Handsome Boy Modeling School - White People

Written by Greg Smyth
Published March 15, 2005

White People, the second album from the imaginary finishing school outfit created around hip hop heavyweights Dan The Automator and Prince Paul, is an unabashed pitch at crossover success.

Their old school credentials were never in doubt but, in an apparent fit of hipster box-ticking, Franz Ferdinand's Alex Kapranos, indie chanteuse Cat Power, MOR folkie Jack Johnson and, to reel in the greasers, Linkin Park's Chester Bennington have all been added to the mix. By the very weight of its collaborations, success would seem to be assured.

If White People has a problem it's that it attempts to cover too much ground at once. By being too ambitious the album ends up sporadic and patchy. Similarly the tracks that really work are those that stray little from the Daisy Age ethic. Both "Breakdown" and "I've Been Thinking" are obvious hit singles, each nothing more than a simple ballad with an understated hip hop beat dropped behind it, and they're all the better for it.

As a showcase for HBMS's technical proficiency and inventive eclecticism it's a fine sophomore effort. However, White People adeptly proves the first rule of production: often, less is more.

Greg Smyth is a freelance pop culture writer and has written for the likes of NME, Plan B, Alternative Ulster and a host of others. He is currently based in the North East of England and lives on a diet of tea and vitamin tablets. Read more of Greg's reviews at Swing Batter Batter! or join in the wider pop-culture debate at The Mondo Project.
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Handsome Boy Modeling School - White People
Published: March 15, 2005
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Section: Music
Filed Under: Music: Hip-hop, Music: Indie Rock
Writer: Greg Smyth
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#1 — March 18, 2005 @ 17:48PM — Temple Stark [URL]

Greg,

Launched this on the world - or at least the part of the world that scours Advance.net for the (family-friendly) cream of the BC Web log. That's hundreds of thousands of people a week.

Here's the link. Sorry here.

- Thanks. Temple

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