REVIEW

Video Review: The Unseen

Written by Thomas M. Sipos
Published March 20, 2006
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Jones is a social conservative. But a left-feminist could interpret The Unseen from an opposing view: as a condemnation of patriarchy. Junior is (most likely) the result of rape. Goldoni's father had wanted Junior aborted, so perhaps it was Goldoni's "choice" to birth Junior (although maybe it was the domineering Lassick's choice). Lassick oppresses both his wife/sister and son, until her self-liberation. It is Goldoni who saves Bach (Barr tries, but fails).

Both interpretations are justifiable. Indeed, the deceptively simple story elements mesh so nicely, one could fill a lecture hall with politically diverse academics and spend a semester conferencing on The Unseen's "real meaning."

Don't forget to invite some Freudians. Lassick's dad tried to castrate him for raping sis. So Lassick killed dad, then married sis and had Junior. The mummified dad is kept in the museum (shades of Norman Bates).

Lassick's memories of that fateful day is a nice example of pragmatic aesthetics. The actor playing the father is not present, just his voiceover within Lassick's guilty conscience. It's not only cheaper to film with one less actor, it works within the story. Lassick sits on a chair, talking to a voiceover of his dad. The camera pans and cross-cuts as dad's "character" is created by mementos, voiceover, and Lassick's frightened responses.

Mise-en-scene, lighting, and editing are all stellar in The Unseen, even if at times obvious and by-the-book. A sudden rainstorm when the story darkens. The cross-cutting between Goldoni's killing of a chicken and Junior's killing of a woman. The flickering electrical light upon our first seeing "the unseen" Junior. The quickening cross-cutting about the museum (and cat) leading to a slow revelation of the mummy. The murky atmospheric lighting in the museum in contrast to the cheerful brightness of Solvang.

Solvang is a nice touch. Low-budget horror films are forever seeking ways to separate themselves from the pack. Solvang is an actual town founded along old Dutch lines, with Dutch folk festivals and all. This locale, while not integral to the story, provides a fresh backdrop to horror. I told you The Unseen succeeds on every level.

The Unseen is not available on DVD, but well worth buying the tape.

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Thomas M. Sipos is the author of the anti-Communist satire, Vampire Nation and Manhattan Sharks. Some of his essays on horror film aesthetics appear in his horror collection, Halloween Candy. He founded the Tabloid Witch Awards horror film contest and festival. He is Vice Chair of the Los Angeles County Libertarian Party.
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Video Review: The Unseen
Published: March 20, 2006
Type: Review
Section: Video
Filed Under: Video: Horror
Part of a feature: The Communist Vampire's Horror Review
Writer: Thomas M. Sipos
Thomas M. Sipos's BC Writer page
Thomas M. Sipos's personal site
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