NEWS

Sales Of The Notorious B.I.G.'s Debut Album Halted

Written by Sterfish
Published March 19, 2006

The only album that The Notorious B.I.G. (a.k.a. Christopher Wallace) released before his death was his 1994 debut Ready To Die. Now, thanks to an allegedly unauthorized sample, sales of that album have been halted.

The AP reports that a jury has found in favor of the plaintiff in a lawsuit that puts the hip-hop tradition of "sampling" back into the limelight. Bridgeport Music and Westbound Records, the companies who own the rights to the music of legendary group The Ohio Players, sued Bad Boy Entertainment, Bad Boy LLC, Justin Combs Publishing, and Universal Records claiming that the title song of Ready To Die used a sample from the Ohio Players track "Singing In The Morning" without permission.

The estate of The Notorious B.I.G. was originally sued as well but, was later dropped from the lawsuit. A jury agreed with the companies and on Friday, awarded over $4 million in punitive and direct damages to the two companies. As part of the decision, U.S. District Judge Todd Campbell imposed a sales ban that affects both the song and the entire album in any form. This includes not only physical sales but also Internet downloads and radio play. Even though the ban has been handed down, there is no indication of when the ban will start. Although the original version of the album is out of print on Amazon.com, the remastered edition released in 2004 is still available.

The practice of "sampling," which involves using a portion of an already recorded song to create a new one, has been a part of hip-hop since its inception. Most sampling was done without permission in the early days of hip-hop but various court cases over the years have changed things.

After the release of their debut album 3 Feet High And Rising in 1989, De La Soul was sued by 1960's group The Turtles over the unauthorized use of a loop from their song "You Showed Me" on the interlude "Transmitting Live From Mars." In 1991, Warner Bros. Records lost a lawsuit`regarding Biz Markie's use of a portion of music from the Gilbert O'Sullivan song "Alone Again (Naturally)" on his third album I Need A Haircut. One of the more important decisions involving sampling happened in September 2004 when a federal appeals court ruled that artists must pay for every sample, even if the sample is an unrecognizable snippet. The song that brought about the lawsuit was NWA's "100 Miles And Runnin'" which sampled a three-note guitar riff from the Funkadelic song "Get Off Your Ass And Jam."

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Sterfish is an entertainment junkie and aspiring writer. You can read reviews, essays, and more at his blog Sterfish’s Place and on MOG.
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Sales Of The Notorious B.I.G.'s Debut Album Halted
Published: March 19, 2006
Type: News
Section: Music
Filed Under: Music: Business, Music: Hip-hop, Music: Rap
Writer: Sterfish
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Comments

#1 — March 19, 2006 @ 14:42PM — BIGGIE [URL]

thank you

#2 — March 19, 2006 @ 21:06PM — shanik

Kudos to the Ohio Players for suing; until these lame hip-hop "musicians" gather the discipline to pick up an instrument and learn it--they SHOULD absolutely pay for every single sampled note.

#3 — March 19, 2006 @ 23:40PM — Q.Rock639 [URL]

whoa!!....great story Sterfish! I would comment on comment #2 but why waste my time...some people will never get it anyway.....

"..In 1998, Public Enemy's Chuck D sued the estate of The Notorious B.I.G. as well as Bad Boy Records, Arista Records, and the music publishing companies involved regarding the unauthorized use of a sample of Public Enemy's song "Shut 'Em Down." The sample, a vocal of Chuck D counting from 1-10, was used on the song "Ten Crack Commandments." ....

I never knew that, but considering how Chuck D is the champion of "positive" hip-hop and Biggie used his voice for "The Ten Crack Commandments", I can see the conflict of interest. I think that $4 million in punitive and direct damages is a bit much though.

Keep us posted!!

#4 — March 20, 2006 @ 00:29AM — blah [URL]

this whole shit is white people not understandin

and i know who the ohio players are and all that, doesn't change the fact that you palefaced savages don't get it

#5 — March 20, 2006 @ 00:59AM — patso`

im white and i understand just fine, blah. [Personal attack deleted]

#6 — March 20, 2006 @ 05:35AM — hardraysnight

is there nothing original left in this world??

#7 — March 20, 2006 @ 11:40AM — Palefaced Savage

Blah is right. I don't get it. Puff Diddy is a no talent hack. Smallie Bigs was a fat cross-eyed slob. Who cares. I hope all rappers get A.I.D.S.

#8 — March 20, 2006 @ 15:10PM — son of Jor-El

Good reading, I didnt know that about Chuck D either. Thats some real talk.

I remember the whole thing with The Turtles/De La Soul... *showing my age*

#9 — March 20, 2006 @ 21:05PM — Steve C. [URL]

Seems odd that Chuck D would sue someone over a sample, or have we all forgotten "Caught! Can I Get a Witness?"...

#10 — June 9, 2006 @ 16:48PM — Tragedy Styles

I need to buy these CDs again.

#11 — August 28, 2006 @ 14:52PM — Geza

EIve always been a fan of REAL Hip Hop [especially early nineties hip hop and underground]. I remember for my tenth birthday my parents bought me this CD and i played it until my dad got mad and took it from me. I have always considered this among the best records of hip hop. The Ohio Players have killed a piece of hip hop history, simply for their own greed. If you even think banning this record is a good thing it shows you are not open minded whatsoever, this record is a piece of history, much as is pink floyds dark side of the moon to rock music, and Louie Armstrong to blues. Would you ever "ban" them?

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