REVIEW

The Friday Morning Listen

Written by Mark Saleski
Published July 29, 2005

First posted on Mark Is Cranky:

This issue has been addressed, pummeled, stomped on and beaten to death in many an Internet shooting match: a particular piece of music has intrinsic worth, a sort of objective scorecard whose total puts the record on some kind of pop music number line.

Or not.

I'm in the latter category. It's one of the reasons that I don't bother with writing negative reviews. Something's not to my liking? Look I'm no expert. Maybe I missed the point. This is particularly true when I've never liked the artist. I mean, what's the point of blasting out 500 words on how much the new Belle & Sebastian sucks? Save the pencil lead & keystrokes and just ignore the danged thing.

Now, here at Blogcritics we had ourselves a great Internet hooey about the band Styx and their big hit record The Grand Illusion. The lead hooey-meister was our own Al Barger. Some folks thought that the brazen act of liking this band was indefensible. 'Bad' lyrics, uninspired dreck...blah, blah, blah.

The thing is, one of the reasons I liked Styx so much (aside from nostalgia, which of course I'll get to) is that their evolution was fun to watch. They started out as a Chicago-area working class band with a built-in time-bomb: the more blue collar guys in the group were at some point bound to clash with the white collar guy: lead singer/synthesize guy Dennis DeYoung. The first explosion seemed to occur on Cornerstone. Yea, "Babe" was a huge hit, but you can just imagine the look plastered on guitarist James Young's face as Dennis played that one through the first time.

Rock group soap opera antics aside, I just plain liked the music. The contrasts in the band members' tastes were exactly what made it so interesting. DeYoung might have been a synthesizer Liberace, but his whorling lines made James Young's snarling guitar that much more intense. A perfect example is on "Miss America", where the synth introduction gives way to some blissfully distorted guitar.

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Mark Saleski is a writer and music obsessive based out of the Monadnock region of New Hampshire. On his best day, he hopes to channel the ghosts of Lester Bangs and Jack Kerouac. He spends the hours of 9:32PM to 1:37AM carving out music reviews and essays for Jazz.com, Blogcritics.org and other publications.
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The Friday Morning Listen
Published: July 29, 2005
Type: Review
Section: Music
Part of a feature: Friday Morning Listen
Writer: Mark Saleski
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Comments

#1 — July 29, 2005 @ 13:36PM — Phillip Winn [URL]

I still think some music is objectively hideous, but in a world this big it's hard to find something that doesn't have at least one ardent fan.

#2 — July 29, 2005 @ 14:10PM — wally bangs [URL]

...but in a world this big it's hard to find something that doesn't have at least one ardent fan.

It's always been a theory of me and my friend DD Blank that every band ever formed has at least one fan that thinks the band is the greatest in the world.

#3 — July 30, 2005 @ 02:48AM — Cindi

This band has thousands of fans. I've been a fan for over 28 years and I will see them live (again) next week. If you haven't listened to Grand Illusions, Pieces of Eight, Cyclorama and Big Bang Theory (for starters) do yourself a favor, get them and give them a listen. Better yet, go to a STYX concert and be prepared to rock!

#4 — July 30, 2005 @ 14:03PM — Mark Ketchum

Well, well, well, well, well....

To the people that posted "one ardent fan". Quit posting. If you are going to be taken seriously, you must be intelligent in your poise and state facts, not ignorance. Styx had and still has, more fans than most groups around today. To say "one ardent fan" is ignorant and plain wrong. If you are correct, then that one fan is bringing all his friends to the concerts because they sure are selling out.

#5 — July 30, 2005 @ 14:37PM — Al Barger [URL]

I re-iterate that simple "chops" meaning just a fancy technical proficiency at playing an instrument don't necessarily mean anything. Indeed, that would be a very shallow defense of an act. Chuck Berry still beats the crap out of ELP.

Indeed, "passion, power, aggression, lust" are great things in music. But all of those things are being expressed through singing and playing of instruments. Some minimal technical proficiency thus comes into play. If you only know three chords, and your vocal range less than half an octave, you do not have the minimal competence for musical greatness.

The song (composition) and the musicianship are the basic foundations on which all that other stuff rides. If there's no real song, and you don't have decent technical proficiency, then none of that other stuff even comes into play.

#6 — July 30, 2005 @ 15:07PM — Duane

The tension in the group was between Tommy Shaw, the guitarist starting around 1975, and DeYoung. The song Babe came off their '79 album, exactly the kind of stuff that Shaw hated. The shit really hit the fan with "Kilroy was Here," which led to Shaw's departure, and a critical lambasting.

#7 — July 31, 2005 @ 18:33PM — Mark Saleski [URL]

"no real song" al, is in the eyes of the beyolder.

and if you're going use the three chords and limited vocal range thing, are you going to apply it to Hank Williams as well?

#8 — July 31, 2005 @ 21:05PM — Al Barger [URL]

Mark, "no real song" is partly in the eye of the beholder. Different strokes for different folks. But "no real song" is in some significant part objective. There's some math, if you will, under music, logic and structure and patterns. I feel fairly reasonable in proclaiming that "Born to Run" is OBJECTIVELY a better song than "In Da Club," to pick a crappy modern hit at random.

Speaking of the songs especially, separate from the performance, I've heard precious little tunewise that was distinctive compositionally from Iggy.

Knowing more chords and theory and whatnot doesn't mean you've got anything to say, but it does strongly tend to give you a broader palette from which to express yourself. On the other hand, yes, Hank Williams made magic from the very simplest primary elements. He might have only used mostly a handful of basic chords, but he sure knew what to do with them.

#9 — August 1, 2005 @ 09:56AM — Mark Saleski [URL]

I feel fairly reasonable in proclaiming that "Born to Run" is OBJECTIVELY a better song than "In Da Club,"

well, we'll never agree here but...so, i don't agree. it's a DIFFERENT song. better is left as an exercise to the listener.

#10 — August 1, 2005 @ 09:57AM — Mark Saleski [URL]

I've heard precious little tunewise that was distinctive compositionally from Iggy.

and that is exactly the issue. YOU can't hear it....that doesn't mean it's not there.

#11 — August 1, 2005 @ 10:02AM — DJRadiohead [URL]

Interesting point about not bothering to post a negative review, Mark.

I think a negative review is worth posting, but I think a critic should keep in mind his/her place in the creative universe.

I think the most important part of any review is not the opinion itself, but the reason behind it. I read a negative review of an Allman Bros. Band album. The reason for the negativity? Too much guitar. Too much guitar? I love the guitar work of the ABB - that's the kind of negative I like. Because the critic explained what he did not like about the album, I was able to make an informed choice on my own.

#12 — August 10, 2005 @ 13:18PM — Mary K. Williams [URL]

"You're so analytical! Sometimes you just have to let art flow over you."

I love it!

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