OPINION

lying | the art of poetry & of writing

Written by Sadi Ranson-Polizzotti
Published May 21, 2005
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The best poets achieve this. The best poems become part of the collective conscious like the work of Walt Whitman or Robert Frost or Verlaine or any number of great poets. They become touchstones of the human experience, and like signs in a deeply thicketed wood, they help guide us, tell us which way to go, or in the very least, when we are lost, they offer up some companionship and let us know that we are not alone in our deepest feelings of isolation and alienation.

A good poem let's the reader know that they are not alone in their experience. The reader, especially the reader who is not him or herself a poet, may then take the work and have that eureka moment of "That's it" - that is exactly how I feel. The poet puts into words what others cannot. The poet communicates in an economical and effective way those things that are slippery or are difficult to grasp. A good poet will take on the most slippery subject, tackle the thorniest issue, the most complex equation and a tangle of human emotions and will attempt to make some sense of the issues. Making sense of chaos is work. We write to better our understanding of our experience, or sometimes, to just get the feelings out there, on paper, and out of ourselves where they would otherwise fester and grow. So poetry is often therapeutic, not only for the poet, but again for the reader who is able to relate and feel less alone in their experience.

Most of this is likely trite, though I still think it bears repeating and certainly cannot hurt. But the big confession that many poets are liars (though clearly, I cannot speak for everyone, because I am sure there are poets who write only about their own experience, which I personally would find limiting, but that is me.). But in my own experience and opinion, the most successful and engaging and intriguing poets are those who are able to synthesize more than their own little world. These are poets who are able to dream and imagine the life of some other. To put them in another's place and dream and imagine and decode.

Of course, like most writers, I have written poems that are almost entirely autobiographical (which ones, that is for me to know.) I would say that in almost every poem, there exists some element of myself - that much seems inevitable. Those that are more autobiographical can be raw, full of blood and guts and pain and they come from a deep place. But I can tell you too that I have read of the painful experiences of others and written about this as if it were my own. This is empathy. I need not take a handful of pastel pills every night or every hour, to imagine what it is to feel the way I imagine Anne Sexton felt. Imagine. No, I cannot tell you exactly how she felt - only she could do that, and in the end, she made the ultimate statement by removing herself from this life and taking her immense talent with her, in effect, robbing us of her poems and robbing herself of life and experience through her suicide.

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lying | the art of poetry & of writing
Published: May 21, 2005
Type: Opinion
Section: Culture
Filed Under: Culture: Arts, Culture: Media
Writer: Sadi Ranson-Polizzotti
Sadi Ranson-Polizzotti's BC Writer page
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Comments

#1 — May 21, 2005 @ 13:32PM — Nicolette Rivers [URL]

Very interesting. I'm not great with poetry...or good with poetry...or average!

I would like to say that I have a gawd-awful amount of books on writing, and the one I liked the least was the featured book...Writing Down the Bones. Maybe it's better with a poetic temperament, but it felt like a waste of money for me!

#2 — May 21, 2005 @ 14:06PM — sadi [URL]

i think there is a misunderstanding here: i didn't "feature" that book. i just had to put some writing books from amazon - as is the rule here, as you know - and that was among the first books to come up. I did not review ANY book here. It is an opinion piece and highly subjective -- sorry if that wasn't clear to you. I thought it was quite clear. my apologies - ...

thanks for reading

sadi

#3 — May 21, 2005 @ 14:16PM — sadi [URL]

...glad you found this interesting :))

#4 — May 21, 2005 @ 14:22PM — Nicolette Rivers [URL]

Sorry Sadi...
I know you made no specific mention of the book. I only used the word "featured" to make it clearer which book I meant.

The reason I pointed out disliking it was not anything about you, but just for anyone who might think the book looked interesting.

Now you changed the book and people will think I'm crazy anyhow! Seein' things! :D

#5 — May 21, 2005 @ 14:35PM — sadi [URL]

sorry, N - i changed the book because i fundamentally agree with you. Annie Lamott's book is far superior and a GREAT book, if you haven't read it -- do check it out (tho you've prob. read). But no, don't feel bad. I just wanted to be clear that this wasn't a review or an endorsement of any particular book, but really just an opinion piece written by a writer and an editor. It came up because so many people took my poems, in particular, as very autobiographical. And while some are, some are not. It's always a mistake to think someone can sum you up that simply : we are complex, all of us, and i was sort of annoyed that anyone would presume to know me that intimately just by reading my work. I mean, on the one hand, it said the work was convincing, effective, all good things, but it was the conclusion that bothered me.

anyway, i could go on and on, as i do in the article; so will let that do the talking. if you want, you can visit my poetry etc. (that is relavent to this piece by going to www.tantmieux.squarespace.com

thanks again ;-) - no worries

sadi

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