Tom Freudenheim, the former deputy director and chief operating officer of the Jewish Museum in Berlin, sends this message — a tongue-lashing for the Museum of Modern Art over its negligence in the Egon Schiele case and for NPR ombudsman Jeffrey Dworkin over his and NPR's foul treatment of reporter David D'Arcy:

Re the MoMA/NPR/D'Arcy issue: No recent mention has been made of the fact that this entire problem would never have come into being had MoMA requested a Certificate of Immunity from Seizure, which is a guarantee routinely issued by the State Department. That is just plain negligence on the museum's part, and is the reason that the NYState authorities were able to intervene on behalf of the Bondi Family. Had the museum done its job properly, then the issue would have gone back to the Austrian courts, just as MoMA now claims is appropriate. This may well be one reason that MoMA's PR machine is working so hard to cover its bare ass.

It should also be noted that the sole inaccuracy in the D'Arcy story was not on D'Arcy's part, but rather in Melissa Block's (i.e., NPR/ATC) erroneous introduction of the story, suggesting that the Schiele painting was part of MoMA's collection (which obviously D'Arcy never even implied).

This is an outrageous situation which should not be permitted to go away easily.

Herewith a copy of my letter to the Ombudsman. ...

Mr. Dvorkin:

You seem intent on compounding errors in your comment about the MoMA situation. I'm sure you're a very busy man, but it might have helped if you had read through the transcripts of your own broadcast. I am the 'critic' you mention, and what I said was "But I guess the sense of responsibility to museum ownership and the kind of — oh, I hate — I guess I can use the word — greed that museums have about just not letting go of what they have in their little fists trumps any other kind of loyalties or feelings that people have." I was talking about 'museums' and feel quite justified in doing so, having directed various ones for a number of years. Your own Melissa Block suggested in her lead that the painting might belong to the museum, but you have presumably not sanctioned her for the error. The Robert Siegel's follow-up [sort of] clarifies that the painting was actually on loan to the museum. I note that you haven't discarded these two ATC stalwarts (yes, I know they are employees, and D'Arcy was not, and therefore presumably more disposable).

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