Artist Overview: Big Star
Published May 12, 2005
In 1994 he returned to solo work and released an album, Cliches, on the newly-revived Ardent label; while it contains no originals it is a good collection of friendly R&B numbers, showing Chilton sounding focused, interested, and with a sense of humor. He's essentially repeated this formula ever since, releasing A Man Called Destruction (1995; four okay originals, eight R&B/early rock 'n' roll covers), Loose Shoes and Tight Pussy (1997; 12 covers), Set (2000; 12 covers), and Live in Anvers (2004; 11 covers, one Big Star tune, one Box Tops). None of these records came close to charting, but that hardly matters anymore.

Chilton's career has been too slipshod and careless to be given too much scrutiny, although except for his boozing days he has usually remained an engaging listen. His real legacy is the one he shares with the short-lived Chris Bell; that of Big Star, the biggest little band ever, the band that had the biggest hand in writing the story of the 1980's, even if they weren't around to participate. Their legacy endures among musicians, collectors, and a small coterie of fans, many of whom have elevated the band to almost mythical status. That's going a little far; still, their ad-hoc indispensibility has been remarkable.

The curious listener who wants to dabble in this music should be aware of Chilton's three careers and invest accordingly. Big Star's #1 Record and Radio City are available as a two-fer; toss in Third/Sister Lovers and you've got the whole set. Columbia is well worth it for fans; Big Star Live, the document of their 1974 LIR show is an interesting curiosity, but lacks Bell and Hummell, and the rather muddy sound quality makes it a purchase for completists only. Avoid an album called Extended Versions, which is really a truncated, edited version of Columbia.

The Box Tops have been the subject of many anthologies, The Best of the Box Tops: Soul Deep on Arista is the best. The Box Tops' original albums are certainly inoffensive, and they have an appealing soulfulness with a touch of psychedelic undertones, but they're fairly bland beyond the hits, and really are for blue-eyed soul maniacs only. For a solo Chilton overview, Rhino's 1991 collection 19 Years: A Collection is a good anthology, if very patchy listen. Chilton's 90's-00's output is actually easier listening than most of the Rhino collection, but none of it is essential except for devoted fans. Cliches is probably the best.
- Artist Overview: Big Star
- Published: May 12, 2005
- Type: Review
- Section: Music
- Filed Under: Music: Classic Rock and Oldies, Music: Indie Rock, Music: Rock, Music: Roots Rock
- Part of a feature: Artist Overview
- Writer: uao
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Comments
Thanks, Antfreeze, I appreciate the comments. Give Big Star a listen; you may enjoy 'em.
UNRELATED NOTE: I have spent the past hour trying to figure out why the Amazon links won't appear on this post. I can't figure it out; and I've got to go to work. Apologies to Eric and the gang; I'll try to fix it during my lunch break.
Never mind; I fixed 'em. Still not quite sure what happened...
Being a Beefheart fan I get the feeling I might prefer the "flat basketball percussion" period to Alex's more accessible stuff. Again, really well written and researched post.
This is a very interesting piece. Thanks for the thoroughness. I've always known that Chilton had quite a career behind him, but never knew just how interesting it was.
I gotta tell you, I never did get Big Star - an overrated underrated band, if you get my drift. But your article was thorough & accurate, and I think you really captured the sense of their great potential & sad demise. Thanks - after reading this, I may have to go back & try them again.
Thanks for the article. I really liked it. I have Big Stars 2 first albums, but must also get hold of their last ones.
Ingemar
Great write-up. I'm firmly among those who consider Big Star to be among not just the most influential, but very best bands ever. I still listen to their three main albums all the time. Another decent one you didn't mention is Nobody Can Dance, a combination of live-in-studio and live tracks that offers rawer takes on some of the tunes from the first two albums. Chris Bell's posthumous album is quite good (if partially unfinished and repetitive); worth it alone for "I Am The Cosmos" and his duet with Chilton, "You & Your Sister." Last year saw the release of Rock City, an album by Chris Bell's pre-Big Star band; he only sings on a third of the tracks (the others are so-so power pop), but it's an interesting look at early versions of a few BS tunes.
good info; it is, ahem (you must not be from the south) "Like Flies on Sherbert." Two Rs. "Sherbet" ain't really a word.
And really, too, you're entitled to your opinion on "Sherbert," but I don't agree--it's not perfect nor is it supposed to be. It's a record about HOW you play music; the songs themselves, I could give a shit in the best Memphis tradition of taking something pretty much worthless or ephemeral and turning into something else. You know, like Elvis did. I think it's a masterpiece of indirection.
Otherwise, good review, altho it's obvious at this late date that Big Star was more about Chris Bell than Chilton ("Third" is the whole enterprise of songcraft, Brit-invasion-inspired tuneage, and sanity itself dispensed with, given a fond goodbye by people too proud to abandon their craft but all too willing to jump ship). "Radio City" IS superior to the first record, and it's the one time when Alex Chilton really did imitation right, having already gone thru imitating Dan Penn in the Box Tops. Very odd music that never gets old; and I think Alex's solo career is a lot better than it seems on the surface--what are we, hung up on perfection, too serious to groove to Chris Kenner's "Sick and Tired" or "What's Your Sign Girl"? Oh right, we're ABOVE all that, gotcha.








Really good stuff uao. I keep hearing references to BStar but didn't know anything about them. I saw the Boxtops as a youngster, (with the Cowsills!). The comparison to Eric Burton seems quite apropos, very similar voices. Thanks,