OPINION

On Writing and Self-Publishing: Part 3

Written by John Spivey
Published February 21, 2006
Part of On Writing

In my last post about writing and self-publishing I asked the question,
"Why do we write and why should our work compete for shelf space?" With this post I want to delve more into the actual process of publishing and distribution.

When I completed the writing process I took my book to an editor for evaluation. She is actually more than an editor. She calls herself a "book shepherd," a term used to describe a person who helps a would-be publisher through all the steps required to bring a book into print and then to market. A would-be publisher could follow all the steps laid out by Dan Poynter in The Self-Publishing Manual, but for a person like myself with an otherwise full life, it's a difficult feat to keep track of all the necessary tasks. Poynter lives here in Santa Barbara, but he is a pretty high-priced commodity these days. My book shepherd both knows Poynter and is recommended by him.

I chose to not go with Print on Demand (POD) services because I wanted my book to have all the qualities of a book published by a New York house. POD books generally start even further back in the pack than books self-published using regular channels of production.

One of the luxuries allowed me as a self-publisher was the freedom to design the layout and cover of my own book. If words are important to you, then the way they are presented has to be important also. I am a good designer and I wanted to couple that talent with the writing of the book for maximum effect. In the "real" publishing world, a writer gives over all rights to his/her book upon signing a contract. The writer has no input on or control over the book's presentation. It's a bit akin to putting a baby up for adoption and giving up all future rights to how the baby will be raised and how it will interface with the world.

The front cover was designed around a lithograph of a raven made for me by a friend, Davis TeSelle. The name of my press is CrowsCry Press, "crow's cry" being a translation of the word Kaweah which is both the name of a subtribe of Yokuts Indians and the name of the river near where I grew up. Davis is a noted, prize-winning artist who now lives in Vermont. We used to share a woodshop here in California where we wound through many interesting conversations. I scanned his print and then separated it into layers in Photoshop. I then extracted an image from the fractal Mandelbrot Set and used it to create the background for his lithograph. I was even able to animate the layer separation in Flash to use for my website. The idea was to use the raven as a gatekeeper symbol for the rising dawn Mystery that encompasses the horizon.

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John Spivey is a writer and woodworker who lives in Santa Barbara, California with his wife. He owns a small publishing company CrowsCry Press and maintains a personal blog. He can be contacted here.
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On Writing and Self-Publishing: Part 3
Published: February 21, 2006
Type: Opinion
Section: Books
Filed Under: Books: Business, Books: Arts
Part of a feature: On Writing
Writer: John Spivey
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Comments

#1 — February 21, 2006 @ 00:11AM — Gordon Hauptfleisch [URL]

John--another solid, informative article. Thanks, Gordon

#2 — February 21, 2006 @ 03:38AM — Laura Mitchell [URL]

You do have options when it comes to publishing. We at Night Owl Publishers, LLP like to call ourselves a Hybrid-Publisher. You get the knowledge and experience of talented artists and editors, and don't sign over rights to your own work. You also get way more control over how your book will look and read. While we don't market your book as a standard service, we can certainly provide tips and assistance and all the marketing materials you need while maintaining a beautifully-designed, professional image for your book and business.

#3 — February 21, 2006 @ 07:38AM — Victor Lana [URL]

I'm really enjoying this series, John. I also can relate to that feeling of first seeing the book cover. It's a rush.

Thanks for another great post!

#4 — February 21, 2006 @ 14:07PM — John Spivey [URL]

Thanks Victor and Gordon.

Laura-You provide an interesting alternative, but your logo doesn't make me think of quality. Maybe I'm wrong, but that's why I put so much energy into my design. I want people to think quality.

For those of you who may have tried to access my website, it has been temporarily down, but is now functional.

js

#5 — February 21, 2006 @ 14:37PM — Lisa McKay [URL]

John, as someone who has a casual (i.e. non-professional) interest in book design, I found this fascinating. Kudos to you for paying as much attention to the outside as you did to the inside - your written words deserve to have a container worthy of them. By the way, I have made many impulsive book purchases because I was attracted to the way a book looked and felt, and I know I'm not alone in that! All writers would do well to heed your advice.

#6 — February 21, 2006 @ 15:24PM — John Spivey [URL]

Thanks Lisa. Most writers who self-publish or POD publish have no sense of the impact of things like font selection. Font size, white space and layout all contribute to readability. It has to be a rare and important book for me to buy it if it doesn't look comfortably readable. The cover, the readability and the writing itself should be one.

js

#7 — February 25, 2006 @ 17:28PM — gypsyman [URL]

John:

Nice thoughtful piece as usual. I've had many a conversation about just this subject with a friend who's published. It's funny how many people have written him to tell how they don't like the covers for his work, or to make suggestions on what they think would be appropriate.

He's always very polite in telling them he has no control over what appears on his dust jackets. (he says he's lucky enough to have control over what appears inside the covers some times) He says so often what happens is the publisher decides how they are going to market the book and that plays heavily into what appears on the jacket.

His initial American publisher wanted to present it as a science fiction fantasy book and made a cover to suit, other publishers went after a more epic fantasy style look, while others have played the history angle. So there have actually been three different covers for the same book in the same market as it has been reissued by each publisher...

Having control over the whole process is wonderful, I do know that Lulu allows you to create your own art work and covers, but of course there the feel of the book is beyond your control..

There is nothing so wonderful as picking up a book in your hands and savouring the feel and appearance of it...I can only imagine how great that must have felt to have that experience with your own book that you had designed from the typeface to the covers. Lucky you.

gypsyman

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