INTERVIEW

Featured Artist: Backstage with Al Stewart, New York City, 1998

Written by Natalie Davis
Published April 12, 2006
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"Those who don't remember the mistakes of the past are doomed to repeat them..."

"Yeah, that's it."

"Well, you've written about so much history, but most of it falls into the time between the World Wars. Would that be your favorite era?"

"Well, I know that period well — it's the twentieth century, although I've written about things as far back as the Trojan War."

"True."

"But you're right, I do have a glut of stuff in that period," he said, nodding his head, and musing that he might try something further back, maybe in the 1800s.

"What about America in 1998?"

"Well, how well that's going depends on where you are on the scale..."

"In other words, if you're poor, it sucks."

"Yes," he said, his voice becoming quiet, "if you're poor, it sucks." He added that being poor in the States "sucks a lot less" than for people in countries where the standard of living is dangerously low, where citizens have to contend with the daily worries of war tearing their nation apart and snipers in the streets.

"You have a couple of dates in California, I know, and in the fall you're going to Europe."

"England, yes, I'll be there in September, I think."

"How's the family?"

He smiled. "They're fine. I'll be home tomorrow and I'll see them."

"Ah, the tape is done..."

"Well, then, I'm going to go and look for my capo," he said, rising from his chair.

"Yes — oh, one more thing. Right now there's a thread [on the Al Stewart Internet Mailing List] about 'Merlin's Time;' people are wondering what it all means."

"Ah... 'Merlin's Time' was inspired by the writings of Robin Williamson, which dealt with medieval times," he said, adding that the song looks at the age of chivalry from the distance of a present-day dream.

We shook hands and he waved, saying he'd see me at show time. Shortly thereafter, the errant capo was found — one of the stagehands had it — and, as I told Al it would, the second show went off magnificently. Mother does know best.

Please see more on featured artist Al Stewart here.

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Natalie Davis is an award-winning journalist, progressive- and GLBT-issues activist, musician and broadcaster. Davis' All Facts and Opinions - The Armchair Activist has existed since 1996. She is general manager and program/music director of Grateful Dread Radio, an 11-year-old multigenre Internet station dedicated to presenting diverse sounds for open minds.
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Featured Artist: Backstage with Al Stewart, New York City, 1998
Published: April 12, 2006
Type: Interview
Section: Music
Filed Under: Music: Adult Alternative, Music: Folk, Music: Pop
Writer: Natalie Davis
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Comments

#1 — April 12, 2006 @ 23:02PM — Michael J. West [URL]

Fascinating and beautifully written, Ms. Davis. I'm insanely jealous...I've always wanted to sit down and talk with Al Stewart.

#2 — April 12, 2006 @ 23:47PM — NR Davis [URL]

Check out one of his concerts; he is a very personable guy - and a dream conversationalist - who spends time after nearly each of his shows signing autographs and talking with fans.

#3 — December 24, 2007 @ 05:40AM — Alex

You are like, the luckiest person ever. Al is the greatest, and the most underrated person ever.

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