Bright Eyes - I'm Wide Awake, It's Morning
Published January 26, 2005
It is rare these days that I get a record that makes me stop in my tracks, that I play endlessly, put away, and then when I pick it up again, it's still as good as I remember it. One of two new releases from Bright Eyes, I'm Wide Awake, It's Morning, is a record like that.
The record opens with what feels like a stream-of-consciousness story reminiscent of Patti Smith, the energy and the breathlessness catching you up in it:
"So there was this woman, and she was on an airplane, and she was flying to meet her fiance, zooming high above the largest ocean on planet earth..."
You don't know where Conor Oberst is going, exactly, with this story, but it - and he - he draws you into the record, into the song, into the journey that is I'm Wide Awake, It's Morning. The rollicking tune that follows doesn't seem to fit, it seems incongruous, but the lyrics betray that:
"While my mother waters plants
My father loads his guns
He says death will give us back to god
Just like this setting sun is returned to this lonesome ocean..."
The images of earth and parents and god and religion (if you count guns as religion, which in the midwest they might be, and to some people everywhere, they are) are pervasive on this record.
Following Conor Oberst's career is not a passive spectator sport, if you blink, you will miss it, he will release an album and then immediately come up with new songs that he feels are better but you can only hear them live. Gone are the days of the enraptured audience there to watch him stare at the ground and bleed tales of woe and sadness on his guitar strings. Growing up in public is never easy to do, but Oberst is the first artist in a long time who seems to have accomplished it without embarrassing himself. It seems condescending to characterize his journey as an artist thus, but when someone started recording when they were 14, and now they are 24, it would be ignorant not to consider that viewpoint.
I'm Wide Awake, It's Morning is a huge record. It grows and expands and is absolutely his finest work yet, coming from an artist who's well aware that he is continuing to grow and evolve. (In a recent interview, when asked what he would like people who weren't familiar with his work to know about it, his response was, "If they don't like this one, maybe they should wait until the next one.") There is a lushness, a richness, a depth to the songs and the stories.
As a storyteller, Oberst's range has broadened. He will hate yet another review that talks about his recent move to New York City, but there are hundreds of artists who have been deeply affected by Manhattan's grace; it's impossible to escape it if it truly touches you, and it can inform your work without overshadowing it, which it clearly does here. "Lua" is a prime example of this, talking about waving at taxis and having them turn their lights off, timeless themes of walking through the city, the city at night, subways, and then the incongruous "what seemed to simple in the moonlight" - even in the city, the moon can shine, but only someone not from here would think to look for it and use it as a touchstone.
- Bright Eyes - I'm Wide Awake, It's Morning
- Published: January 26, 2005
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- Section: Music
- Filed Under: Music: Indie Rock
- Writer: Caryn Rose
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Comments
I heard one of the new songs yesterday and it was really cool. Your review reminded me that I would like to hear more of this band. Thanks.
this record is brilliant, and so too is Digital Ash In A Digital Urn. I can't for a second fathom how magazines like Mojo and Uncut gave it one star reviews (they gave Wide Awake the full five, though)
His earlier Every Day And Every Night is great too. I bought Fevers And Mirrors today. Here's hoping it keeps up the old quality control and such.
robert smith? bright eyes sounds nothing like robert smith, man! If anyone sounds like robert smith it's that fella from The Darkness.
I'll listen to the musical opinions of someone who admits they listen to *Dream Theater* when the cows come home.
Cattle return time is the perfect time to listen to Dream Theater!
i'd rather listen to the cows. lol sorry man, i couldn't resist. just playin is all.
bright eyes sounds nothing like robert smith, man!
Maybe I should have been more specific. Conor has an off-key Robert Smith vocal delivery. Maybe that's why you do not hear the similarities.
Dropping all the sarcasm... I do think the guy's vocal delivery leaves something to be desired and I think his lyrics are a wee bit overrated. But when a co-worker went to buy the album it was sold out at the two places he went to get it. Maybe I am in the minority.
DJ, that's true here too, about the selling out of stock and such. and here in the UK it's not like he had two singles at the top of the charts or no shit like that. The HMV near here only had Digital Ash left by tuesday, and the whole damn lot were gone today.
thanks Caryn, very fine review as always. I haven't heard this one yet but heretofore young Connor has red-zoned by twee meter
Once again, you are simply demonstrating your own lack of musical knowledge. Robert Smith? Off key? Your ears are full of cement. Perhaps you don't like him but your attempts at criticism are nothing but immature, ignorant insult. Hence the reason I really have zero respect for your opinion. I'm just curious how many of his records you own, exactly? Since you're not hearing him on any radio station.
Eric, I understand completely, this is way out of twee screaming emo girl zone.
Well, how about we leave the robert smith battle for another day. But lets do talk about this album, and specifically the reactions to it. Most people love it, but some critics, namely Stephen Thomas Ernewein of All-music guide HATED IT, and HATES conner Oberst.
Anyone read this review? or heard any talk about the critical attack on Bright eyes. It seemed really out of character for both the reviewer, and Allmusic guide itself. I wouldnt be surprised if they dont re-review the album later. SUrely it doesnt represent the majority at ALl-music.
I mean, if you read the reviews of some of the albusm and E.P.'s you'll notice that one of the other critics calls him a Genius.
In any case, i don't think he's a genius. I mean, come on, that word is so over used it sickening. Save it for the mcartneys and maybe dylan's of the world...not bright eyes.
Why not? Because surely, if we're honest with ourselves, we'll admit that Bright eyes is some times nausiating with his super-pretentious lyrics. And the songs, though very good most of the time, are not in a leauge of their own. Comments?
Have you heard *THIS* record? I mean, I agree with a lot of what you say on previous work, but a lot of these songs he's been working on over the last year and a half or so and they're coming from a different place.
Which was kind of the point of this review, which, clearly, people haven't bothered to read either, instead jumping to conclusions.
Ok, I'm confused a bit.
So from what place is This album comming from, would you say?
Just maybe expand on what you were saying.. where do you stand with bright eyes music? fan or no...
READ THE REVIEW I WROTE! Oh, my god. And why do I have to tell you whether or not I'm a fan? How is that relevant to the discussion?
You're the inarticulate individual who criticized Conor for using "pretentious" lyrics in another post, so we know where you're coming from.
Ok, chill. I didn't realize that Caryn Rose was the same person as CLR (you). Anyway that aside, I may not be as articulate as you but my opinion is equally valid. Don't pretend to not understand what I was writing in the last post.
As far as his lyrics being pretentious, I stand by that claim. I think its been noted by many a critic and fan -- The metaphors are often cliche and awkward, and he also has a tendancy to bombard us with ruminations on his sadness which are simply becoming old. I wish he would find somthing else to write about and maybe then he'd be less tempted to use these overly precious phrases.
That being said, I do think he strikes gold occaisionally and the lyrics can be both intelligent and moving (A song to pass the time,comes to mind).
So anyway CLR, relax, I'm not dissagreeing with your review totally. I agree with most of it, but think its a tad subjective. not that you didnt intend it to be. I suppose it's your feelings about the album. I think you give him a little too much credit perhaps.
Here you go again, telling people how they should feel and what they understand and what they think. It's impossible to have a discussion with anyone who's like this.
HA!
You make it sound like I established a history of telling people what they can or cannot think.
I simply stated how my opinion differs from yours. I never told you not to feel how you do. In fact your the one who goes overboard, (just now, and earlier with the Robert Smith argument). You keep flippin out on people who say things you dislike. Why shouldnt that guy have been able to identify Conner oberst with Robert smith if thats what he hears/feels? I mean really i dont care if you tell him you think he's wrong, but don't be such a hypocrite in telling me I am the one whos telling people what to think.
In any case , relax and quit being so defensive about your writing.
you Still sore CLR?
i think the only way you're all gonna get along is by going to www.mondoirlando.com/mondo_downloads.html and downloading the music therein, before realising that what it is, is we're all brothers, or at least cousins, second or third, im not sure.
ahh a shameless self promo by a mondo guy in the midst of an unrelated blog discussion/argument. The internet is crazy.
Anyway --let me get one more one more shot in at CLr before i retire from blogging for another few months.
CLR, Ive been reading some of your stuff to figure you out a little better. In my humble opinion you are a talentless writer who takes her self entirely too serious.
Later gator
shit, man, if a fella can't shamefully self-promote himself in an unrelated discussion, then were he can he? "a mondo guy" indeed. ROFL. Also, me felt things were getting a tad heated, so best throw some water on the ole fire.
Aaman, that was a sweet comment.
although i do feel naz was being somewhat misunderstood a few comments back.
Awesome music - just sampled an exclusive song from iTunes - "When The President Talks To God" - quite well written. I'm only going to get this album - the other has poor reviews, and samples sounded over-produced. - Thanks for the review
Once again, you are simply demonstrating your own lack of musical knowledge.
You do not have the first clue how much musical knowledge I possess. Disagreeing with you does not make me ignorant or wrong.
Robert Smith? Off key? Your ears are full of cement.
Have you ever listened to The Cure? OK... so you do not hear the similarities in the voices. Fine. And off-key might be a bit harsh, but when I listen to Conor, I hear a certain warbling quality to his voice that is a big turn off.
Perhaps you don't like him but your attempts at criticism are nothing but immature, ignorant insult.
Namecalling... that rates very high on the maturity scale. If you do not like people taking views different from your own, post your writing on a blog with comments turned off and you will be spared the specter of dissent. Your disagreement with my criticisms does not make them wrong and implying your superiority does not render them moot.
Hence the reason I really have zero respect for your opinion.
I am crushed. Really. And here I thought we were going to be friends.
I'm just curious how many of his records you own, exactly? Since you're not hearing him on any radio station.
I do not own any of them. I have listened to material from his last two albums because one of my co-workers is a big fan. I also saw a performance on Letterman.
Here you go again, telling people how they should feel and what they understand and what they think. It's impossible to have a discussion with anyone who's like this.
Boy are we lucky you are not doing this.
*whine* read what I wrote and agree with me! *stamp feet*
I thought she was saying that to Naz, who was a bit more, um, aggressive
Naz might have been the more aggressive one... until I overreacted. =)
I think some of it was tossed my direction on the count of me starting the crap about Robert Smith (which I stand by). But I probably should have taken my pill rather than let myself get dragged into some silly message-board drama.
I am going home and I am taking a nap.
It's just a record review, it's just an opinion, it's not meant to be anything moe than what it is, one person's opinion on a record. It's not a political statement or grand defense of Conor Oberst. I am impressed with this release and its companion, I am impressed at his performances of late, and how he shared a stage with the likes of R.E.M. and Bruce Springsteen and held his own - not an easy feat in front of an audience that cowed even R.E.M. If you don't like the record, cool. If you do, cool.
The one thing about Conor's work (and, again, I tried to make this point in my review, perhaps I didn't succeed) was that it always represented where he was, as an artist and an individual, at any given time. Language considered "pretentious" by some spoke directly and emotionally to others, and was extremely meaningful to them.
I remember seeing the Cure when they first toured the U.S. so I have been following them for some time and am reasonably familiar with their material, and have never heard that comparison, nor have I ever heard any one else on the entire planet level it. It doesn't seem particularly constructive or relevant, but it is, of course, an opinion you're entitled to. However, you have to admit that it doesn't leave any room for any kind of meaningful dialogue on the subject.
"He doesn't!"
"He does!"
Well, okay. Form that opinion from a casual listening and dismiss the rest of the body of work, certainly an approach that you're entitled to, but one whose validity and value could be called into question by others.
And Eric, remember what I said about why I am not fond of replying to comments on BC? A bottomless pit with really no value in the end.
It's just a review - if you find value or insight, then enjoy it. If you don't, click to the next thing.
Signed,
Talentless Hack
as much as i don't like Bright Eyes, i still don't see why folks like to wield the words "pretentious lyrics" like a weapon.
i mean, don't you have to know the intent to be sure that someone's being pretentious?
I agree with you Mark.
At the same time, it is my opinion after many listens that the whole Bright Eyes phenomenon has grown a little bit out of proportion. I will be giving the two new albums a very close listen sometime soon, but it is my opinion after the last album with the annoyingly long title, that Connor Oberst, while providing a new packaging, isn't really doing anything all that new or groundbreaking. Like I said, I will reserve judgement on the new stuff for now.
In terms of the Robert Smith thing, I agree that there are some techniques that both of these guys use that are similar in the way they approach notes in their vocal chords. I think it is hard to explain over a blog, but I know what you are talking about when you say you hear similarities.
Caryn, the value of interacting via comments can only be determined by the individual and you are free to do so as much or as little as you would like. But I disagree that nothing is gained through said interaction.
Caryn (if I may be so familiar as to use your name), I do not think of you as a talentless hack- I don't even think of Conor as a talentless hack.
As to my Cure comparison... I would love to be able to say I am the only person who has come up with this connection, but I am not. I am including these examples not to bolster my own point (we obviously disagree and you make a good point about the potential for dialogue on this subject), but in case you are curious here are some blurbs from other critics who have made this connection [God Bless Google]:
Oberst's quavering vocal always has resonated with a debt to Robert Smith, leader of English 1980s synth-rockers the Cure. (from the Oregonian)
His shaky Elmer Fudd-meets-Robert Smith moan is too weird (WCNC)
Critics of Bright Eyes complain of Oberst's Robert Smith-style, choked-up cry and his songs of doomed depression and problematic love. After a while, the "no one understands me" mentality of Bright Eyes seems like a parody of bad high school goth poetry. (Minnesota Daily).
How many times should a reviewer/critic listen, read, watch, etc. a particular work before rendering an opinion? That is an interesting question and it is a discussion I have had with more than one person- it is very subjective as is this whole pursuit as you aptly point out in your response. If someone wants to dismiss my criticism of Conor Oberst on grounds I have not listened to enough of his work, that is fair. I would contend I have heard him sing enough to know whether or not he sounds like Robert Smith, others would say not. And that is OK with me. You either hear it or you do not.
So I guess I would like to close with this... if this is just a review followed by a conversation maybe we should all tone things down a bit. Questioning someone's musical knowledge by accusing them of having cement in their ears, or calling someone else's thoughts ignorant or immature... well, that tends to piss people off and they are likely to go shooting off at the mouth in response. And then you have this.
You are not a talentless hack. I am glad you like the Bright Eyes record. I am glad you wrote a review of it. I am glad so many people have taken the opportunity to discuss it. I am sorry if my words or tone have come across as hurtful or unpleasant.
dj radiohead, what you are is a gentleman.
absolutely
Bright Eyes will be on an NPR concert this weekend at Washington D.C.'s 9:30 Club - details here - the show will also be available online. Joining Bright Eyes in concert are Tilly and the Wall, also from Nebraska, and sisters Bianca and Sierra Casady who perform as CocoRosie.Tilly and the Wall's new album, co-produced by Oberst, is Wild Like Children. CocoRosie are promoting La Maison De Mon Reve, an album the American sisters recorded in Paris, where they now live.
cool, thanks aaman. i'll have to check out the online version.
I think everyone is being a little bit precious. I understand that its healthy towant to be reasonable polite online or otherwise, but we're discussing a record and i think we should all feel free to disagree with anyones opinions regarding it in a reasonably aggressive manner.
Its a blog forum...not church. Senators in parliment dont even act so reserved as some of you cats in this forum.
And Caryn.. I think it was you who started the aggressivnes back when you told djradiohead he has cement in his ears for thinking Conner sounded similer to Robert smith. So get over your hypocrysy and have some fun.
HaHa.. I knew i would get a rise out of you all for that post. I was a little careless I suppose but I think the essence of my comment was correct.
That is to say that (in my opinion) terrorists are very minor participants in this war. There are terrorists out and about and engaging with the U.S. however, most of the so called terrorists are elsewhere in the world. Certainly, Al-queda et al. are not in Iraq.
Iraqi civilians are engaged in a civil war and a war against what they believe is an occupying power trying to instill their interests in Iraq. Sure some of these Iraqis are using horrible tactics, but we created the state that country finds itself in. There were much less damaging means of getting rid of Sadamm Hussein. Nor do I believe it was our place to remove him, especially under the pretenses that Iraq was part of a war on terrorism. That was a flat out lie, and the world knew it was from the get go. That hole bit of charades at the security counsel with Powell was just a low point in American history.
Ok.. so what I was saying was America being on Iraqi turf gives us little or no moral clout, even if we do have an upper hand on a handful of psycho terrorists. So to listen to you guys go on about the details of certain terrorists actions, is to be blind to the situation at large. We should be ashamed of our ignorance and our stubbornness to face the real problem.
I think most Americans like to imagine that they are at war with a country full of evil terrorists. We arn't, but we sure are doing our best to create some.
Those quotes about wanting to rid America of democracy, well that's just crap. How many Iraqi's are out on a war against Democracy. next to none. Your listening to one or two quotes from rebel rousing clerics or terrorists. Do you really think this is what were fighting? Such crap...
Anyway, my position is that Americans would have done better to gather multilateral support for the formation of a intelligence community and counter terrorism strikes across Europe and the east. Instead we decided to attack Iraq for totally different reasons and alienated everyone. Now the citizens of the world, and their governments are all working against us in the hopes that we fail (and this is real, they really are working against us).
So we try our best to justify our war as being against terrorists. "terrorist" has become a blanket term to refer to anyone who points a rifle towards an American, and we prefer this use of the word cause it makes us feel morally justified. Sure we drag the odd the kidnapping victims and other to the surface and use this to reinforce our beliefs that the average Arab is crazy, but in reality we as a people don't have the slightest clue what an Arab is like or about, nor do we realize the years of insult we have hurled upon them. We think we have the solution -- we'll bomb them and show them American money at work, let them see the wonders of capitalist economies in the Arab world. They wont think twice of the losses they took in those bombings because they'll be so impressed by the economic opportunities. It's soooo pathetic, and depressing, and most of all arrogant..
sorry.. that last post belongs on antoher thread.. how'd that happen?? disregard it...
I like the album. And I don't think conor cares what any of the critics say about it.
The problem is that you people need to stop hearing the music and listen to it. This album is one of the best albums I have ever heard. It doesn't matter what Conor Oberst's voice sounds like or what the critics think or any of that stuff be human and formulate your own opinion which you are entitled to. Listen to the music and ask yourself how it makes you feel. Don't go around saying "it sounds like this guy" or trying to put it into some genre like folk emo or something. We are past those days. Rock and roll isn't what it used to be. There are too many people out there doing there own thing to classify music like "alternative" what is it an alternative from? From the old school rock like Elvis Presley or the Beatles? Look all I'm saying is when I look at these reviews and people are making comparisons with other stuff that is just so futile. Those days died in the 60's welcome to 45 years of being original. Have a great day.
i can tell you all are wicked smartt. i even had to look up some of the words everyone is throwing around just to make sure i knew what i was reading... iam in the closet bright eyes fan, like (i think ) most people are... simple put i like um' becuse they say something to me. blaa blaaa to the musical dadadaaa that they are ment to havee...






Thanks for the review...I'm very very eager to hear this. Q Magazine in the UK gave it 5 stars (instant classic level) and Rolling Stone gave it 4 stars, and your review. It does sound like something truly special.