TV Review: The 78th Annual Academy Awards
Published March 06, 2006
But while "Travelin' Thru" only plays during the end credits, "Pimp" is instrumental to Hustle's plot. Not only do you see the main character (played by Best Actor nominee Terrence Horward) create and record the song, you see how much it means to him, how his whole self-instigated redemption revolves around the success of this song. I'm not sure Three 6 Mafia's performance on the Academy Awards would convince people this is the best song in a movie this year, but it probably is the song that meant the most to the movie it came from.
Also, Jon Stewart was great. Crisp and succint, he often offered the best one- or two-line reaction and then moved on. He had some good zingers ("For the record: Martin Scorcese, zero Oscars. Three 6 Mafia, one Oscar.") and fresh ideas, especially those ads done in the style of political lobbying ("Kiera Knightley - Acting While Beautiful"). He set the tone for a fun, laid-back ceremony that was echoed by the Animation winners (Wallace & Gromit: The Case of the Were-Rabbit) adorning their Oscars with the same huge, floppy striped bow ties they were wearing, the Documentary winners (March of the Penguins) bringing huge fuzzy stuffed penguins on stage with them, and Will Ferrell and Steve Carrell presenting the award for Best Makeup with way too much on themselves.
Even with the endless pointless montages (film noir? Really?), they managed to keep the show under four hours. And although playing music as soon as the winners started their speeches was just plain wrong (the saxaphone during Ang Lee's speech was especially tacky), the Academy didn't embarrass themselves too badly. Oh, wait, I just rememberd the Crash-as-interpretive-dance sequence for its Best Song nominee. Nevermind.
- TV Review: The 78th Annual Academy Awards
- Published: March 06, 2006
- Type: Review
- Section: Video
- Filed Under: Video: Awards Shows, Video: Film and TV Business
- Writer: Don Baiocchi
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Comments
Considering that's the same line of music she is in, I can understand some enthusiasm. It is a huge leap for hip hop to have been performed at the Oscars, let alone to win. And without the Brokeback song in the mix, 3-6 Mafia's song really was the best one.
I enjoyed the tributes to various genres in film through the ages. They were far from pointless.
I can't really tell if the first line of your comment is a reaction to my article or not, since I didn't say anything about the Academy giving awards to African-Americans the last few years. If that's in reference to people like Jaime Foxx, Halle Berry and Denzel Washington winning recently, I would agree with you (Morgan Freeman, on the other hand, received what basically was a make-up award since he hadn't won one yet, whereas Clive Owen was more deserving that year for Closer).
I was saying that the two front-runners for Best Picture were both Socially Conscious Message movies (the caps are intentional), but the anti-racist message of Crash is a safer message to endorse than the anti-homophobia message of a Brokeback win. Plus, it helps that like half of L.A. worked on Crash, so it had a lot of support from the voters who do the voting (i.e. if the voter himself didn't work on the film, he probably had a friend who did).
The Hustle & Flow soundtrack is really good, and while "Whoop That Trick" is a good song, I still prefer the insanely catchy "It's Hard Out Here for a Pimp."
Interesting point about Queen Latifah. Although it's not as if that was the first time a presenter has shown their excitement when announcing the winner.
"It is a huge leap for hip hop to have been performed at the Oscars, let alone to win"
Eminem already took home an oscar for a rap song, so I don't think it's a huge leap. Latifah is extremely biased and showed it. She showed up the other nominees.
Yes others in the past have shown excitement over a winner, but this was to the extreme.
I think there is a difference between Eminem's "rap" and the rest of the world's hip hop.
-E, I disagree about the tributes. The ceremony was all about how it's better to watch movies on the big screen rather than on DVD at home, so they show us clips from epic movies that look good on big screens, on an awards show that we watch on TV. Doesn't that defeat the point?
Ty, that was an uncalled-for remark about Queen Latifah. I'm white and I don't think she was being racist, just happy.
Sister Ray, your remark about my remark was uncalled for.
I watched her announcement several times and noticed she was a bit too happy.
Show your extra- happiness all you want, BACKSTAGE AND AT OSCAR PARTIES.
While on stage, she should keep it to a minimum. What she said and how she said still resonates with me, in a negative manner.
Mr. Baiocchi, thanks for validating my opinion on the Best Picture matter. On another similarly themed thread, I opined that Crash may have beaten Brokeback Mountain because it's easier for mainstreamers to say "racism is band" than "homophobia is bad" and was chastised and belittled for it. Thanks for making me feel a little less alone in my thinking.
Mr. Davis, I'm sorry you were chastised and belittled for your actions? Which thread was it? I'll go over there and take care of business...
Seriously, though, it's not exactly a radical theory or even an uncommon one. I'm surprised that it would be so unwelcome.
It was the "head" part of your remark I objected to.
"I opined that Crash may have beaten Brokeback Mountain..."
Reread the thread. You didn't qualify it like that. It was the sole reason Crash won.
On "Best Song." You have to be kidding. Although I like RAP and understand it has AN IMPORTANT place in defining parts of music culture, I cannot believe that "It's Hard for a Pimp," won. This song has very little meaning or relativity to most persons...maybe even a little hard to understand. Transamerica took a very "swept-under-the-rug" subject and handled it with dignity, nostalgia, and humor. Dolly Parton's song basically tied it all up in a nice package...the cherry on the top if you will. The woman is a seasoned veteran still hitting the charts and influencing many genres of music in our country. The song deserved to win for so many reasons. Now instead of making people look a second time at the subject of transgendered liftestyles, with perhaps a bit more sympathy and understanding, we set our sites on the poor Pimps and why it's so hard for them on the streets. No, in my opinion that award was nothing more than to appease and to give the impression that the Academy supports the African American culture. It's interesting to note that this category is one of the few which ALL members of the Academy can vote on. Basically, this opens it up for votes by persons that wouldn't know a good song if it bit them in the vocal chords. Thanks!
Chris, I agree with some of your points. "Travelin' Thru" is a really good song, Dolly is a great, deserving songwriter and performer and had it won I would have been very happy for her and the movie. I'm not sure it's the job of the Academy to use Best Song to make a political statement.
Conversely, "Pimp" is not about how it's actually hard for pimps in general, and I doubt that since the song won the Academy is saying we should have more sympathy for them. If you see the movie, you would understand that (I know this is hard to believe) this is a very personal song about one specific pimp's experience. It doesn't even necessarily make him sympathetic, but you do see how important the self-expression in this song is to him. And truly, a huge part of the film revolves around this song, whereas Dolly's song is just tacked on to the end of her film.
Since this is a film award, the fact that this song was a huge part of a film they obviously liked (Terrence Howard was nominated, and in a very tough, crowded, competitive field this year) could have helped push it over the edge.
It's too bad the performance, however, was so jumbled and over-the-top. It didn't really do the song justice. I'm not saying I love it, but it was better than how they showed it.
To be honest, I'm not even saying I agree with their decision, I'm just saying I think I understand it, and I think it's not necessarily trying to appease African-Americans. This is a song category in a ceremony for films, and this was the song that was most essential to its film.
queen latifah can blow it out her ass. she sucked off my boyfriend. whore.
you too?!? she did the same shit to me, girl she's trippin'.
Geez, you guys. The Queen would NEVER do that to anyone, she's pure royality. U.N.I.T.Y!! get over yourselves. The Queen is beautiful..besides, she's a lesbian.









I don't think that the Academy is trying to "prove" it's not racist with its awards to African-Americans over the last few years, the best people are winning.
The Hustle & Flow soundtrack is really good. In fact, I think the best song is "Whoop That Trick," but there is no way the academy would ever nominate such a song, so they went with the Pimp song.
You wanna know what IS racist and BIASED?
QUEEN LATIFAH. I am SHOCKED no one here is mentioning her reading of who got the award. She was so god-damned excited that it makes you wonder if she would have been just as excited if Dolly Parton would have won (she wouldn't because she's biased and is thrilled to see a black rap group win an Oscar). She can show her enthusiasm when she gives "head" to the male members of the 3-6 Mafia, but she need not go overboard on stage.