The Literary Review awarded it's 12th annual Bad Sex Award to Tom Wolfe for his new book "I Am Charlotte Simmons". Tom earlier claimed in a Guardian interview that "I have tried to make the sex un-erotic. I will have failed if anyone gets the least bit excited. So much of modern sex is un-erotic, if erotic means flight of fancy or romantic build-up."

A sample of his work:

Hoyt began moving his lips as if he were trying to suck the ice cream off the top of a cone without using his teeth. She tried to make her lips move in sync with his. The next thing she knew, Hoyt had put his hand sort of under her thigh and hoisted her leg up over his thigh. What was she to do? Was this the point she should say, "Stop!"? No, she shouldn't put it that way. It would be much cooler to say, "No, Hoyt," in an even voice, the way you would talk to a dog that insists on begging at the table.

Slither slither slither slither went the tongue, but the hand that was what she tried to concentrate on, the hand, since it has the entire terrain of her torso to explore and not just the otorhinolaryngological caverns - oh God, it was not just at the border where the flesh of the breast joins the pectoral sheath of the chest - no, the hand was cupping her entire right - Now! She must say "No, Hoyt" and talk to him like a dog. . .

. . . the fingers went under the elastic of the panties moan moan moan moan moan went Hoyt as he slithered slithered slithered slithered and caress caress caress caress went the fingers until they must be only eighths of inches from the border of her public hair - what's that! - Her panties were so wet down. . . there - the fingers had definitely reached the outer stand of the field of pubic hair and would soon plunge into the wet mess that was waiting right. . . there-there-
(p368-9)

The Other Nominees:

Andre Brink's "Before I Forget"

. . . the most tousled, tangled pubic patch through which I have ever had to find my way. A near impenetrable little forest, a small private Amazon to get lost in. But when one finally got down to the river, slipping and sliding through reeds and weeds and rushes and undergrowth, one could slither through the mud and dive in, wholly immerse oneself, stay down for an impossibly long time, nearly drowning, before coming up again, panting and heaving. . .
(p140)