De Palma Style

Written by Sadi Ranson-Polizzotti
Published December 18, 2004
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One thing that I wonder about though, is De Palma's obsession with flashing lights. In every film of his that I have seen, there are lights that strobe, or strobe effect created by lightning or some electrical current or a workman's torch etc. And almost without question, it is during one of the strobe light scenes that the prime murder will take place, as if the strobe is somehow doing that strobe thing of flickering so fast that it actually slows the scene down a bit, in some creepy way, like we're seeing snapshots of the murder in real time. It's a clever and creepy effect and as noted, one I've seen him used repeatedly. It's also more than a little fetishistic, but what in De Palma's films is not. There are voyeurs, masturbators, exhibitionists galore, murder and sex intricately connected almost all the time, sex with total strangers, and then Nancy Allen in the eye of the storm with her one man hero who will try to save the day and her life and who sometimes does. No matter how formulaic it is, it still somehow all comes together and works. It's the kind of film I want to watch when I'm sick in bed with a cold because if it came on the regular TV I would consider it a score, a real made-for-TV movie for a Sunday afternoon, because it has that TV quality somehow, that television formula, and perhaps the only reason we don't see more of them on TV is due to all the breast and sex scenes. Cut those out of a De Palma film and what do you have left? Just shreds of a story that ultimately, probably isn't very good.

Of all, I'd say Blow Out is my personal favorite because there is a story - a real story that gives us something to hang onto. There is some political thing going on and there is a real conspiracy and cover up and that's interesting. It's also interesting to watch as Travolta the sound man pieces together that this could not have been a simple tire blowout based on the sound as he's recorded it. There's enough of a plot to get us hooked, and though the rest is classic De Palma and largely gratuitous, there is something here that is worth seeing nonetheless. The rest may be pure schmaltz, but the value as I've said is that at least the women look like real women and that's quite refreshing in this day and age when sixteen year olds get breast jobs for their birthday and begin stripping at eighteen or to see that Olsen twin starve herself so thin that no one noticed for so long because it was so "in fashion" to be so waifish that what would have really stood out years ago, was hardly noticed until it became almost life threatening. None of this can be good for women, and for all of the progress we've made, it's odd that I find an aesthetic in a Brian De Palma film that is on the whole, more pleasing, if at times degrading, but more actual, more real, than what I see in so many films and television ads today. I can't even look at a Victoria's Secret catalogue anymore without wondering who really looks like this. I know Bob Dylan has endorsed it and why shouldn't he, I guess. It seems the rest of society has too.

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De Palma Style
Published: December 18, 2004
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Section: Video
Writer: Sadi Ranson-Polizzotti
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#1 — December 20, 2004 @ 07:11AM — D.B. Cooper

Interesting take on the phenom known as De Palma - the one-time bad boy of film directors. I think a lot of his gratuitous scenes are spoof, or a way in which he thumbs his nose at the formula systems in place which require a bit of T&A and a bit of blood. De Palma cut his teeth in a few crappy B-Movies before becoming A list, and I think his violence and sex is his way of saying, "If you are going to make me do this, then I will do it over the top." The great argument with De Palma, and one which will haunt him to his grave, is that his films tend to resemble a lot of previous films, Hitchcock, Blow Out an Americanized version of Antonioni's Blowup, etc.....What is perhaps his most famous film, Scarface, is also a remake of Howard Hawks' film noir classic. It is so incredibly violent that I have only seen it once and have never really had an interest in seeing it again. His greatest film, Carlito's Way, is a mature, composed De Palma at the height of his powers. Even in his worst films, there are moments of brilliance exposing a truly inspired talent. He has never refined his destructive bad boy tendencies, and his uneven career has suffered because of it. You've made a good point however, as the ideal of a female's body has changed throughout the years in films. I have always been insulted by films with average looking male stars - Duvall, Hoffman, Hackman, hell, even De Niro, having wives or girlfriends who look as if they stepped off the covor of Glamour magazine. A man can be butt ugly, but he's always going to have that perfect Victoria Secret model on his arm........There's an old western called The Cowboys, starring John Wayne in the twilight of his career. The film is only fair, but there are some extraordinary scenes between him and the actress playing his wife. She is old, weary, large in the hips. But she is real. Such honesty is rare in many films today. People chime about being the maker of dreams in Hollywood, but since when did dreams become emotionally untruthful?

#2 — December 20, 2004 @ 10:22AM — sadi [URL]

d.b. - thanks for such a long and thoughtful comment. you're right about the male leads always having these gorgeous types on their arms. it's interesting. and yes, to me, i was more interested in how the ideal of female beauty has changed to something that i believe at one time was attainable, and now, is attainable only through plastic surgery etc. That sets a standard that is impossibly high to most women and beyond the reachof our wallets even if we DID want to be that.

De Palma is spoofing, you are right, and he does it well. But there's still something there that works for him and that i always find interesting in his films, despite the often obnoxious stereotypes and women often being used as mere sex objects. perhaps a lot of that is tongue in cheek - i wouldn't doubt that.

if only directors today made more characters like our Bridget Jones who is perhaps closer to reality and lovable in her way. I think my next piece will likely be on her in the first film, because there is so much there and lets face it, it's all a spoof of PRide and Prejudice, even including Mr. Darcy who even repeats some of the same lines, though slightly altered, as in the PBS mini-series of PRide and Prejudice.

It's interesting... could go on forever. must restrain myself. much reading and catching up to do.

be well, and take good care of yourself.

sadi

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