Movie Review: The Three Burials of Melquiades Estrada
Published March 13, 2006
In directing this, I tried to do my best in making sure my point got through. It was a bit of a learning experience, since I'd never done this before, but I think I did my job. I made very sure that the audience would come to see Melquiades as a saint and the border cop as an evil, vicious shit. Barry kept pushing for scenes that would make the cop a bit more sympathetic, and I think he may have snuck a couple things under my nose. But he's the actor, and the role is his. So I let him play it how he wanted it, even though it kinda didn't jibe with the script's portrayal of him as an unrepentent evil bastard. (At least, that is until I beat some repentence outta him.)
I pretty much let the other actors do what they wanted, too. Some might say my approach was lackadaisical, but as an actor I figured they would appreciate the freedom. Should I have used a stronger hand? Maybe, some say. Especially with that January Jones chick, who's pretty much useless... but I'm getting distracted from the point. The point is, even though my film may not be very good, even though some snarky critics might consider it an embarassment even though I won a whole bunch of crap at Cannes for it, it gets out my message about the treatment of immigrants. Especially the Mexican ones.
So, speaking on behalf of immigrants everywhere, I'm Tommy Lee Jones. Remember: Be nice to immigrants or I'll come to your house and beat the goddamn hell outta you and drag you through the desert. Thanks for your time.
- Movie Review: The Three Burials of Melquiades Estrada
- Published: March 13, 2006
- Type: Review
- Section: Video
- Filed Under: Video: Drama, Video: Westerns
- Writer: Steve Carlson
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Comments
I was actually grateful for the over-literary titles. When I saw "The Third Burial...", I knew the film was almost over and I'd be free to leave.
I think the point when I knew I hated the film was when January Jones hooked up with Melquiades. It was then that I knew I was not watching a serious film.
Wow, you guys are way off! The movie plays like a classic greek tale of redemtion. I found it pretty darn entertaining. Now don't get me wrong, there were more than a few obvious signs that this was Jones' directorial debut but all and all I found it a refreshing change from the usual stuff in theaters.
I dunno, man. I understand that it's about redemption and all that (Jones couldn't be more obvious about that, especially in the last scene)... but when a pivotal scene in the evolution of Pepper's character hinges on him recognizing a bad soap opera that he was too busy near-raping his wife to notice the first time it showed up... forgive me if I'm not sold. (And that's not even counting the inanity of said soap opera, both as a plot device and as an easy way for Arriga to crack us upside the head with his Irony Slugger.)
I thought this an absolute first rate movie--the land as much a character as the people in it. And well, those racist bigots who think so dern much of themselves and so little of others DO exist, in just that way. It isn't that they are just ignorant, they actually believe no one matters except for themselves...check battered women's shelters if you think that border patrol character isn't a dime a dozen. TL Jones makes one heck of a movie and tells one fine tale. Watched the movie because he is one of my favorite actors, bought the DVD because it is now one of my favorite films.





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vicious, Vicious, and very funny!
I think I thought I little more highly of the film than you do (though one thing that bugged me, and that you -- err, Mr. Jones -- didn't bring up, is the use of titles: "the first burial", "the second burial"...), but your criticisms are spot on.
Barry Pepper's border patrolman could have been a great character, if Arriga hadn't written him as a racist jerk who half-rapes his wife, punches Mexican women in the face, and probably strangles baby coyotes for fun, right after jerking off to a copy of Hustler... on the job.
My favourite scenes were the few with Melquiades' corpse: grotesquery incongruous with everything else in the film!
There may be a future for you yet, Mr. Jones!