Being John Malkovich was really a far more monumental film that even its fans believe. Rarely had a movie as sublimely screwy as this one achieved such widespread success and raves. Spike Jones also joined the ranks of David Fincher as former video directors who proved they really could direct superior feature films. So it is pleasing to see video director Michel Gondry, with the help of Jones' screenwriter Charlie Kaufman, add his name to that list.

Eternal Sunshine of the Spotless Mind proves to be as big a mindf*ck for its audience as for its main character Joel (Jim Carrey). He's just ended a long relationship with Clementine (Kate Winslet) and, after visiting with mutual friends, discovers that she has had him erased from her memory by a company called Lacuna. In retaliation, he decides to have the same procedure done. After taking some powerful sedatives one night, technicians from Lacuna come into his apartment to erase Clementine away forever. In the midst of the erasure, he decides against the procedure, but he's having a hell of a time keeping it all from slipping away.

Even after hearing of all the talented people involved in this film, I was afraid it might fall under its own trippy weight. I began thinking of the chase scene at the end of Being John Malkovich and wondered if such a concept as running around inside someone's head could survive a full 90 minute treatment. But Gondry knows this is the wrong way to approach the material. Yes, there are funky visuals like people winking out of existence and cars disappearing a slice at a time, but the main focus is on the relationship between Joel and Clementine, as it should be. We quickly grow fond of these characters and our heart breaks each time another one of Joel's memories falls through his fingers.

Jim Carrey, once again, has shown that he can act, by gum, when he makes an effort to turn it down a notch or three. Again, we have to really like this guy, and the relationship that he had with Clementine, in order to care whether or not he losses it all. Perhaps I'm particularly touched by this concept since I am terrified of Alzheimer's. Though it is one of the least physically painful maladies, to be stripped of elements that make you who you are is a devastating concept, and Carrey communicates that.