And the Grammy winners are...

Written by John Lars Ericson
Published February 14, 2005
page 1 | 2 | 3 | 4

Best Traditional R&B Vocal Performance: Musicology, Prince

Best Urban/Alternative Performance: Cross My Mind, Jill Scott

Best R&B Song: You Don't Know My Name, Alicia Keys, Harold Lilly & Kanye West, songwriters (Alicia Keys)

Best R&B Album: The Diary Of Alicia Keys, Alicia Keys

Best Contemporary R&B Album: Confessions, Usher

Best Rap Solo Performance: 99 Problems, Jay-Z

Best Rap Performance By A Duo Or Group: Let's Get It Started, The Black Eyed Peas

Best Rap/Sung Collaboration: Yeah!, Usher Featuring Lil Jon & Ludacris

Best Rap Song: Jesus Walks, Miri Ben Ari, C. Smith & Kanye West, songwriters (Kanye West)

Best Rap Album: The College Dropout, Kanye West

Best Female Country Vocal Performance: Redneck Woman, Gretchen Wilson

Best Country Performance By A Duo Or Group With Vocal: Top Of The World, Dixie Chicks

Best Country Collaboration With Vocals: Portland Oregon, Loretta Lynn & Jack White

Best Country Instrumental Performance: Earl's Breakdown, Nitty Gritty Dirt Band Featuring Earl Scruggs, Randy Scruggs, Vassar Clements & Jerry Douglas

Best Country Song: Live Like You Were Dying, Tim Nichols & Craig Wiseman, songwriters (Tim McGraw)

Best Country Album Van Lear Rose, Loretta Lynn

Best Bluegrass Album: Brand New Strings, Ricky Skaggs & Kentucky Thunder

Best New Age Album: Returning, Will Ackerman

Best Contemporary Jazz Album: Unspeakable, Bill Frisell

Best Jazz Vocal Album: R.S.V.P. (Rare Songs, Very Personal), Nancy Wilson

Best Jazz Instrumental Solo: Speak Like A Child, Herbie Hancock, soloist

Best Jazz Instrumental Album, Individual or Group: Illuminations, McCoy Tyner With Gary Bartz, Terence Blanchard, Christian McBride & Lewis Nash

Best Large Jazz Ensemble Album: Concert In The Garden, Maria Schneider Orchestra

Best Latin Jazz Album: Land Of The Sun, Charlie Haden

Best Gospel Performance: Heaven Help Us All, Ray Charles & Gladys Knight

Best Rock Gospel Album: Wire, Third Day

Best Pop/Contemporary Gospel Album: All Things New, Steven Curtis Chapman

Best Southern, Country, or Bluegrass Gospel Album: Worship & Faith, Randy Travis

Best Traditional Soul Gospel Album: There Will Be A Light, Ben Harper & The Blind Boys Of Alabama

Best Contemporary Soul Gospel Album: Nothing Without You, Smokie Norful

Best Gospel Choir Or Chorus Album: Live...This is Your House, Carol Cymbala, choir director; The Brooklyn Tabernacle Choir

Best Latin Pop Album: Amar Sin Mentiras, Marc Anthony

Best Latin Rock/Alternative Album: Street Signs, Ozomatli

Best Traditional Tropical Latin Album: ˇAhora Sí!, Israel López Cachao

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And the Grammy winners are...
Published: February 14, 2005
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Writer: John Lars Ericson
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#1 — February 14, 2005 @ 00:28AM — The Theory

how is Maroon5 considered a "new artist?"

#2 — February 14, 2005 @ 00:31AM — SFC SKI

Maroon5 best new artist over Los Lonely Boys? The Academy's taste is in its mouth.

#3 — February 14, 2005 @ 02:04AM — Caryn Rose [URL]

It's not sentiment, it's called GUILT.

#4 — February 14, 2005 @ 03:48AM — Temple Stark [URL]

Motorhead. alright. That's the shit. I'll have to update my interview post.

#5 — February 14, 2005 @ 09:49AM — wally bangs [URL]

Best Historical Album: Night Train To Nashville: Music City Rhythm & Blues, 1945-1970, Daniel Cooper & Michael Gray, compilation producers; Joseph M. Palmaccio & Alan Stoker, mastering engineers (Various Artists)

Way to go Michael Gray!!! I spent five years working beside the fellow at Phonoluxe Used Records.

#6 — February 14, 2005 @ 10:00AM — Eric Olsen

John Lars, the dead guy factor is hard to beat, especially if the dead guy is a legend who put out his best album in about 30 years, which sold like free beer.

#7 — February 14, 2005 @ 10:35AM — mrbenning [URL]

It's just difficult to get past the whole "yeah, you like me now, bitches!" factor in the Grammys. Especially in the last couple of years. It really seems like they care less about the good music being produced, and more about who they can side with in a successful marketing campaign.

I guess I just wonder why the Oscars managed to (mostly) get over that hump and the Grammys are still stuck at the bottom of the hill.

#8 — February 14, 2005 @ 10:38AM — Phillip Winn [URL]

Eric, free beer sells? I wouldn't pay a dime for free beer!

Anyway, I couldn't care less about the Grammys, I thought, but then on the radio last night the announcer said that he had just received a phone call from L.A. from one of the guys in Brave Combo, who won another Grammy. And I realized that maybe I care, just a little. :-)

#9 — February 14, 2005 @ 10:44AM — DJRadiohead [URL]

I do not know what the Grammys are supposed to represent but I do know last night was not the best in music.

I know mainstream award ceremonies are easy targets and Ray Charles is a legend, but the Grammys could not be any more irrelevant. What horseshit! John Mayer and Alicia Keys have Grammys. 3 Doors Down and Creed have Grammys. Jimi Hendrix? No fucking Grammys (unless they gave him a late posthumous one). Enough said.

#10 — February 14, 2005 @ 10:57AM — Eric Olsen

not to be an apologist, but the Grammys were an atavistic atrocity in the early days and ignored rock 'n' roll almost entirely. They have progressively become more current and relevant over the years, adding all kinds of new catagories, increasing the performance aspect of the broadcast. The main awards themselves are still often very safe and middle of the road, but great strides have been made, and they also seem to be trying hard to make up for the glaring omissions of the past with all these lifetime achievement awards - looks like Hendrix is still shut out, though.

#11 — February 14, 2005 @ 11:08AM — mrbenning [URL]

"Jimi Hendrix? No fucking Grammys...Enough said."

This just makes it sting even more when you think about the fact that The Starland Vocal Band have a Grammy.

#12 — February 14, 2005 @ 11:11AM — Eric Olsen

LOTS of people have Grammys: the way it is now, the more niche-oriented you are, the more likely you are to score

#13 — February 14, 2005 @ 11:42AM — Matt [URL]

I am pleased to see Green Day did not walk away with a truckload of awards. Not because of their politics, since I tend to align myself on the left side of things. But because they suck. I cannot take any band seriously that has an album named "Dookie", first off. I saw the performance last night, and the new song sounds just like all of their other crappy music, with that goofball singing in his annoying voice. I was wondering what that album sounded like, and now I know. MOre crap from Green Day.

#14 — February 14, 2005 @ 11:47AM — Mark Saleski [URL]

i have to admit it: i really used to like "Afternoonn Delight".

gawd.

#15 — February 14, 2005 @ 12:54PM — jaosn [URL]

the grammy people know nothing. nothing. it's all fodder for the perpetuation of the sick state of the music industry. i will never bother with the grammy's again.

#16 — February 17, 2005 @ 18:51PM — E

? for anyone: why do they call it a Grammy?

#17 — February 17, 2005 @ 19:22PM — Eric Olsen

grammy is short for gramophone, the early record player

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