Blogcritics Comments on The (Unheard) Impulse! Records Story

Comment by Stephen V Funk on The (Unheard) Impulse! Records Story

Mon, 3 Jul 2006 09:36:40 EDT

1. godoggo -- thanks, didn't realize they added the Cecil Taylor "Into the Hot" sessions onto the "Mixed" CD (with Roswell Rudd stuff). Do not have that CD -- but fortunately did get a copy of "Into the Hot" on CD before it went out of print. 2. Jack L -- I stand corrected on Marion Brown's Georgia triology... I was thinking "November Cotton Flower" (also out of print) was part 3 -- unless it's like the "Mole Trilogy" by The Residents. Unfortunately, Shepp's "Live in San Fran" is also no longer in print on CD as far as I can tell, but Amazon has a few used copies through other sellers. 3. M. J. West -- great list... and always nice to remind us of what fortunately IS currently available on Impulse! other than lame compilation CDs. Thanks for reading. ]]>

Comment by godoggo on The (Unheard) Impulse! Records Story

Mon, 3 Jul 2006 00:36:25 EDT

Mixed ]]>

Comment by Jack L on The (Unheard) Impulse! Records Story

Sun, 2 Jul 2006 23:35:18 EDT

The first in Marion Brown's Georgia Trilogy was "Afternoon of a Georgia Faun", on ECM, followed by the two mentioned above. "Three for a Quarter, One for a Dime" was released on CD, as part of "Live in San Francisco". Both LPs were from the same gig, and the CD combined them. ]]>

Comment by Michael J. West on The (Unheard) Impulse! Records Story

Sun, 2 Jul 2006 23:03:51 EDT

In case anyone's interested, I wrote a response to this article here. ]]>

Comment by godoggo on The (Unheard) Impulse! Records Story

Fri, 30 Jun 2006 03:42:39 EDT

I think Cecil's half of that Evans album is available on something called Mixed. Wonderful swinging, Mingusy stuff, probably my favorite Cecil. ]]>

Comment by Michael J. West on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 16:40:57 EDT

Please don't make me respond to the "arrogant jazzheads" comment. It'd take too much time away from my work of transcribing the flatted fifths in the third movement of Mingus' The Black Saint and the Sinner Lady. Mark, I'm jealous beyond all belief. I wanted to go see him in New Jersey last year, but unfortunately it was on Thanksgiving night.... ]]>

Comment by Mark Saleski on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 15:46:03 EDT

arrogant jazzheads? hmmmph! i'd have more to say but i'm too busy ironing down the elbow patches on my corduroy jacket. after that i must refill my pipe with borkum riff. ]]>

Comment by zingzing on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 15:00:19 EDT

why capitalize "Hell?" is it like "Albuquerque?" to answer your unasked question, no, i do not know what i am talking about. which was, maybe, a bit of my point. up until your clarification for mark, i had no idea what the "Hell" you two were talking about. arrogant jazzheads. kisses. ]]>

Comment by Mark Saleski on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 14:59:17 EDT

you're right michael, if what i've read is true, Ornette has a pretty long history of butting heads with promoters. i feel lucky to have seen him once (around the time of Tone Dialing). ]]>

Comment by Michael J. West on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 14:50:30 EDT

Mark - True, but I was speaking more of Coleman's worth, himself. Many of his obstacles come about specifically because he has a thing about demanding lots of money for his product, service, or releasing rights. He thinks he's worth what he asks--as do I--but the music industry does not. Seeing as how jazz ain't exactly a profitable venture, one can understand why they balk at paying him big fees. Zingzing-- I would respond to you if I knew what the Hell you were talking about. Or if I thought YOU knew what the Hell you were talking about. ]]>

Comment by zingzing on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 14:19:14 EDT

this is getting very philosophical. does the shelved album sing? if so, to whom? are those bells? is it dinner time? do i remove the cat from my seat, or sit on the cat, as the cat is there and not there all-together? what is the color of the cat's hair? is it all or nothing? does the very existance of the nothing prove that the nothing does not exist? or does its existance prove that nothing exists? where are you taking me? why? ]]>

Comment by Mark Saleski on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 13:03:45 EDT

i suppose. though if stuff just stays on the shelf for decades, its "worth" doesn't really matter. ]]>

Comment by Michael J. West on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 12:50:09 EDT

Only because he understands his worth more than the industry does... ]]>

Comment by Mark Saleski on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 11:15:42 EDT

i've been saying that for years! sometimes though, Ornette is his own worst enemy. ]]>

Comment by Stephen V Funk on The (Unheard) Impulse! Records Story

Thu, 29 Jun 2006 10:55:19 EDT

Yeah, there's no excuse for keeping unissued Ornette albums in the vault... ]]>

Comment by Michael J. West on The (Unheard) Impulse! Records Story

Wed, 28 Jun 2006 14:03:59 EDT

BTW: I'm now off to bootleg the titles you listed here. :-) ]]>

Comment by Michael J. West on The (Unheard) Impulse! Records Story

Wed, 28 Jun 2006 14:03:35 EDT

Right the FUCK on Steve! If I may say so. I have a desperate wishlist for the Impulse! back catalog, albeit a short one: the two Ornette Coleman albums, Ornette at 12 and Crisis, perhaps with the "Man on the Moon"/"Growing Up" single as bonus tracks on one or the other of them. Here's THE titan of the era, a man whose importance to the avant-garde movement eclipses (in my opinion) even Trane's; when you have material by someone like that, you don't let it collect dust in some vault! ]]>