The AFI's Newest List: Top 25 Film Scores
Published September 27, 2005
The American Film Institute, which previously released lists of the Top 100 Movies, Stars, Comedies, Thrillers, Romances, Heroes & Villains, Movie Songs, and recently Movie Quotes , has now released its list of the Top 25 Film Scores. Here is the list of winning scores:
1. Star Wars by John Williams
2. Gone With The Wind by Max Steiner
3. Lawrence Of Arabia by Maurice Jarre
4. Psycho by Bernard Herrmann
5. The Godfather by Nino Rota
6. Jaws by John Williams
7. Laura by David Raskin
8. The Magnificent Seven by Elmer Bernstein
9. Chinatown by Jerry Goldsmith
10. High Noon by Dimitri Tiomkin
11. The Adventures Of Robin Hood by Erich Wolfgang Korngold
12. Vertigo by Bernard Herrmann
13. King Kong by Max Steiner
14. E. T. The Extraterrestrial by John Williams
15. Out Of Africa by John Barry
16. Sunset Boulevard by Franz Waxman
17. To Kill A Mockingbird by Elmer Bernstein
18. Planet Of The Apes by Jerry Goldsmith
19. A Streetcar Named Desire by Alex North
20. The Pink Panther by Henry Mancini
21. Ben-Hur by Miklos Rozsa
22. On The Waterfront by Leonard Bernstein
23. The Mission by Ennio Morricone
24. On Golden Pond by Dave Gruisin
25. How The West Was Won by Alfred Newman
Some things about this list stand out to me. The first is the fact that there are no scores from the late 1980's and beyond. The newest score on this list is Ennio Morricone's score to The Mission. That score is from 1986, nearly 20 years ago. It seems like this list is made up more of films that have familiar themes than films with overall great scores. This is probably why Star Wars is number one on this list. There are multiple themes that people equate with not just the original film but the others as well. Also, many composers appear more than once. John Williams appears three times and Elmer Bernstein, Bernard Herrmann, Jerry Goldsmith, and Max Steiner each appear two times.
With this list released, we will now have the inevitable CBS television special to look forward to. I wonder what diverse combination of actors, directors, composers, and B-listers they will get to comment this time.
- The AFI's Newest List: Top 25 Film Scores
- Published: September 27, 2005
- Type: News
- Section: Music
- Filed Under: Music: Soundtracks
- Writer: Sterfish
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Comments
"Some things about this list stand out to me. The first is the fact that there are no scores from the late 1980's and beyond."
Isn't that partly because about 90% of contemporary films use troglodyte pop-rock-rap songs for their soundtracks in order to attract the 'young' crowd?
Oh, and I'd trade "The Mission" for ALL of the spaghetti westerns.
C'mon, those are some of the most famous musical riffs in film history!
What about Howard Shore's score for the Lord of the Rings?
I know it might not seem classic to anyone else but I still love Thomas Newman's "American Beauty" score.
American Beauty, absolutely.
when i saw the movie for the first time, i had to restart it after several minutes because the music was so mesmerizing that i actually stopped watching.
i'd also vote for:
Last Temptation Of Christ
Diva
NOW I AM A STAR WARS GEEK BUT I BELIEVE IT IS NUMBER ONE FOR MANY REASONS ONE OF WHICH IS THE FACT THAT IT IS QUITE POSSIBLY THE MOST RECOGNIZABLE OF THE LIST, YOU WOULD KNOW THE STAR WARS THEME WAY BEFORE YOU WOULD KNOW GWTW OR L.O.A.PLUS I BELIEVE THE SCORE FOR ALL THE STAR WARS MOVIES HELP WITH THE FEEL AND MOVEMENT OF THE MOVIE NOT JUST A MUSICAL INTERLUDRE TO THE NEXT SCENE OR A GREAT SOUDTRACK. I CHALLENGE ANYONE TO WATCH THE SW MOVIES AND JUST LISTEN TO THE MUSIC ITS LIKE WATCHING AN OPERA SET IN SPACE ESPECIALLY WITH THE LAST THREE MOVIES YOU KNOW WHEN THINGS ARE ABOUT TO HAPPEN GOOD OR BAD JUST BY THE TONE OR INFLICTION OF THE MUSIC IN THE BACKGROUND,ALSO ITS NOT JUST ONE SONG THAT PEOPLE KNOW LIKE THE JAWS THEME OR CLOSE ENCOUNTERS IT THE INDIVIDUAL SONGS OF THE WHOLE MOVIES LOOK AT THE SOUNDTRACKS READ THE TITLE TO EACH SONG THEN LISTEN TO IT AFTER VIEWING THE MOVIE THE MOOD OF THE SONGS REALLY DO THE MOVIES JUSTICE AND I COULDNT REALLY IMAGINE THE STAR WARS SAGA WITHOUT THESE SONGS,BUT I AM JUST A STAR WARS GEEK WHAT DO I KNOW.
I third the vote for the American Beauty soundtrack. That music was perfect for the film. The composer Thomas Newman also did a great score for The Shawshank Redemption.
One point of nitpicking to the poster: The Imperial March (aka the Darth Vader theme) was actually premiered on The Empire Strikes Back score, not on Star Wars.
Lastly, while I doubt it is Top 25 material, for a great "modern" score, I suggest the music for Fight Club by the Dust Brothers. It was well done and quite pertinent to the content.
>>One point of nitpicking to the poster: The Imperial March (aka the Darth Vader theme) was actually premiered on The Empire Strikes Back score, not on Star Wars.
Thanks for the info. I'll edit the post appropriately.
Newman also did the score for "The Road to Perdition" which I quite loved (in fact liked it much more than the movie).
I have only heard "The Shawshank Redemption" pieces from watching the movie. I need to get the OST album so I can listen to it more closely.
I still think that Danny Elfman's score to Edward Scissorhands is one of the most beautiful and haunting pieces of music ever written.
Miklos Rosza for:
King of Kings
El Cid
Spellbound <-can't believe they left this one off
I personally can't believe they left any of these off. I was totally blown away by the musical score to King of Kings. It nearly brought a tear to my eye lol.
Isn't that partly because about 90% of contemporary films use troglodyte pop-rock-rap songs for their soundtracks in order to attract the 'young' crowd?
I feel that statement is rather inaccurate. Most of the contemperary musical scores I've heard are orchestral. The only problem is that few of them are memorable. Besides I'm only 15 and rap music in movies does not attract me or anyone else I know.








I'd say it's a pretty good list, although Nino Rota should have been on there about a half dozen times.
I would add a few:
Bernard Herrmann for:
The Day the Earth Stood Still (music was a HUGE part of the effect of this film!)
Journey to the Center of the Earth
Miklos Rosza for:
King of Kings
El Cid
Spellbound <-can't believe they left this one off
And I also have to add: they left off one of the best integrated/most powerful soundtracks in the history of film (IMO)
Ennio Morricone's CINEMA PARADISO
~Shame, that.