask but didn't have enough guts to ask. For Damon Lindelof and Carlton Cuse to walk out on that stage and be naive enough to think they're going to get their ass kissed by everyone on the mic would be ridiculous. With what they produced this season, they shouldn't have expected it either.
I think the problem wasn't the writers "resting" or anything. I think the problem is the absence of J.J. Abrams to rein things in and no clear direction to the show, which is unfortunate because the show really had a bright future.
And believe me, if next season is just as bad, I'll be right back up on the mic at Comic Con '07.






Excellent Sum Up right there, good stuff.
Although I am a crazy hard core Lost fan, often annoying friends with rather out of context references, I do agree that, although mid season 2 was still excellent Television, as compared to Lost in general, it wasn't that great.
More adventure sounds great, and now, well, i can't wait.