Sunday Morning Playlist: Blues Rock
Published April 03, 2005
5. The Animals: House Of The Rising Sun
The British Invasion really had two types of bands; the r&b influenced skiffle bands, and the blues formalists like the Animals, The Rolling Stones, The Yardbirds, and The Pretty Things. "Formalist" might be stretching things, but not too far; these bands learned their chops by studiously mimicking what they heard on imported blues 45's and combining it with what they learned from imported Chuck Berry 45's. By the time these bands hit big, a lot of the blues influence had receded below the surface, but of all the bands of the era, the Animals stayed truest to their blues roots. "House of the Rising Sun" really needs no introduction; Alan Price's organ and Eric Burdon's vocal are among the most instantly recognizable in rock. The Animals have much bluesier cuts than this one, from "Boom Boom" to "I'm Cryin'". But this deserves credit as possibly the first blues-rock to reach #1 in America.
6. Big Brother & The Holding Co.: Ball And Chain
Janis Joplin was a real show-stopper at the Monterey Pop Festival in 1967; anyone who has never seen the film ought to rent it one night. This is the song that had the crowd on their feet, that had Mama Cass mouthing "wow", that propelled Joplin into stardom, prompting her to abandon the band while this album was riding atop the charts. The version included on Cheap Thrills is as good as the Monterey one; throughout the album Joplin combines blues and hillbilly country into something desperate and emotional. One of the indispensible albums of the 60's.
7. Fleetwood Mac: Oh Well
For those who know Fleetwood Mac only as a vehicle for Stevie Nicks and Lindsay Buckingham, purveyers of lightweight soft-rock, their history is actually much longer, convoluted, and unusual. The long story will have to wait until another day, but the short of it was that in 1969 they were a hardcore blues band, with guitarist Peter Green its major driving force. "Oh Well" was a major hit in England, reaching #2, and it is an aggressive, molten assault on the blues followed by a lengthy second half that's a low-key Spanish guitar piece (in a manner similar to "Layla" which would come out a year later). The album, Then Play On, is largely divided into Green compositions, which are hard blues-rock, and second guitarist Danny Kirwin's, which have a more pop feel. It still stands as arguably the best album to be released by any version of Fleetwood Mac.
- Sunday Morning Playlist: Blues Rock
- Published: April 03, 2005
- Type:
- Section: Music
- Filed Under: Music: Blues, Music: Classic Rock and Oldies, Music: Rock, Music: Roots Rock
- Part of a feature: Sunday Morning Playlist
- Writer: uao
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Blues and Rock. Has there ever been a better marriage? Check out Gary Moore's recent stuff, Joe Bonamassa, Los Lonely Boys (especially live), Doyall Bramhall II, and Gov't Mule for great some "newer" blues rock.
A nicely written article, with a well-selected playlist. Not necessarily the tunes I would have picked, but an excellent cross-section nonetheless. Makes me want to go through my vinyl and listen to the tunes again!
You say "The long story" of Fleetwood Mac "will have to wait until another day" - I wrote up a brief history of the band for Blogcritics a while back.
I know your list isn't intended to be comprehensive, but I wanted to add the following tunes:
The Rolling Stones: "Little Red Rooster" from The Rolling Stones, Now! - From back in the day when the Stones still considered themselves pretty much a straight blues band. They did a good job on this Howlin' Wolf song.
Jimi Hendrix: "Red House" from Are You Experienced? - You gotta have some Hendrix on any blues-rock list. And this was Hendrix's greatest blues song.
The Yardbirds: "Jeff's Boogie" from
John Mayall: "The Stumble" from A Hard Road - Like Jeff Beck, Peter Green was mentioned in the above list. And like Beck, Green was better with the band in which he replaced Eric Clapton--in this case, John Mayall's Bluesbreakers. Just listen to the way Peter Green makes this Freddie King song all his own.
The J. Geils Band: "Pack Fair and Square" from The J. Geils Band - Years before they went all pop with "Centerfold" and "Freeze Frame," these guys were one of the greatest blues-rock bands around. Check out their debut album is you're doubtful.
Mr uao,I'd just like to correct a couple
of points in your enjoyable article here
on BC.
The Butterfield Blues Band.They were NOT
a psychedelic Blues/Rock band from the
Left Coast.Lumping them in with some of
that turgid hippiefied sludge is unfair
to them. Seriously.
They(BBB)were a straight up,pure blues
band who absorbed their craft directly
at the source.They learned & honed their
chops from such 1st and 2nd generation
masters of electric blues as Billy Boy
Arnold,Muddy Waters,Magic Sam,The Wolf,
Little Walter,Bo Diddley,Junior Wells,
Otis Rush and Elmore James. They sat in
with and watched these cats and many
others at rough and tumble blues haunts
like Silvio's,The Checkerboard Lounge &
Theresa's in the early 60's in the very
dangerous South & West Side ghettos of
Chicago. Given the racial climate at the
time,they were a ballsy bunch of white
boys in anyones book.
The BBB rhythm section included at times
Jerome Arnold and Sam Lay.Jerome Arnold
being the brother of Billy Boy and a vet
of Howling Wolf's band and Sam Lay being
behind the skins on many of Muddy's late
50's/early 60's gigs and recordings.This
isn't to mention all of the many other
artists and studio work he did before he
joined up with The B.B.B. They were the
first integrated working blues band to
my knowledge.
Anyway to make a very long story short,
they were a straight ahead blues band
that dabbled very briefly in "Rock" as
opposed to being a blues rock band."East
West" and "Mary,Mary" off their second
LP being the only examples that really
could be applicable to this tag. If by
chance this isn't what you meant to say
& it was just a minor case of ambiguity
on behalf of the writer, for that I do
apologize.If it wasn't I just wanted to
politely clear up these points.
On a closing note,I'm surprised that you
did not mention any Bob Dylan in your
"Blues/Rock" list.The marriage of blues
& of rock on such Bob Dylan tunes like
"Obviously Five Believers" from the LP
"Blonde On Blonde" & "It Takes A Lot To
Laugh,A Train To Cry" on "Highway 61 Re-
visited" is real obvious and is solidly
rocking to boot. The presence of Michael
Bloomfield on the latter LP playing no
small part in this to be sure.
Anyways, don't take this as rude please.
I'm just a very detail oriented person
when it comes to my favorite music and I
have trouble letting even the smallest
amount of what I see as mis-information
go unchecked and/or unchallenged.
I enjoyed the post or I would not have
even bothered to write back regarding it
at all. Rock On!
Hi HW:
My apologies; I really did mischaracterize Paul Butterfield Blues band there.
I try to be careful, but sometimes I make some real gaffes; your reply does a very excellent job of clearing it up though.
No worries; I prefer any misinformation from me be corrected by those who care about the music as you do.
I can't edit the Blogcritics post anymore (it's been archived), but I will correct the entry as it appears on my blog.
Wrong info bugs me too; I do appreciate your taking the time to read the piece and caring enough to amend it.
uao
Uao, Thanks for the response. I enjoyed
the article and your heart is the right
place. I never knew what made that cool
drone on the Canned Heat tune "On The
Road Again".I'd always figured it was
Henry Vestine doing a unitar type thing
with feedback and sustain. There is an
alternate version of "On The Road Again"
on a Canned Heat's greatest hits package
that is about 7&1/2 minutes long and is
minus the drone,a bit faster and has an
approximately 3 minute long guitar solo
that burns. You might want to check it
out if you don't already have it.
Peace,Love and Goofer Dust.
Add your comment, speak your mind
(Or ping: http://blogcritics.org/mt/tb/27687)
When Blues-Rock is done well, it is probably the best form of music for me, but when he becomes a self-parody of cliched riffs and overlong solos, it's almost unlistenable.
I think there is a case to be made for Los Lonely Boys to be added to the list of great blues rockers. If you get a chance to see them in concert, go!