Best of 2004
Published January 17, 2005
This is the first year that, for some reason, I don't feel like I really connected with the critical favorites. Maybe I'm getting old, maybe I just wasn't paying much attention, but in checking out some of the top entries on the many best-of lists, both professionally crafted and those by us "amateurs," left me reactionless. "I've heard it before, better," was my reaction a lot of times, so my list is peppered with a lot of older acts that may not be getting the spotlight they deserve from others, but they've put out some of the best material they ever have.
When making a list such as this you're faced with taking two directions - pick out the most "artistically important" releases of that year, or focus on the albums you actually enjoyed the most. In the past I've taken a route that mixed the two, with a slight emphasis on the "artistic" aspect of the music, and found a year or two later that I'd tired of the "artistic" music, but continued on listening to the things I simply enjoyed the most. So I realized that, for most instances, listing out the most artistically challenging releases for the year was kind of a waste - it means I'm recommending people buy albums that they too will tire of after a while. So this year I'm going with music that I think people will enjoy for years to come. Strangely, in doing so, I found it more difficult to determine placement on the list than ever before. What I loved in 2004 I loved a lot. I hope you do too.
General Rock:
1a. Elvis Costello & the Imposters: The Delivery Man
Somehow, nearly thirty years into his career, Costello has managed to turn out one of his best albums ever. Elvis Costello is anything but afraid to take a chance - some may argue that he's too willing to do so, leaping from one style to another, often leaving the less adventurous listeners in the lurch while doing so. Those who simply listen to Costello for the song-writing have been rewarded with a (mostly) consistent and large catalog of music. The advantage of having such an illustrious past behind him is that, while it may have frustrated fans at some points, the long, varied career behind Costello allows him to pick and choose from everything he's done to craft albums now, arming him with a bevy of powerful tools with which to create music. And while he's able to borrow from his past, he resists simply rewriting old songs with The Delivery Man. This time around, he's mixing up that troublesome mid-period, where he'd moved from the uppity post-punk of his "angry young man" period to the thoughtful faux-country style he inhabited on King of America, with the nuanced and purposeful angst of the "peeved nearing middle-aged man" of Brutal Youth, with a few touches of the obtuse, gritty dirt of 2002's When I Was Cruel. The result is a bunch of gorgeous ballads, the best of which are the yearning "Either Side Of The Same Town" and the sorrowful "Nothing Clings Like Ivy" juxtaposed with the raucous 60s throwback energy of "Monkey to Man" (one of my favorite songs of the year, in fact) and the rousing country-rock of "There's A Story In Your Voice," featuring the vocals of new-country star Lucinda Williams, whose drunken-cowgirl schtick is as irritating as it is endearing. The result is an album of finely crafted songs that will provide for pleasant listening for years to come.
- Best of 2004
- Published: January 17, 2005
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- Section: Music
- Filed Under: Music: Metal, Music: Pop, Music: Rock
- Writer: Tom Johnson
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Comments
Tom,
Interesting list- particularly Helmet. I expected so much less and was pleasantly surprised. I can't say I like the album as a whole, but there are a couple of very good songs ("Throwing Punches" has been a favorite of mine since I heard it on the 'Underworld' soundtrack).
Eric: do check out both the Sinatras as well as the Grant Lee Phillips album - if you liked what they did in the past, you'll like what they're doing now, and probably more, from my perspective. They're that good.
DJRadiohead: I went into the Helmet album with low expectations, too, and still found it to be a disappointment. I'd much rather listen to pretty much anything than this, sadly. I really thought I might like it, as I even like Aftertaste, which I think is unfairly slagged by fans who might have been expecting Betty II.
I must say you do check out the hard, cold, strange and unusual shit. No Dick Dale and the Deltones for your funky ass. I find your tastes peculiar but your means of expression are immaculate, and I don't think I've had as much fun with a single post since I went skinnydipping with the Bundchen sisters.
Fascinating list...I didn't know Einsturzende Neubauten were still around either. I'll have to look that up.
Keep listening to Arcade Fire. It is a truly beautiful album and they are starting to build a buzz.
as usual, tom provides a varied list, almost none of which is on mine.
...which is a good thing because now there's more stuff to check out.
particularly that intrumental Mike Keneally cd. yummy.
i do have the Wilco cd and it's pretty cool. is is alt.country? it is music concrete? uhm, yes.
tom, excellent stuff. i never thought i'd enjoy reading about Marillion, but there you go, suprised am i, as yoda would say, if he too were reading about marillion.
I somehow managed to miss the whole Modest Mouse thing, and it was only after my own list was up that someone reccomended it. It blew me away, is what. Fantastic.
I would add the libertines, of course, to any list of best records of 2004, but thats why we all got our own, i guess.
Brilliant stuff, and whilst i'm wary of instrumental rock opera shindigs, you write about it brilliantly.
and as a fairly long-time fan of nick cave, having enjoyed pretty much all of his back catalogue, i gotta say the new record (s) is the best thing i've ever heard from the dour sonabitch.
Good sir Duke, never fear, the Libertines released a much-enjoyed album, but I had to make a cut-off point somewhere. As I mentioned, it was a really tough job just picking these, and the Libs weren't the only thing I had to sadly leave out of this meandering list.
I may have a "honorable mention" list for those things that just didn't quite make the cut. I realized in retrospect there were a number of things that I really enjoyed that, for whatever reason, the listening tapered off toward the end of the year and they plum got forgotten. ANd there are things like the new U2, which came out so late in the year that I have a hard time calling it a "2004 album," as the majority of it's first full year of life will be spent not in 2004 but in 2004. Anything released in the last couple months of the year is pretty hard to list as a best-of for the entire year, I think. I know my tastes change pretty quickly, and what I favor immediately after buying may well disappear from my listening queue by year's end.
Anything released in the last couple months of the year is pretty hard to list as a best-of for the entire year
I totally agree. I left Eminem's Encore off my list, but i've been listening to it constantly for the last month. It's hard to get a handle on things overnight.



wildly interesting and informative list Tom, thanks! Ihad no idea the Trash Cans were still around and I had almost completely forgotten Grant Lee