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<title>Blogcritics: Comments on New album releases, week of 1-11-2005</title>
<link>http://blogcritics.org/</link>
<description>A sinister cabal of superior bloggers on music, books, film, popular culture, politics, and technology - updated continuously.</description>
<language>en</language>
<copyright>Copyright 2005 by the authors</copyright>
<lastBuildDate>Tue, 11 Jan 2005 11:34:28 EST</lastBuildDate>
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<title>Comment by Tom Johnson</title>
<link>http://blogcritics.org/archives/2005/01/10/232511.php#comment-107977</link>
<description>Mr. Benning, greatest-hits comps are what record companies live for.  They&#039;re cheap to compile and produce since the music is already paid for, so they&#039;re basically just profit-makers.  And if you didn&#039;t realize, 10 years after something first came out is when the whole nostalgia marketing starts aiming at those late-20-somethings who lived on this stuff as teens.

And Al, the Living Colour release is excellent.  I&#039;ve had it for a few months, as it&#039;s been available at &lt;a href=&quot;http://www.livefromthevaults.com&quot;&gt;Sony&#039;s Live From The Vaults&lt;/a&gt;, along with the Toad the Wet Sprocket and Soul Asylum releases.</description>
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<pubDate>Tue, 11 Jan 2005 11:34:28 EST</pubDate>
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<title>Comment by mrbenning</title>
<link>http://blogcritics.org/archives/2005/01/10/232511.php#comment-107889</link>
<description>What&#039;s with the greatest hits and live releases from early nineties alt-rock acts? There&#039;s been a string of &#039;em lately.
Collective Sould just had a greatest hits. Live just had a greatest hits. STP, Pearl Jam, REM, etc, all had recent greatest hits releases.</description>
<guid isPermaLink="false">107889@blogcritics.org</guid>
<pubDate>Tue, 11 Jan 2005 08:46:58 EST</pubDate>
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