REVIEW

Vinyl Tap: Buzzcocks - Singles Going Steady

Written by Gordon Hauptfleisch
Published March 22, 2006
Part of Vinyl Tap

I get a new turntable and dust off some old records. Vinyl Tap #1:

Three minutes and the truth. Or at least some tight and economically infectious and frenetic pop punk centering around everyday fun and frustrations, romantic hopes, and inevitable heartbreak. As Buzzcocks' lead singer and main songwriter Pete Shelley bemoans in his acerbic lyrics and tone, not only has "Something's Gone Wrong Again," it's gone wrong "again and again and again again and ..." A familiar refrain, somehow.

With over a dozen albums, including a new one, Flat-Pack Philosophy, to cap off their off-and-on recent years, Buzzcocks were inspired by the Sex Pistols and formed in Manchester, England, in the punk-heady mid-1970s. As a compilation of previous A and B sides, 1979's Singles Going Steady is an essential hook-filled album of consistency and manic pop thrill — ranging from the lustiness of the ready, willing and — to judge from the aural embellishment — able "Orgasm Addict," to the more vulnerable, tender and just as universal concerns expressed in "Ever Fallen In Love With Someone (You Shouldn't've Fallen In Love With)?" wherein:


You disturb my natural emotions
You make me feel like dirt
And I'm hurt
And if I start a commotion
I'll only end up losing you
And that's worse

Other highlights include the head-over-heels surrender of "Love You More" to the more tiptoeing wariness — "I don't know if I should be believing / Deceptive perceiving" — at the heart of the musically and deliriously intricate "I Don't Mind." In answering the musical question "What Do I Get?" — a plaintive imploring comes up a little wanting: "I only get sleepless nights / Alone here in my half-empty bed."

Our insomnia-ridden and woebegone would-be Romeo is perhaps too bewitched and bothered when lost in the bewilderment of "Promises" where "We play a game with two sets of rules." At the same time, in "Everybody's Happy Nowadays," no amount of wishful thinking will alter the course of events as the narrator repeats: "Life's an illusion love is a dream / Life's an illusion love is a dream." Apparently, something's gone wrong again.

Photo Sharing and Video Hosting at PhotobucketGordon "Von Zipper" Hauptfleisch is a Blogcritics Books Editor, free lance writer, and book reviewer for the San Diego Union Tribune. He's also an enigmatic visionary of unfathomable secrets and many a guise, or at least he plays one in his delusions of grandeur. His mandate also includes weird bugs. In a previous life he was a leprous horse thief.
Keep reading for information and comments on this article, and add some feedback of your own!
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Vinyl Tap: Buzzcocks - Singles Going Steady
Published: March 22, 2006
Type: Review
Section: Music
Filed Under: Music: Punk Rock, Music: Adult Alternative, Music: New Wave
Part of a feature: Vinyl Tap
Writer: Gordon Hauptfleisch
Gordon Hauptfleisch's BC Writer page
Gordon Hauptfleisch's personal site
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Comments

#1 — March 22, 2006 @ 09:34AM — Vern Halen

Wow! I totally forgot about this album - we used to listen to this all the time about 20 years ago. Is it available on CD?

#2 — March 22, 2006 @ 09:38AM — Mark Saleski [URL]

did you really get a new turntable? very cool.

love the "Vinyl Tap" title.

#3 — March 22, 2006 @ 13:15PM — Douglas Mays [URL]

A great album. Great band. Yes, it was a mover when the whole modern punk scene started gaining steam in the late 70s.

Orgasm Addict?

#4 — March 22, 2006 @ 13:31PM — Rodney Welch [URL]

Great band, great songs, great review. And "vinyl tap" is truly inspired. But why isn't "Boredom" included?

#5 — March 22, 2006 @ 13:33PM — Aaron, Duke De Mondo [URL]

great series kicking off here, i think. Vern, it is indeed available on CD. i picked it up a couple years back for the glorious price of 3.99. A bargain if ever was one.

#6 — March 22, 2006 @ 19:26PM — Gordon Hauptfleisch [URL]

Thanks all for comments.

Rodney--I guess the early days, pre-Magazine Howard Devoto "Boredom" went by the wayside in a decision to focus more on Shelley-centered Buzzcocks.

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