Tales of Brave Ulysses: The Cream Story
Published March 26, 2005
A final album was released, the aptly titled Goodbye, which reached #2 in 1969. A mix of live and studio cuts, it comes across as a hodgepodge, but nontheless contains some of Cream's greatest moments. "Badge" a collaboration between Clapton and new best friend George Harrison features one of the most breathtakingly beautiful guitar solos ever recorded; Bruce supplies one of his greatest basslines, and Baker is muscular and heavy on drums. "Badge" points towards the 70's Clapton sound; heavier rock, less blues. Bruce and Clapton shine on the extended live Skip James tune "I'm So Glad", and the Brown/Bruce "Politician" is another extraordinary live cut.

Polydor would subsequently release two live albums, Live Cream Vol.1 in 1970, and Live Cream Vol. 2 in 1972. Vol. 1 consists of 4 Fresh Cream tracks, given the elongated Cream treatment, and the concise "Lawdy Mama" Vol. 2 features similar workouts of material found on the later three albums, plus a 13-minute "Stepping Out". For those wishing to explore the live Cream in all their amped-up improvisatory glory, these are the best places to start. Vol. 2 benefits from a superior song lineup and better sound, although Vol. 1 is a good listen, too. The band sounds like it is constantly morphing in sonic shape, as each player moves from background to foreground and back again. Those who find Cream indulgent won't be swayed by these. Those who find Cream inspirational will find these spellbinding. Both charted in the top-30.

Clapton and Baker would next appear in Blind Faith, the supergroup formed with Steve Winwood of Traffic and Rick Grech of Family. Jack Bruce has worked ever since Cream, and although he has never approached the commercial success of Clapton, he has always remained an interesting musician, dabbling in everything from folk to jazz to blues. Cream producer Felix Papillardi formed the power-trio Mountain with Leslie West and Corky Laing; Bruce then essentially replaced him in West, Bruce, and Laing. Baker has also kept busy both with solo projects and a lot of session work. Clapton's further adventures are well-known.
Clapton, Bruce, and Baker reunited only once, back in 1991 at the Rock 'N' Roll Hall of Fame induction. Whether they can pull off these shows in a manner that ultimately adds to their legend remains to be seen. Of all possible 60's reunions though, this has the potential to be the most interesting. It's hard not to root for them.
- Tales of Brave Ulysses: The Cream Story
- Published: March 26, 2005
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- Section: Music
- Filed Under: Music: Classic Rock and Oldies, Music: Hard Rock, Music: Rock
- Writer: uao
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Comments
in 1968(?), there was a Rolling Stone Magazine article that was critical of Cream and called Clapton "Master of the Blues cliche." it was said that this article led to the demise of Cream. The thinking was that The Band was hipper and loud amplified music was passe. perhaps Clapton thought Blind Faith was the answer to such criticism. regardless, the formation of derek & the dominoes and release of Layla as perhaps the finest guitar based classic rock album of all time, should have silenced all critics.
anyway - while Clapton had mastered and surpassed the blues phrasing of players such as Freddie King, people seem to forget that Bruce and Baker were also very important to Cream's sound. they too were viewed as the cream on their respective instruments. for example, bruce's bass playing on the legendary "Crossroads" Winterland recording remains unsurpassed and is, it its own way, more remarkable and inventive than Clapton's near perfect pentatonic based phrasing on the recording. bruce's da daist perspective probably had a major impact on later artists such as Sting.
it will be interesting to see if the three are willing to use vintage gibson guitars and basses, marshall plexi amplifiers, and Ludwig drums for these widely anticipated concerts. in a sense, that would be important in getting the true tonal quality of recordings such as Live Cream I to say nothing of the enhanced visual impact to knowing musicians. at the rock and roll hall of fame induction, they use more modern instruments which, while understandable, was disappointing. of course, the three are nusicians nd their equipment, vintage or modern, are likely viewed as tools to them.
Martha Stewart is Eric Clapton's Groupie.....
Sour Cream will be at the NYC/MSG 10/2005, Tix cost more then they are worth....Oh well












Congratulations on an interesting and accurate article.
To those of us that actually lived through this time, and the adventures of this group, the memories are very vivid. At least MINE ARE! Those claiming "indulgence" were either misinformed or just palin hated the music. Clapton, Baker & Bruce did something no other group had ever done before. The price of the Cream Reunion tickets are a testimony (vindication?) of the style that was actually DEFINED by these guys.
Personally, I'd give almost anything to go to ANY one of these new concerts! I saw them in 1969 at Madison Squaare Garden and it is a memory that I cherish. What a treat for those that can afford the incredible $1500-$3500 PER TICKET (MOST EXPENSIVE EVER!???) price for these shows.
You tell me... based on that alone, how great were they?