REVIEW

Artist Overview: Big Star

Written by uao
Published May 12, 2005
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From the start, Moman and Penn kept tight reigns on their investment; choosing the material, mostly written by themselves or Wayne Carson Thompson. However, their first pick was a good one; a blue-eyed soul number by Thompson called "The Letter", the first number the Box Tops recorded. The 16-year-old Chilton's vocals are what makes the record; strong, confident, gritty, and soulful.
The Box tops: The Letter/Neon Rainbow (1967)
The single went straight to #1 in late 1967, starting the band off right at the top. Moman and Penn, however, suddenly with a cash cow at their disposal wanted to protect their investment, hired sessionmen to replace the band for the recording of the debut album, The Letter/Neon Rainbow; the actual band members barely appear on it. This naturally came as a blow to the band, although it does infuse the Box Tops records with a more authentic sounding Memphis soul groove than the young band could probably have handled themselves. Chilton sang, but his and the band's songs weren't used. The album didn't do as well as the single, making it only as far as #87 on the charts.

The album is a professional sounding but muted affair; Chilton comports himself admirably on vocals. Nothing on the album approaches the fire of the first single, which must've doubly stung the sidelined band, although a follow-up single "Neon Rainbow" reached #24. Evans and Smyth ultimately walked out in 1968 and returned to school, to be replaced by Rick Allen (ex-Gentrys) and Tom Boggs.
The Box Tops: Cry Like A Baby (1968)
This new lineup, also augmented by sessionmen, recorded the band's follow-up album, Cry Like A Baby, in 1968. Legend has it, Dan Penn and songwriting partner Spooner Oldham didn't have a single for the band to record hours before the session was to begin, and came up with the title track, on the spot. Whatever its genesis, "Cry Like A Baby" is another fine piece of blue-eyed soul in a similar vein to "The Letter" and Chilton gave it another great vocal. It peaked at #2 on the charts. The songs on the album are written by the same team as the first, and the album is another professional slab of studio session Memphis soul, with Chilton's vocals on top. Chilton did manage to get his first song credit at this time, but only as a B-side, "Come On Honey". Cry Like A Baby, the album, did a little better than the debut, peaking at #59.
The Box tops: Non-Stop (1968)
The third Box Tops album, Non-Stop, yielded two more singles; the lackluster "Choo Choo Train", which peaked at #26, and the Penn-Oldham "I Met Her In A Church" which only reached #37. Chilton was finally allowed a songwriting credit on an album, the modest soul shouter "I Can Dig It". Overall, it was mainly more of the same formula; bland session playing; good singing from Chilton, a couple of soul singles and plenty of filler.

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Artist Overview: Big Star
Published: May 12, 2005
Type: Review
Section: Music
Filed Under: Music: Classic Rock and Oldies, Music: Indie Rock, Music: Rock, Music: Roots Rock
Part of a feature: Artist Overview
Writer: uao
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Comments

#1 — May 12, 2005 @ 09:57AM — Antfreeze

Really good stuff uao. I keep hearing references to BStar but didn't know anything about them. I saw the Boxtops as a youngster, (with the Cowsills!). The comparison to Eric Burton seems quite apropos, very similar voices. Thanks,

#2 — May 12, 2005 @ 10:55AM — uao [URL]

Thanks, Antfreeze, I appreciate the comments. Give Big Star a listen; you may enjoy 'em.


UNRELATED NOTE: I have spent the past hour trying to figure out why the Amazon links won't appear on this post. I can't figure it out; and I've got to go to work. Apologies to Eric and the gang; I'll try to fix it during my lunch break.

#3 — May 12, 2005 @ 10:56AM — uao [URL]

Never mind; I fixed 'em. Still not quite sure what happened...

#4 — May 12, 2005 @ 11:08AM — Antfreeze

Being a Beefheart fan I get the feeling I might prefer the "flat basketball percussion" period to Alex's more accessible stuff. Again, really well written and researched post.

#5 — May 12, 2005 @ 17:30PM — MRBenning [URL]

This is a very interesting piece. Thanks for the thoroughness. I've always known that Chilton had quite a career behind him, but never knew just how interesting it was.

#6 — May 12, 2005 @ 18:22PM — Vern Halen

I gotta tell you, I never did get Big Star - an overrated underrated band, if you get my drift. But your article was thorough & accurate, and I think you really captured the sense of their great potential & sad demise. Thanks - after reading this, I may have to go back & try them again.

#7 — May 18, 2005 @ 15:13PM — Ingemar

Thanks for the article. I really liked it. I have Big Stars 2 first albums, but must also get hold of their last ones.
Ingemar

#8 — May 20, 2005 @ 11:45AM — Pop Kulcher [URL]

Great write-up. I'm firmly among those who consider Big Star to be among not just the most influential, but very best bands ever. I still listen to their three main albums all the time. Another decent one you didn't mention is Nobody Can Dance, a combination of live-in-studio and live tracks that offers rawer takes on some of the tunes from the first two albums. Chris Bell's posthumous album is quite good (if partially unfinished and repetitive); worth it alone for "I Am The Cosmos" and his duet with Chilton, "You & Your Sister." Last year saw the release of Rock City, an album by Chris Bell's pre-Big Star band; he only sings on a third of the tracks (the others are so-so power pop), but it's an interesting look at early versions of a few BS tunes.

#9 — September 15, 2005 @ 19:34PM — Elias Cassenance

good info; it is, ahem (you must not be from the south) "Like Flies on Sherbert." Two Rs. "Sherbet" ain't really a word.

And really, too, you're entitled to your opinion on "Sherbert," but I don't agree--it's not perfect nor is it supposed to be. It's a record about HOW you play music; the songs themselves, I could give a shit in the best Memphis tradition of taking something pretty much worthless or ephemeral and turning into something else. You know, like Elvis did. I think it's a masterpiece of indirection.

Otherwise, good review, altho it's obvious at this late date that Big Star was more about Chris Bell than Chilton ("Third" is the whole enterprise of songcraft, Brit-invasion-inspired tuneage, and sanity itself dispensed with, given a fond goodbye by people too proud to abandon their craft but all too willing to jump ship). "Radio City" IS superior to the first record, and it's the one time when Alex Chilton really did imitation right, having already gone thru imitating Dan Penn in the Box Tops. Very odd music that never gets old; and I think Alex's solo career is a lot better than it seems on the surface--what are we, hung up on perfection, too serious to groove to Chris Kenner's "Sick and Tired" or "What's Your Sign Girl"? Oh right, we're ABOVE all that, gotcha.

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