OPINION

TV Review: 24 Day 5 Finale - A Very Slow Boat to China

Written by Victor Lana
Published May 23, 2006

While writing about the Season 5 episodes of 24 in previous weeks, I have been constantly reminded of a Shakespearean tragedy, and the two-part season finale only reaffirmed my belief that this is the case. Shakespeare usually focused on the matters of kings, queens, or procrastinating princes, but our story is more a about a soldier named Jack Bauer.

Jack fits Aristotle's model for a tragic hero very nicely: he is elevated in society or the world as a CTU agent; there is an innate goodness in his nature (he loves and wants to be loved); he has a tragic flaw (he makes mistakes based on those he loves, like taking a phone call from his daughter); and he most definitely realizes that his tragic flaw is destroying him (as most evident from the final scene last night).

After making my case for Jack being a tragic hero, it is also necessary to make it clear that President Logan is one classic villain, most definitely an Iago-like chameleon but with even more power. In some ways, I've seen Logan as a kind of Macbeth, but in truth Shakespeare's character falls very far from grace and is led down that path by his wife's insatiable lust for power. Here the opposite is true: Martha Logan brings about her husband's destruction not in an effort to obtain power but rather to obliterate it. Hers is a worthy cause, and thus she does not bathe in the imaginary blood of her husband's victims but instead avenges their innocent blood.

I have tried in my reviews each week to inject humor into the mix, but I am abandoning that today because I am so thoroughly disappointed with the outcome of the last fifteen minutes of the season finale. I would think that the producers (and Kiefer Sutherland is one of them) and writers would have had enough respect for the loyal fans of the show, many of whom have watched all 120 hours of the five seasons passionately, to give them an ending that was at least plausible. Instead, we are left with a totally contrived and obviously manipulative ending that will leave many of us grumbling for months to come.

Season 5 has been devoid of humor for the most part. By killing off Edgar, they lost the comic edge that his scenes with Chloe gave each episode. Edgar and Chloe were like the gravediggers in Hamlet, and we really need that relief from the grim reality at hand. In the last episode, they brought in a bald guy named Morris, who just happens to be Chloe's ex-husband. I never even knew our intrepid gal was married, but perhaps it explains the stun gun she has been carrying around with her. There was some attempt at humor between these two, but otherwise it was one long and grim ride.

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Victor Lana has published numerous stories and articles in literary magazines and online, including his favorite haunt here at Blogcritics. His novels A Death in Prague (2002) and Move (2003) and his new book The Savage Quiet September Sun: A Collection of 9/11 Stories are available at online bookstores.
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TV Review: 24 Day 5 Finale - A Very Slow Boat to China
Published: May 23, 2006
Type: Opinion
Section: Video
Filed Under: Video: Drama, Video: Suspense and Mystery, Video: Television, Video: Thriller
Writer: Victor Lana
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Comments

#1 — May 23, 2006 @ 09:58AM — Michael J. West [URL]

You were talking about "24" as Shakespearean tragedy, which is only magnified with Jack & Audrey. Talk about star-crossed lovers!

I wasn't nearly as disappointed as you were. I knew the Chinese connection was going to come back to haunt Jack, so I frankly wasn't overly surprised (though at first I thought it was Rocket Romano and his cohorts that had kidnapped Jack). But I must say, I can't wait to see how he gets outta this one.

#2 — May 23, 2006 @ 10:42AM — Victor Lana [URL]

Michael,

It's obvious (and I think it will be made clear in Season 6) that Logan did this. He kept promising Graham that Jack would be taken care of. I'm sure he struck a deal with the Chinese and it will come out as he tries to snivel his way out of prison.

#3 — May 23, 2006 @ 12:57PM — Jeff [URL]

Great as always, Victor. Excellent take that Chloe and Edgar were like the gravediggers, the comic relief (and any number of other Shakespeare characters.) And, Morris and Chloe weren't quite the same.

And great point about Logan realizing he wouldn't get a 21 gun salute.

I'm probably more like Michael. I liked the ending. (Aside from the question of how the Chinese got to him so quickly. Nobody knew where Jack was going with Logan.) It ties up a loose end that's been hanging there all season. And, sets the stage for a very different next season. What will 24 be like if Jack isn't in LA? How will he get out of this?

#4 — May 23, 2006 @ 18:56PM — Eric

I'm a long time fan and I wasn't disappointed with the "Chinese" ending. I was actually expecting it. I even predicted that the season would end with the Chinese taking custody(meaning he'll be in China) of Jack Bauer 14 episodes in. It was expected since interviews with the executive producers even prior to the season starting have said "who said they[chinese] were out of the picture?"

My speculation with Season 6 is that Bauer is trying to escape China with some help from US or maybe independent agents. Back in the US, CTU or Homeland Security would still be functioning with new Characters and new terrorism plot.

Anyhoo... Season 5 was great and the ending was very good.

#5 — May 23, 2006 @ 21:47PM — Chris

DEUX EX MACHINA! i.e. Chloe's husband--who just happened to show up as fast as he did to resolve 24's mangled plot. The writers need to get their act together for next season (Hopefully set in a different city--DC or NY maybe). PS - This is just a minor detail but what's up with the vehicles? Did they cut the budget or something? First of all that Navy chopper looked nothing like Marine-one and I've never heard of the POTUS riding in a Lincoln Towncar.

#6 — May 23, 2006 @ 22:16PM — Mary K. Williams [URL]

Vic,

finally get to comment on yours. I actually broke my no-reading-of-any-other-24-posts-before-I-finish-my-own rule.

Yup, I read yours first thing. Great insights. Last night's ending didn't really get to me one way or the other. Of course I didn't want Jack to get taken away, but I was just going with the flow.

#7 — May 23, 2006 @ 23:27PM — Dave [URL]

"Marine One" is not a specific helicopter. It's the designation for whatever Marine helicopter might be carrying the President. You don't think he'd be flying all the way to the west coast from D.C. and back in a helicopter, do you?

#8 — May 24, 2006 @ 05:31AM — Astrid

I couldn't see the season and its finale, writing from europe (not the UK, where it is also on TV already). But being such a huge fan I read along the season with you although it is full of spoilers for me. I like your article (especially the Shakespearean analogy, and indeed Jacks character has always been a tragic one, just think of the necessity to indirectly kill Audreys husband Paul in season four although this made Jack lose Audrey and the new friend he had only just found before, Paul).
I know what you mean with your critique , because these questions have been hanging in the air in the earlier seasons as well.
On one side your article reads like a fans disappointment about the unhappy ending for the fictional hero he loves. I can very much understand this and would feel the same. But not having seen the finale, I am not as close as the American audience and realise that it need not be a mistake by the writers not to provide the happy ending everybody is waiting for.
But: I have observed before that it's a thin line the writers and Jack are walking on, a thin line between us still buying his being good, his love and sensitivity, and not buying it anymore because he just has to bear too much to make it still believable to remain exactly the character we love.
And also: to me, what you write about the finale reads like the writers have been praised so much especially with all the twists and turns and all the wit and skill they put into (not only) fifth seasons story line that maybe they thought a simple happy ending is not a worthy finish. but a new radical turn in the last 15 minutes might not be a good solution either. People expect it to be concluding with respect to what happened before, you don't need a twist just for its own sake. It has already been challenging enough to deal with the deaths of every friend (except Chloe) Jack had (isn't it funny me writing that noteven having seen it?).
The good thing about it is: now the writers will have time to think about a way out of this mess and to graciously reintroduce Jack in season six. I don't know how but I sure hope they will figure it out. And, please, writers, leave Cloe, Audrey and his daughter alone.

#9 — May 24, 2006 @ 11:21AM — Victor Lana [URL]

Thanks to all for the comments, especially Astrid for an odd reflection (considering you didn't actually see the shows). Every show has a fan base and then there is 24, which I think took on an added importance because it began in September 2001 right after 9/11. This heightened its meaning to many people, including me.

Jack is the whole show in my estimation. I've heard talk about Jack dying since Season 1, but he is the center. 24 without Jack is like Hamlet without Hamlet; you might as well have another show.

I've been thinking about that ship and thinking about Dracula and making a comparison to the Demeter, the ship of death that brought Drac to London. In some ways Jack asking to die is rhetorical because in his conditon he has a living death (like Drac).

Wouldn't it be amusing if that ship reached Shanghai and the whole crew was dead, just like when the Demeter reaches London. Somehow Jack gets off in between and makes his way back home.

Hey, don't laugh. You know Bauer Power can swim like a fish.

#10 — May 30, 2006 @ 10:18AM — The Stevo in H-Town [URL]

Look ferrin' addition of an eye-patch...(see "thejammy.blogspot.com"

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