INTERVIEW

Interview with Jeremy Robinson, highly successful Lulu author

Written by Parker Owens
Published October 17, 2005

Did you try to publish the traditional way before embracing self-publishing? Can you talk a little about your experience and frustrations?

My venture in traditional publishing has had both ups and downs, but The Didymus Contingency was never sent to or rejected by a traditional publisher. My first book, The Screenplay Workbook, was published in 2003 by Lone Eagle Publishing. This was a great success and the book is still doing wonderfully and used as screenwriting curriculum at many schools.

But non-fiction and fiction are two different beasts. The Didymus Contingency was my first novel. I'd been writing screenplays for years (12 screenplays at the time) and decided to go on hiatus from screenwriting and write a novel. When I was finished, the manuscript was put on the shelf. I continued writing screenplays, thinking the novel bug was out of my system. I was wrong.

I wrote my second novel, Raising the Past, a year later (2003) and have completed two more, one in 2004 and one in 2005. I have been shopping Raising the Past around, with little luck. Partly because I'm very picky. I sent the manuscript to two publishers and maybe five agencies. So I know the frustration of rejection, but not on the grand scale many authors experience. And now that I have an agent, that has been to my benefit. The field is still wide open for him to play in.

Ultimately, I chose self-publishing for The Didymus Contingency because its content and style (a Christian thriller written for a mass market audience-it contains cursing, drunkenness, graphic violence...) would make finding a traditional publisher as a unpublished novelist very tricky. James Rollins, author of Map of Bones, and Sandstorm, also advised me it might be the best route for the book (for which he provided a blurb-as seen on the cover.)

Can you tell us a little about the Christian market, and if you were trying to sell your book to that market.

As I mentioned, it is a Christian book in the sense that it involves Jesus in a positive way, but the way I chose to write it (and the way I choose to write in general) is for a mass market audience. I didn't censor myself or my characters because I might offend other Christians. I don't see how an author can truly portray the real world while censoring what characters do and say.

That said, I have only heard good things from Christians who have read it and all have found the cursing, drinking and violence to be in good taste and necessary to the story.

What made you choose Lulu to self-publish the book?

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Interview with Jeremy Robinson, highly successful Lulu author
Published: October 17, 2005
Type: Interview
Section: Books
Writer: Parker Owens
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Comments

#1 — October 17, 2005 @ 10:10AM — neal

this is nothing but a fucking ad.

#2 — October 17, 2005 @ 11:28AM — Phillip Winn [URL]

Neal, a check of Parker's other articles will reveal a long series of interviews with different authors of different books from different publishers, all without any apparent link to Parker personally.

Every positive review could be considered an ad, in one sense, though I see no indication that Parker was paid for this interview, and I see nothing ad-like about the interview, myself.

#3 — October 17, 2005 @ 11:33AM — parker [URL]

Neal, I did an iUniverse author last week, this week I'm doing LuLu. I am also currently doing an author from Booklocker.

And, I'm not getting paid by anyone, not an author, business, or blogcritics.

I agree with Phillip - anytime a CD, TV show, or book is reviewed, it could be considered an ad.

#4 — October 17, 2005 @ 11:54AM — Jeremy Robinson [URL]

Neal, I can see what you mean about it looking like an ad (because my answers cast a very positive light on Lulu), but the truth is I have nothing bad to say about Lulu. If I did, I would have been honset about it. And I certainly don't have anything bad to say about my book. As for why I included things like costs and program details, I thought readers would be interested to know those facts. I know I would have been before getting started.

And if you have any additional questions, ask away. Who knows, maybe I'll even have something bad to say...though I doubt it. My POD experience really has been incredible.

#5 — October 17, 2005 @ 13:38PM — Victor Lana [URL]

Once again, a wonderful interview, Parker. This is not an "ad" at all, but more like tangible information that will be beneficial for some of us who are in the same place as writers.

I think this series is great!

Once question: it has been said that it is almost impossible for authors with POD books to get book signings in the major stores (B&N, Borders, Walden).

Did Jeremy's past success contribute to his ability to get these signings? Thank you.

#6 — October 17, 2005 @ 14:11PM — Jeremy Robinson [URL]

Victor,

I would agree that it is almost impossible to get a signing at Borders or Waldenbooks (though I was able to at Waldenbooks). Their policy is something like this: The author has to be well known. Has to guarantee 26 sales minimum. Has to provide posters, etc. And a lot of other sillyness. Not many, if any, POD authors fit those categories. It was only my association with James Rollins that opened that door and the fact that I was local(same town) that kept the door open. In fact, I'm having a second signing there in Novemeber.

At most Barnes and Noble you simply need to seek out and befriend a CRM - Community Resource Coordinator. They're the ones who decide who gets a signing and who doesn't. If the store is open to consignment (and most B&N are) than a signing shouldn't be difficult to arrange (given you have a good book--if they think it won't sell they won't go for it.) This time around it helped that I knew the CRM from previous signings, but with a good book and a press kit, it shouldn't be too hard.

Both signings were scheduled before the book was an online success.

Hope that answers your question.

#7 — October 17, 2005 @ 21:23PM — Victor Lana [URL]

Thanks very much for the response, Jeremy. It was very kind of you to go into such detail. It's appreciated.

I wish you continued success.

#8 — October 18, 2005 @ 06:05AM — Joanie [URL]

Thanks for the post, Parker. I'm currently working on publishing a photography book through Lulu and I can't say enough wonderful things about them.

#9 — November 2, 2005 @ 23:04PM — Herman X. Hermann

Jeremy:
I like the flow of information from your interview. Your humility comes across so naturally. As you know, I do not know you in person, but I must confess that I plan to emulate your approach to success, which I believe, my turn is pretty close.
Warm Regards,
Herman X. Hermann

#10 — November 4, 2005 @ 20:16PM — Jeremy Robinson [URL]

Thanks for the compliments, Herman X. I wish you the best of luck with your books. Feel free to leave a link or book title so we can all check out your stuff as well.

And for all those reading this far into the notes, I'd like to add some recent success stories for The Didymus Contingency. I can officially say the book is no longer just self published. It is being translated into Romanian and into Bulgarian for publication in those countries by two different publishers. Strange that those places came first, but great news none-the-less.

Thanks again Herman.

Jeremy Robinson

#11 — November 8, 2005 @ 12:13PM — Shelly Hadley [URL]

Great job, Jeremy. I have been following your success since your first post in the Lulu forums (another great aspect of Lulu). I have self-published a cookbook through Lulu and I, too, have only wonderful things to say about Lulu. The first guy (Neal) is probably just jealous that he doesn't have anything good to say about anything. It's obvious with his use of verbiage here. It's dispicable that he would write something that nasty on such a wonderful review. Some people are clueless! He will get what he deserves and he wont get what he thinks he deserves!!

Keep up the good work, I am proud of you!! I am glad that you are sharing your success stories with us, it gives hope to all writers.

Shelly Hadley

#12 — September 1, 2006 @ 13:35PM — manuela

I had my book reviewed by Gloomwing magazine which is published by LULU. All I can say is for everybody to stay away from LULU and GLoomwing magazine. Gloomwing gives teh worst reviews ever and the guy who owns it harassed me like crazy and LULU supported him all the way. I had such a sour and bad experience with both LULU and GLoomwing. LULU is also the worse when it comes to self-publishing. It is viewed the lowest in the self-publishing ranking. There are better self-publishing companies than LULU. Plus the forums on LULU site are full of egocentric writers who will make any novice writer feel unwelcomed and stupid! stay away from LULU and Gloomwing!

#13 — October 20, 2006 @ 03:20AM — Miles Evans [URL]

Here is another lengthy interview with Jeremy Robinson I just published if anyone is interested:

Props to Jeremy for being so open ;)

#14 — June 20, 2007 @ 01:43AM — Michelle

This article was very interesting and useful. I am wondering one thing. It appears key that in order to get reviewed you need to have galley copies (also then you can put review snippets on the book cover or back)...but I don't know if any POD companies allow for this. Did you need galley copies to get reviewed and were you able to get them?
Michelle

#15 — July 5, 2007 @ 19:55PM — S William Shaw [URL]

Great interview :)

#16 — July 18, 2007 @ 19:50PM — Faith Dwyer [URL]

I am considering LuLu for my genealogy book. I have accumulated data on my entire family since 1630 (not just my branch of the family!). I played with the LuLu website and it was asking me to give them an estimate on the number of pages so they could send me a cost quote. I have no earthly idea how to estimate that. If I printed all the text data off my website onto 8x11 paper it would probably amount to about 1500 pages and that would not include pictures. Can you give me some tips? I think I would end up having to publish in volumes. Also, were there any downsides to LuLu I should be aware of? Their contract sounds pretty scary. Thank you!

#17 — August 20, 2007 @ 18:18PM — Andrew [URL]

Faith - The only downsides I've had with Lulu is that their printing doesn't allow you to include color pages in a B&W print, so if you want color pictures, the whole book has to be in color which is expensive. Their B&W print is like most standard paperback books I've seen, very good for text and illustrations, but only ok for photos.

I've done the text formatting myself on all the projects in Adobe InDesign and uploaded a PDF. You will want to format the text in Word at the least.

There is a maximum # of pages per book, I think It's in the 700s. You will retain ownership of the rights to your book, and you can always cancel the project and take your book to another publisher if you wanted. Also, Lulu allows you to keep your book private until you are ready to release it. Or , if you only wanted to make copies available to your family, you can generate a private URL that is not listed anywhere but you can send it to people.

#18 — August 28, 2007 @ 11:09AM — Lorina Stephens [URL]

Very informative and uplifting article. Thank you. Although I have two book printed by a conventional publisher (Touring the Giant's Rib: A Guide to the Niagara Escarpment, Boston Mills Press; Credit River Valley, Boston Mills Press), I opted to have my recipe book, Recipes of a Dumb Housewife, published through Lulu. I'll be releasing my historical novel, Shadow Song, this fall, also through Lulu.
Found your comments on marketing quite useful. And the fact an agent contacted you after the fact, inspiring.
Regards,
Lorina Stephens

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